Bach 333: Sacred Cantatas I

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
#TitleRatingLength
1Ihr Menschen, rühmet Gottes Liebe, BWV 167: 1. Aria: Ihr Menschen, rühmet Gottes Liebe
tenor vocals:
Jörg Dürmüller (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
4:18
2Ihr Menschen, rühmet Gottes Liebe, BWV 167: 2. Recitative: Gelobet sei der Herr Gott Israel
alto vocals:
Bogna Bartosz (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:33
3Ihr Menschen, rühmet Gottes Liebe, BWV 167: 3. Aria: Gottes Wort, das trüget nicht
alto vocals:
Bogna Bartosz (in 1998-03)
soprano vocals:
Dorothea Röschmann (soprano) (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
7:45
4Ihr Menschen, rühmet Gottes Liebe, BWV 167: 4. Recitative: Des Weibes Samen kam
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:19
5Ihr Menschen, rühmet Gottes Liebe, BWV 167: 5. Chorale: Sei Lob und Preis mit Ehren
choir vocals:
Amsterdam Baroque Choir (in 1998-03)
orchestra:
Amsterdam Baroque Orchestra (in 1998-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (in 1998-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Gramann (in 1530)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
2:11
6Herz und Mund und Tat und Leben, BWV 147: 1. Chorus: Herz und Mund und Tat und Leben
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:01
7Herz und Mund und Tat und Leben, BWV 147: 2. Recitative: Gebenedeiter Mund!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:42
8Herz und Mund und Tat und Leben, BWV 147: 3. Aria: Schäme dich, o Seele, nicht
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:13
9Herz und Mund und Tat und Leben, BWV 147: 4. Recitative: Verstockung kann Gewaltige verblenden
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:34
10Herz und Mund und Tat und Leben, BWV 147: 5. Aria: Bereite dir, Jesu, noch itzo die Bahn
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03) and Ruth Holton (soprano) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:30
11Herz und Mund und Tat und Leben, BWV 147: 6. Chorale: Wohl mir, dass ich Jesum habe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:28
12Herz und Mund und Tat und Leben, BWV 147: 7. Aria: Hilf, Jesu, hilf
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:18
13Herz und Mund und Tat und Leben, BWV 147: 8. Recitative: Der höchsten Allmacht Wunderhand
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03), Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:15
14Herz und Mund und Tat und Leben, BWV 147: 9. Aria: Ich will von Jesu Wundern singen
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:33
15Herz und Mund und Tat und Leben, BWV 147: 10. Chorale: Jesus bleibet meine Freude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:34
16Ärgre dich, o Seele, nicht, BWV 186: 1. Chorus: Ärgre dich, o Seele, nicht
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:17
17Ärgre dich, o Seele, nicht, BWV 186: 2. Recitative: Die Knechtsgestalt, die Not, der Mangel
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:32
18Ärgre dich, o Seele, nicht, BWV 186: 3. Aria: Bist du, der mir helfen soll
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:58
19Ärgre dich, o Seele, nicht, BWV 186: 4. Recitative: Ach, dass ein Christ so sehr
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:21
20Ärgre dich, o Seele, nicht, BWV 186: 5. Aria: Mein Heiland lässt sich merken
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:43
21Ärgre dich, o Seele, nicht, BWV 186: 6. Chorale: Ob sichs anließ, als wollt er nicht
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:06
22Ärgre dich, o Seele, nicht, BWV 186: 7. Recitative: Es ist die Welt die große Wüstenei
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
bass vocals:
Chiyuki Urano (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:32
23Ärgre dich, o Seele, nicht, BWV 186: 8. Aria: Die Armen will der Herr umarmen
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:04
24Ärgre dich, o Seele, nicht, BWV 186: 9. Recitative: Nun mag die Welt mit ihrer Lust vergehen
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
1:45
25Ärgre dich, o Seele, nicht, BWV 186: 10. Aria: Lass, Seele, kein Leiden
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
countertenor vocals:
Robin Blaze (countertenor) (in 1998-06)
soprano vocals:
Midori Suzuki (vocalist) (in 1998-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
3:46
26Ärgre dich, o Seele, nicht, BWV 186: 11. Chorale: Die Hoffnung wart’ der rechten Zeit
sound engineer:
Dirk Lüdemann (in 1998-06)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-06)
performer:
Bach Collegium Japan (in 1998-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-06)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit" (in 1998-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
2:04
27Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 1. [Chorus:] Erforsche mich, Gott, und erfahre mein Herz
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Coro "Erforsche mich, Gott, und erfahre mein Herz" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
3:45
28Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 2. Recitative: Ach, dass der Fluch, so dort die Erde schlägt
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
tenor vocals:
Makoto Sakurada (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitativo (Tenor) "Ach, daß der Fluch, so dort die Erde schlägt" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:06
29Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 3. Aria: Es kömmt ein Tag
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
countertenor vocals:
Kai Wessel (countertenor) (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (Alt) "Es kömmt ein Tag" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
4:20
30Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 4. Recitative: Die Himmel selber sind nicht rein
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitativo (Bass) "Die Himmel selber sind nicht rein" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:02
31Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 5. Aria: Uns treffen zwar der Sünden Flecken
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-09)
tenor vocals:
Makoto Sakurada (in 1998-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (Duetto Tenor, Bass) "Uns treffen zwar der Sünden Flecken" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
3:43
32Erforsche mich, Gott, und erfahre mein Herz, BWV 136: 6. Chorale: Dein Blut, der edle Saft
sound engineer:
Dirk Lüdemann (in 1998-09)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1998-09)
performer:
Bach Collegium Japan (in 1998-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1998-09)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft" (in 1998-09)
composer:
Johann Heermann and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 27)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
1:02

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]