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1Just One of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
3:15
2I'm Gonna Sit Right Down (And Write Myself a Letter)
2:27
3Sunday
registrazione di:
Sunday (famously sung by Frank Sinatra & others)
autore:
Chester Conn (fino al 1926), Benny Krueger (jazz saxophonist) (fino al 1926), Ned Miller (Nathan "Ned" Miller) (fino al 1926) e Jule Styne (fino al 1926)
editore:
EMI United Partnership Ltd. e Leo Feist, Inc.
2:31
4Wrap Your Troubles in Dreams2:16
5Taking a Chance on Love2:13
6Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
2:24
7Get Happy
registrazione di:
Get Happy
paroliere:
Ted Koehler (nel 1929)
compositore:
Harold Arlen (nel 1929)
editore:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
Summer Stock
parte di:
The Nine‐Fifteen Revue (1930)
2:26
8All of Me
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
2:10
9Night and Day
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
4:00
10I Wish I Were in Love Again
registrazione di:
I Wish I Were in Love Again
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell Music (UK)
parte di:
Babes in Arms (full musical)
2:29
11I Got Plenty o' Nuttin'3:12
12I Guess I'll Have to Change My Plan
registrazione di:
I Guess I’ll Have to Change My Plan
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
editore:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated) e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
The Band Wagon (1953 film)
2:24
13Nice Work If You Can Get It
registrazione di:
Nice Work If You Can Get It
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
2:22
14Stars Fell on Alabama
registrazione di:
Stars Fell on Alabama
paroliere:
Mitchell Parish
compositore:
Frank S. Perkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. e Mills Music
2:38
15No One Ever Tells You3:24
16I Won' Dance
registrazione di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:23
17The Lonesome Road3:55
18At Long Last Love
produttore:
Voyle Gilmore
arpa :
Kathryn Julye
batteria :
Alvin Stoller
chitarra :
Nick Bonney (guitarist)
contrabbasso :
Joe Comfort
pianoforte :
Bill Miller (pianist)
sassofono baritono :
Joe Koch
sassofono contralto :
Harry Klee e Wilbur Schwartz
sassofono tenore :
Ted Nash (75- US saxophonist, the nephew)
tromba :
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano e Shorty Sherock
trombone :
George Arus, Ed Kusby e Dick Noel (trombone)
viola :
Alvin Dinkin, Maxine Johnson e Dave Sterkin
violino :
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson e Gerald Vinci (American violinist and strings conductor)
violoncello :
Cy Bernard, Edgar Lustgarten e Eleanor Slatkin (US cellist, b. Aller)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
direttore d'orchestra:
Nelson Riddle
orchestratore:
Nelson Riddle
registrata presso:
Capitol Tower in Hollywood, Los Angeles, California, Stati Uniti (il 1956-11-20)
registrazione cover di:
At Long Last Love (il 1956-11-20)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell & Co., Inc. (USA)
parte di:
You Never Know
registrazione di:
At Long Last Love
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell & Co., Inc. (USA)
parte di:
You Never Know
2.52:25
19You'd Be So Nice to Come Home To
registrazione di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
2:04
20I Got It Bad (And That Ain't Good)
3:23
21From This Moment On
registrazione di:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
paroliere e compositore:
Cole Porter (composer) (nel 1950)
parte di:
Kiss Me, Kate (musical)
3:52
22If I Had You
registrazione di:
If I Had You (jazz standard)
autore:
James Campbell (British songwriter and music publisher), Reginald Connelly e Ted Shapiro
editore:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) e Robbins Music Corp.
2:36
23Oh! Look at Me Now2:49
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Accreditamenti

Pubblicazione

fabbricata a:Europa
Discogs:https://www.discogs.com/release/10245729 [info]

Gruppo di pubblicazioni

parte di:10 CD Collection (ordine: 8)