Greatest Hits 1982–1989

~ Pubblicazione di Chicago (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

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1▼Audiocassetta
#TitoloValutazioneDurata
1Hard to Say I’m Sorry / Get Away
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Jack Goudie, Lee Loughnane e Walter Parazaider
tecnico di missaggio:
Bill Schnee
arrangiatore archi :
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Danny Seraphine
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982, nel 2010)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Get Away
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Robert Lamm
editore:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Hard to Say I’m Sorry (Chicago song)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Hard to Say I’m Sorry / Get Away
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. e Little Sacha Songs
medley di:
Hard to Say I’m Sorry (Chicago song)
medley di:
Get Away
55:10
2Look Away
assistente tecnico:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe e Bob Vogt
tecnico:
Daren Chadwick, Ron Nevison e Chas Sandford
produttore:
Ron Nevison
tecnico di missaggio:
James Guthrie, Chas Sandford e Greg Walsh (producer and engineer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988, nel 2010)
registrazione di:
Look Away (nel 1988)
paroliere e compositore:
Diane Warren (US songwriter) (nel 1988)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
54:05
3Stay the Night
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Stay the Night (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Songs, Inc., Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
43:51
4Will You Still Love Me?
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Laura Livingston
voce principale:
Jason Scheff (nel 1986)
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Will You Still Love Me? (Chicago song) (nel 1986)
autore:
Richard Baskin (film composer and producer) (nel 1986), David Foster (Canadian music producer, arranger and composer) (nel 1986) e Tom Keane (keyboards, of The Keane Brothers) (nel 1986)
editore:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (nel 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (nel 1986), Warm Springs Music (nel 1986) e Young Millionaires Club Music (nel 1986)
45:46
5Love Me Tomorrow
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Jack Goudie, Lee Loughnane e Walter Parazaider
voce principale:
Peter Cetera (nel 1982)
arrangiatore archi :
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Danny Seraphine
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Love Me Tomorrow (nel 1982)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. e Rondor Music (London) Ltd.
5:08
6What Kind of Man Would I Be? (remix)
produttore:
Chas Sandford
remixer:
Humberto Gatica
registrazione di:
What Kind of Man Would I Be?
autore:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (nel 1988), Chas Sandford (nel 1988) e Jason Scheff (nel 1988)
editore:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
4:16
7You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
53:52
8I Don’t Wanna Live Without Your Love
assistente tecnico:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe e Bob Vogt
tecnico:
Daren Chadwick, Ron Nevison e Chas Sandford
produttore:
Ron Nevison
tecnico di missaggio:
James Guthrie, Chas Sandford e Greg Walsh (producer and engineer)
voce principale:
Bill Champlin (nel 1988)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988, nel 2010)
registrazione di:
I Don't Wanna Live Without Your Love (nel 1988)
autore:
Albert Hammond (nel 1988) e Diane Warren (US songwriter) (nel 1988)
editore:
Albert Hammond Music, Realsongs e WB Music Corp. (1929–2019)
3:55
9Hard Habit to Break
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
voce principale:
Peter Cetera (nel 1984) e Bill Champlin (nel 1984)
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Hard Habit to Break (nel 1984)
autore:
Steve Kipner (nel 1984) e John Lewis Parker (nel 1984)
editore:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), April Music Inc. (nel 1984), Parker Songs (nel 1984), Stephen A. Kipner Music (nel 1984) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
44:46
10Along Comes a Woman
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
voce:
Peter Cetera (nel 1984)
arrangiatore:
Peter Cetera e Mark Goldenberg
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
Along Comes a Woman (nel 1984)
autore:
Peter Cetera (nel 1984) e Mark Goldenberg (nel 1984)
editore:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (nel 1984), Fleedleedle Music (nel 1984) e Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (nel 1984)
44:18
11If She Would Have Been Faithful…
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Laura Livingston
voce principale:
Jason Scheff (nel 1986)
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Steve Kipner
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986, nel 2010)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
If She Would Have Been Faithful... (nel 1986)
autore:
Randy Goodrum (nel 1986) e Steve Kipner (nel 1986)
editore:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (nel 1985), California Phase Music (nel 1985) e Stephen A. Kipner Music (nel 1985)
3:55
12We Can Last Forever
assistente tecnico:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe e Bob Vogt
tecnico:
Daren Chadwick, Ron Nevison e Chas Sandford
produttore:
Ron Nevison
tecnico di missaggio:
James Guthrie, Chas Sandford e Greg Walsh (producer and engineer)
voce:
Jason Scheff (nel 1988)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988, nel 1989, nel 2010)
registrazione di:
We Can Last Forever (nel 1988)
autore:
John Dexter (Songwriter, Producer and A&R executive) e Jason Scheff
editore:
Irving Music, Inc., Jason Scheff Music e Texascity Music
3:45