Matthäus-Passion

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 3 available)

Tracklist

1▶12" Vinyl
2▶12" Vinyl
3▶12" Vinyl
4▼12" Vinyl
#TitleArtistRatingLength
G1Matthäus-Passion, BWV 244: Teil II: Evangelista: Da nahmen die Kriegsknechte
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:36
G2Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Gegrüßet seist du, Jüdenkönig!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:32
G3Matthäus-Passion, BWV 244: Teil II: Choral: O Haupt voll Blut und Wunden
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals [boy voices]:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
choir vocals [male voices]:
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:28
G4Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie ihn verspottet hatten
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:49
G5Matthäus-Passion, BWV 244: Teil II: Recit (Basso 1): Ja! freilich will in uns das Fleisch
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:35
G6Matthäus-Passion, BWV 244: Teil II: Aria (Basso 1): Komm, süßes Kreuz
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals and bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:06
G7Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie an die Stätte kamen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:43
G8Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Der du den Tempel Gottes zerbrichst
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:31
G9Matthäus-Passion, BWV 244: Teil II: Evangelista: Desgleichen auch die Hohenpriester
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:11
G10Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Andern hat er geholfen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:57
G11Matthäus-Passion, BWV 244: Teil II: Evangelista: Desgleichem schmäheten ihn auch die Mörder
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:18
G12Matthäus-Passion, BWV 244: Teil II: Recit (Altus 1): Ach Golgatha!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:39
G13Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus2): Sehet, Jesus hat die Hand (Chorus: Wohin?)
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:27
H1Matthäus-Passion, BWV 244: Teil II: Evangelista: Und von der sechsten Stunde an
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach1:23
H2Matthäus-Passion, BWV 244: Teil II: Chorus (1): Der rufet dem Elias
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:03
H3Matthäus-Passion, BWV 244: Teil II: Evangelista: Und bald lief einer unter ihnen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:14
H4Matthäus-Passion, BWV 244: Teil II: Chorus (2): Halt, laß sehen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:33
H5Matthäus-Passion, BWV 244: Teil II: Choral: Wenn ich einmal sollt scheiden
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
H6Matthäus-Passion, BWV 244: Teil II: Evangelista: Und siehe da, der Vorhang im Tempel
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:14
H7Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Wahrlich, dieser ist Gottes Sohn gewesen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach0:25
H8Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:07
H9Matthäus-Passion, BWV 244: Teil II: Recit (Basso 1): Am Abend, da es kühle war
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
H10Matthäus-Passion, BWV 244: Teil II: Aria (Basso 1): Mache dich, mein Herze, rein
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:57
H11Matthäus-Passion, BWV 244: Teil II: Evangelista: Und Joseph nahm den Leib
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach1:03
H12Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Herr, wir haben gedacht
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:55
H13Matthäus-Passion, BWV 244: Teil II: Evangelista: Pilatus sprach zu ihnen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:39
H14Matthäus-Passion, BWV 244: Teil II: Recit (Soprano 1, Altus 1, Tenore 1, Basso 1, Chorus 2): Nun ist der Herr zur Ruh gebracht (Chorus: Mein Jesu, gute Nacht)
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
countertenor vocals [Altus]:
Tom Sutcliffe (Counter-tenor, Critic) (in 1970-09)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder, Einstudierung [Sopransolo]: Hans Gillesberger and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:46
H15Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Wir setzen uns mit Tränen nieder
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:47

Credits

Release

liner notes:Nikolaus Harnoncourt (conductor)
Discogs:https://www.discogs.com/release/2526032 [info]