Sound System

~ Veröffentlichung von The Clash (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Countries excluded (iTunes)

(As of 2020-11-12).

  • Caribbean: 🇯🇲 Jamaica (jm) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc)
  • Northern Europe: 🇮🇸 Iceland (is)
  • Southern Europe: 🇭🇷 Croatia (hr) 🇲🇰 Macedonia (mk) 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma)
  • Western Africa: 🇧🇯 Benin (bj) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇨🇮 Cote D’Ivoire (ci)
  • Eastern Africa: 🇲🇬 Madagascar (mg) 🇲🇼 Malawi (mw) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇷🇼 Rwanda (rw) 🇿🇲 Zambia (zm)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇬 Congo (cg) 🇹🇩 Chad (td) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇧🇭 Bahrain (bh) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇾🇪 Yemen (ye) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv)
  • Eastern Asia: 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Polynesia: 🇹🇴 Tonga (to)
  • Melanesia: 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
Anmerkung zuletzt geändert am 2020-11-12 11:51 UTC.

Titelliste

1▶Digitales Medium: The Clash
2▶Digitales Medium: Give ’em Enough Rope
3▶Digitales Medium: London Calling
4▶Digitales Medium: Sandinista!
5▶Digitales Medium: Combat Rock
6▼Digitales Medium: Live at Shea Stadium
Nr.TitelBewertungLänge
1Kosmo Vinyl Introduction (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
1:10
2London Calling (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
London Calling (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) und Virgin Music (Publishers) Ltd.
3:29
3Police on My Back (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live cover recording of:
Police on My Back (am 1982-10-13)
Texter und Komponist(in):
Eddy Grant
publisher:
Edward Kassner Music Co. Ltd.
3:28
4The Guns of Brixton (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
The Guns of Brixton (am 1982-10-13)
Texter und Komponist(in):
Paul Simonon
publisher:
Nineden Ltd.
basiert auf:
Paul’s Tune
4:08
5Tommy Gun (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Tommy Gun (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
3:19
6The Magnificent Seven (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
The Magnificent Seven (am 1982-10-13)
Texter:
Joe Strummer
Komponist(in):
Mick Gallagher (UK hammond organ player), Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Norman Watt-Roy
publisher:
Nineden Ltd.
2:34
7Armagideon Time (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Armagideon Time (am 1982-10-13)
Verfasser(in):
Willi Williams (Jamaican reggae artist)
Komponist(in):
Clement “Coxsone” Dodd
basiert auf:
Real Rock (riddim)
2:56
8The Magnificent Seven (Return) (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
The Magnificent Seven (am 1982-10-13)
Texter:
Joe Strummer
Komponist(in):
Mick Gallagher (UK hammond organ player), Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Norman Watt-Roy
publisher:
Nineden Ltd.
2:24
9Rock the Casbah (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Rock the Casbah (am 1982-10-13)
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
3:22
10Train in Vain (Stand by Me) (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Train in Vain (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
3:46
11Career Opportunities (live)
recording engineer:
Glyn Johns (am 1982-10-13)
Bassgitarre:
Paul Simonon (am 1982-10-13)
E-Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) (am 1982-10-13) und Joe Strummer (am 1982-10-13)
Schlagzeug:
Terry Chimes (am 1982-10-13)
Hintergrundgesang:
Mick Jones (The Clash/Big Audio Dynamite) (am 1982-10-13) und Paul Simonon (am 1982-10-13)
Sologesang:
Joe Strummer (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Career Opportunities (am 1982-10-13)
Verfasser(in):
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon und Joe Strummer
32:06
12Spanish Bombs (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Spanish Bombs (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
3:18
13Clampdown (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Clampdown (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
basiert auf:
Working and Waiting
4:27
14English Civil War (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
English Civil War (When Johnny Comes Marching Home) (am 1982-10-13)
Verfasser(in):
[traditional] (special purpose artist) und The Clash (70s–80s British punk rock band)
arranger:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
basiert auf:
When Johnny Comes Marching Home (trad.)
2:39
15Should I Stay or Should I Go (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live recording of:
Should I Stay or Should I Go (am 1982-10-13)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
2:45
16I Fought the Law (live)
recording engineer:
Glyn Johns (am 1982-10-13)
aufgenommen bei:
Shea Stadium (baseball stadium) in Queens, New York, New York, Vereinigte Staaten (am 1982-10-13)
live cover recording of:
I Fought the Law (am 1982-10-13)
Texter und Komponist(in):
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:21
7▶Digitales Medium: From Here to Eternity: Live
8▶Digitales Medium: Sound System Extras 1
9▶Digitales Medium: Sound System Extras 2
10▶Digitales Medium: Sound System Extras 3
11▶Digitales Medium: The Clash Promo Videos

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2013)
Teil von:Apple Digital Masters (ex‐“Mastered for iTunes”) (Reihenfolge: 568)
zum Herunterladen kaufen:https://itunes.apple.com/us/album/id688793621 [Info]