Bach 101

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Mass in B minor: Kyrie eleison
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1977-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
10:26
2Das Wohltemperierte Klavier, Book 1: Prelude in C major
piano:
András Schiff (pianist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
1:58
3Was mir behagt, ist nur die muntre Jagd, BWV 208: Schafe können sicher weiden (Sheep May Safely Graze)
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:33
4Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: I. Vivace
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1978-11-06 until 1978-11-11)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Arthur Grumiaux (Belgian violinist) (from 1978-11-06 until 1978-11-11) and Herman Krebbers (violinist) (from 1978-11-06 until 1978-11-11)
orchestra:
Les Solistes Romands (from 1978-11-06 until 1978-11-11)
conductor:
Arpad Gérecz (violinist/conductor) (from 1978-11-06 until 1978-11-11)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1978-11-06 until 1978-11-11)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 1978-11-06 until 1978-11-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:58
5Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio - III. Andante
cello:
János Starker (Hungarian-American cellist)
piano:
György Sebök (pianist)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
2:26
6Wachet auf, ruft uns die Stimme, BWV 645 "Sleepers, Awake"
organ:
Carlo Curley (US organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:42
7Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1984-07-23 until 1984-08-04)
recorder:
Michael Copley (from 1984-07-23 until 1984-08-04)
trumpet:
Guy Touvron (trumpet player) (from 1984-07-23 until 1984-08-04)
violin:
Pina Carmirelli (violinist) (from 1984-07-23 until 1984-08-04), Italo Colandrea (violinist) (from 1984-07-23 until 1984-08-04) and Antonio Perez Ruiz (violinist) (from 1984-07-23 until 1984-08-04)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1984-07-23 until 1984-08-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1984-07-23 until 1984-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:57
8Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
4:17
9St. John Passionm, BWV 245: Part I, no. 7. Aria "Von den Stricken meiner Sünden"
alto vocals:
Marga Höffgen (contralto)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
6:05
10Concerto for Violin, Oboe and Strings in D minor, BWV 1060: II. Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor)
violin:
Arthur Grumiaux (Belgian violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Edo de Waart (conductor)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:33
11Partita no. 6 in E minor, BWV 830: I. Toccata
piano:
András Schiff (pianist)
recording of:
Partita no. 6 in E minor, BWV 830: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
7:41
12Christmas Oratorio, BWV 248: Part II, no. 10. Sinfonia
engineer:
Martin Fouqué
producer:
Ray Minshull (record producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recorded at:
Church of Schloss Ludwigsburg (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:40
13Liebster Jesu, wir sind hier, BWV 730
organ:
Peter Hurford (organist)
recording of:
Choräle, BWV 730 "Liebster Jesu, wir sind hier"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 730) and Bach Compendium (number: BC K 133)
2:00
14French Suite no. 5 in G major, BWV 816: I. Allemande
piano:
András Schiff (pianist)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: I. Allemande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
2:48
15Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga
producer:
Christopher Raeburn (producer)
violin:
Kyung-Wha Chung (violinist) (in 1974-11)
balance engineer:
James Lock (James Locke, engineer) (in 1974-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
3:07
16St. Matthew Passion, BWV 244: Part II. Chorus "Wir setzen uns mit Tränen nieder"
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:32

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