Innovations

~ Veröffentlichung von Hans Zimmer (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Copyright: © 2024 UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2024-10-30 18:55 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
2Matera
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Matera
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer21:59
3Chevaliers de Sangreal
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
Interpret(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Chevaliers de Sangreal (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer34:07
4Time (Arr. Guitar)
recording of:
Time (Inception)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Inception (Live in Prague)
Music Lab Collective43:19
5Mogadishu Blues
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Mogadishu Blues
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer12:54
7Fructus Gravis
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Fructus gravis (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer22:50
9Vale of Plenty
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Vale Of Plenty
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer12:28
10Earth
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Earth (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra23:02
11Zimmer: Main Theme [Rain Man]
Hans Zimmer4:49
12Zimmer: Shelter Mountain
recording of:
Shelter Mountain (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
13Now We Are Free
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra44:14
14Honor Him
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Honor Him (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra41:20
15L'Esprit Des Gabriel
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
L’Esprit des Gabriel (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer1.52:49
16Zimmer: The Ferry
recording of:
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
17The Paschal Spiral
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Paschal Spiral (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer1.52:49
18Of the Earth
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Of the Earth
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer22:19
19Slaves to Rome
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Slaves to Rome (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra11:00
20Salvete Virgines
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Salvete virgines (The Da Vinci Code)
Texter:
Abhay Manusmare
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer13:14
21Not Yet
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Not Yet
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard1:33
22Zimmer: This Is Going to Hurt
recording of:
This Is Going to Hurt (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
23Progeny
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Progeny (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1.52:14
24Sorrow
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Sorrow (Gladiator)
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:26
25Secrets
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Secrets
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
recording of:
Secrets
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:59
26Marrakesh Marketplace
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2001)
recording of:
Marrakesh Marketplace
Komponist(in):
Jeff Rona
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:42
27Zimmer: Burning Tree
recording of:
Burning Tree (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
28Rome Is the Light
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Rome Is the Light
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:44
29To Zuccabar
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
To Zuccabar
recording of:
To Zucchabar (Gladiator)
Komponist(in):
Ջիվան Գասպարյան (Djivan Gasparyan, duduk player) und Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra43:16
30Zimmer: She Never Sleeps
recording of:
She Never Sleeps (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
31Leave No Man Behind
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Leave No Man Behind (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer26:19
32The Mob
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
The Mob
Komponist(in):
Lisa Gerrard und Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer & Lisa Gerrard2:23
33Maximus
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Maximus
Komponist(in):
Hans Zimmer (German score composer)
Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
34Chant
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Chant (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer12:34
35Death Smiles at All of Us
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Death Smiles at Us All
Komponist(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer2:29
36Reunion
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Reunion (Gladiator)
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
recording of:
Reunion
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard31:14
37Zimmer: I'll Follow Your Voice
recording of:
I'll Follow Your Voice (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
38The Protector of Rome
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
The Protector of Rome
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer1:26
39All That Remains
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
All That Remains
Komponist(in):
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer0:55
40Strength and Honor
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Strength and Honor (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra12:10
41Figurines
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Figurines
Komponist(in):
Lisa Gerrard
Lisa Gerrard1:02
42The General Who Became a Slave
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
The General Who Became a Slave
Komponist(in):
Hans Zimmer (German score composer)
Gavin Greenaway, The Lyndhurst Orchestra & Hans Zimmer3:03
43The Emperor Is Dead
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Emperor Is Dead (Gladiator)
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard1:22
44Elysium
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Elysium (Gladiator)
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
publisher:
SKG Songs
Teil von:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard2.52:41
45Malleus Maleficarum
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Malleus maleficarum (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer22:19
46The Wheat
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Wheat (Aftermath, Gladiator)
Komponist(in):
Lisa Gerrard
publisher:
SKG Songs
Teil von:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard11:03
47Final Ascent
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Final Ascent
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer27:25
49Opening the Doors
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Opening the Doors
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer12:45
51Gun Barrel
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Holzblasinstrumente [Woodwinds]:
Pedro Eustache
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Gun Barrel
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer20:56
52Cuba Chase
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes‐Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson (cellist), Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jacqueline Thomas (British cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard (Cellist) und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Cuba Chase
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer15:41
53Still Reprise
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer12:12
54Ad Arcana
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Ad arcana (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer36:07
56Daniel's 9th Cipher
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Daniel’s 9th Cipher (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer39:31
57Rose of Arimathea
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Rose of Arimathea (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer38:12

Nennungen