40 Jahre Disco: 80’s Disco

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Maid of Orleans
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
phonographic copyright (℗) by:
Dindisc (in 1981), Dinsong Limited (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd. and EMI Virgin Music Ltd. (do not use this as a release label!)
Orchestral Manoeuvres in the Dark2.54:12
2Rain in May
phonographic copyright (℗) by:
Nada International C.V. (in 1981)
recording of:
Rain in May
writer:
Chris Meldon and Chris Pilgram (singer, songwriter, arranger, producer)
publisher:
Nada Music GmbH and Roba Music (publisher)
Max Werner3:32
3Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
4Don’t Go
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:03
5Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:35
6Der Kommissar
engineer:
Robert Ponger
producer:
Falco (Austrian pop & rock musician) and Robert Ponger
phonographic copyright (℗) by:
GiG Records (Austrian label) (in 1982)
recording of:
Der Kommissar (in 1981)
lyricist:
Johann Hölzel (Austrian pop & rock musician)
composer:
Robert Ponger
publisher:
PS Music Wien and Warner/Chappell Music Australia Pty. Ltd.
Falco4.13:47
7Ich will Spass
producer:
Axel Klopprogge
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1982) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1982)
produced for:
Ton & Vision (production company)
recording of:
Ich will Spaß (in 1982)
lyricist and composer:
Axel Klopprogge
publisher:
April Musikverlag GmbH (publisher) (, in 1982), Chartbreaker (publisher), IEM MV and Chart Breaker (publisher) (in 1982)
Markus2:59
8Johnny & Mary
engineer and mixer:
Alex Sadkin
producer:
Robert Palmer (English singer‐songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Johnny and Mary
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) and Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.43:59
9Jede Stunde
recording of:
Jede Stunde
lyricist:
Herbert Dreilich and Norbert Kaiser
composer:
Ulrich Swillms
Karat4:11
10Stop the Cavalry
producer:
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) and Jona Lewie
vocals and performer:
Jona Lewie
phonographic copyright (℗) by:
Stiff Records (in 1980) and Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
lyricist and composer:
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. and Street Music Ltd. (in 1980)
Jona Lewie3.82:55
11Angel Eyes
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Angel Eyes
writer:
Bryan Ferry and Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:04
12Und der Teufel schaut mir über die Schulter
Stefan Waggershausen4:54
13Babe It’s Up to YouSmokie3:42
14This Ole House
cover recording of:
This Ole House
lyricist and composer:
Stuart Hamblen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:05
15Schickeria
engineer:
Armand "Superelch" Volker (from 1981-03-09 until 1981-04-02)
producer:
Michael Busse (from 1981-03-09 until 1981-04-02), Barny Murphy (from 1981-03-09 until 1981-04-02), Günther Sigl (from 1981-03-09 until 1981-04-02), Harald Steinhauer (producer and songwriter) (from 1981-03-09 until 1981-04-02) and Franz Trojan (from 1981-03-09 until 1981-04-02)
mixer:
Armand "Superelch" Volker (in 1981)
drums (drum set):
Franz Trojan (from 1981-03-09 until 1981-04-02)
electric bass guitar and lead vocals:
Günther Sigl (from 1981-03-09 until 1981-04-02)
guitar:
Barny Murphy (from 1981-03-09 until 1981-04-02)
piano:
Michael Busse (from 1981-03-09 until 1981-04-02)
recorded at:
Rainbow Studio (Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1981-03-09 until 1981-04-02)
recording of:
Schickeria (from 1981-03-09 until 1981-04-02)
lyricist and composer:
Günther Sigl
Spider Murphy Gang3:36
16There’s a Guy Works Down the Chip Shop Swears He’s ElvisKirsty MacColl43:08
17Midnite Dynamos
recording of:
Midnite Dynamos
writer:
Steve Bloomfield
publisher:
Magnet Music Ltd. (publisher)
Matchbox3:03
18Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:24
19Urgent
recording of:
Urgent
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4:27
2CD

Credits

Release group

part of:40 Jahre Disco (order: 2)