Shakespeare’s Musick

~ Release by Musicians of The Globe, Philip Pickett (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Masque of Oberon: Fanfare
Ben Jonson?:??
2The Masque of Oberon: Melt Earth to Sea
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Ben Jonson?:??
3The Masque of Oberon: Dulcina
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Ben Jonson?:??
4The Masque of Oberon: Nor Yet o You in This Night Blest
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Tom Finucane (lutist) (in 1994-11) and Jacob Heringman (American lutenist) (in 1994-11)
soprano vocals:
Libby Crabtree (in 1994-11) and Helen Groves (British soprano) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Ben Jonson?:??
5The Masque of Oberon: The First of the Princes
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Ben Jonson?:??
6The Masque of Oberon: Nay, Nay, You Must Noit Stay
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Jacob Heringman (American lutenist) (in 1994-11)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Ben Jonson?:??
7Daphne
recording engineer:
Gosia Jankowska, Roger de Schot and Ko Witteveen (engineer)
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer), Fiona Gale and Gosia Jankowska
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04, in 1996-05)
conductor:
Philip Pickett (musician) (in 1995-04, in 1996-05)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-05)
William Shakespeare?:??
8O Mistress Mine
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: O Mistress Mine (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
William Shakespeare?:??
9Robin
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
William Shakespeare?:??
10It Was a Lover and His Lass
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
soprano vocals:
Libby Crabtree (in 1995-04) and Rachel Elliot (soprano) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
First Book of Ayres: It Was a Lover and His Lass (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer) (until 1600)
is based on:
A Lover and His Lass (original poem)
part of:
First Book of Ayres
William Shakespeare?:??
11Packington’s Pound
recording engineer:
Gosia Jankowska and Ko Witteveen (engineer)
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Gosia Jankowska
harpsichord:
Gary Cooper (conductor/keyboardist) (in 1996-05)
conductor:
Philip Pickett (musician) (in 1996-05)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-05)
[traditional]?:??
12Dido Was the Carthage Queen
[traditional]?:??
13Sellinger’s Round
recording engineer:
Gosia Jankowska and Ko Witteveen (engineer)
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Gosia Jankowska
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-05)
conductor:
Philip Pickett (musician) (in 1996-05)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-05)
[traditional]?:??
14The Enchanted Island: A Martial Jigg
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04, in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom and The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The Tempest: Fourth Act Tune - A Martial Jigge (in 1995-04)
composer:
Matthew Locke (English Baroque composer, c. 1621-1677)
part of:
The Tempest
Matthew Locke?:??
15The Enchanted Island: Soft Musick on the Rocks
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell?:??
16The Enchanted Island: Mask of Neptune and Amphitrite
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Neptune]:
Roderick Williams (British baritone and composer)
soprano vocals [Amphitrite]:
Rachel Elliott
soprano vocals [Tethys]:
Nicki Kennedy (soprano)
tenor vocals [Aeolus]:
Paul Agnew (tenor and conductor)
tenor vocals [Oceanus]:
Andrew King (operatic tenor)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Pelham Humfrey?:??
17The Enchanted Island: Dance of Tritons and Nereides
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell?:??
18The Enchanted Island: Full Fathom Five
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Robert Johnson?:??
19Symphony & Chorus for Oberon’s Birthday (excerpt 1)
Henry Purcell?:??
20Symphony & Chorus for Oberon’s Birthday (excerpt 2)
Henry Purcell?:??
21A Shakespeare Ode: But Oh! What Sudden Gloom
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jean van Vugt
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 13 Recitative: "But oh! what sudden gloom" (in 1995-09)
composer:
Thomas Linley (the younger)
part of:
Ode on the Spirits of Shakespeare
Thomas Linley?:??
22A Shakespeare Ode: By the Pale Light
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jean van Vugt
alto vocals:
William Purefoy (in 1995-09)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-09)
bass vocals:
Simon Grant (bass-baritone) (in 1995-09)
soprano vocals:
Lilliana Mazzarri (soprano) (in 1995-09)
tenor vocals:
Andrew King (operatic tenor) (in 1995-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 14 Quartet: "By the pale light" (in 1995-09)
composer:
Thomas Linley (the younger)
part of:
Ode on the Spirits of Shakespeare
Thomas Linley?:??
23A Shakespeare Ode: See Through the Glimmering Darkness
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jean van Vugt
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 15 Recitative: See through the glimmering darkness" (in 1995-09)
composer:
Thomas Linley (the younger)
part of:
Ode on the Spirits of Shakespeare
Thomas Linley?:??
24A Shakespeare Ode: What Howling Whirlwinds
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jean van Vugt
choir vocals:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 16 Chorus: "What howling whirlwinds" (in 1995-09)
composer:
Thomas Linley (the younger)
part of:
Ode on the Spirits of Shakespeare
Thomas Linley?:??
25A Shakespeare Ode: For Whom at Yonder Livid Flame
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jean van Vugt
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-09)
conductor:
Philip Pickett (musician) (in 1995-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-09)
recording of:
Ode on the Witches and Fairies of Shakespeare: No. 17 Recitative: "For whom, at yonder livid flame" (in 1995-09)
composer:
Thomas Linley (the younger)
part of:
Ode on the Spirits of Shakespeare
Thomas Linley?:??
26Hark, Hark Each Spartan Hound
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Hark, Hark, Each Spartan Hound (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
William Shakespeare?:??
27Come Live With Me and Be My Love
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Adriana]:
Susan Gritton (soprano) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Come Live With Me and Be My Love (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
William Shakespeare?:??
28Spirits Advance
recording engineer:
Roger de Schot
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [First Fairy]:
Rachel Elliott (in 1996-09)
soprano vocals [Second Fairy]:
Joanne Lunn (British soprano vocalist) (in 1996-09)
tenor vocals [Oberon]:
Mark Tucker (tenor) (in 1996-09)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1996-09)
conductor:
Philip Pickett (musician) (in 1996-09)
balance engineer:
Ko Witteveen (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Spirits Advance (in 1996-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
William Shakespeare?:??