Gosford Park

~ Veröffentlichung von Patrick Doyle (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Waltz of My Heart
Klavier:
Christopher Northam (pianist)
conductor:
James Shearman (conductor, orchestrator, composer)
Novello and Hassall2:06
2Mr. Parks
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Mr. Parks
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:49
3Gosford Park
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Gosford Park
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle2:22
4Bored to Sobs
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Bored to Sobs
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:31
5The Shirt
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Shirt
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:41
6And Her Mother Came Too
Klavier:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Titheradge1:55
7Walking to Shoot
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Walking to Shoot
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:20
8No Smoke Without Fire
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
No Smoke Without Fire
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:35
9Scherzo in G
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Scherzo in G
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:30
10I Can Give You the Starlight
Klavier:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Hassall2:36
11What a Duke Should Be
Klavier:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Grey1:56
12Inspector Thompson
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Inspector Thompson
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle3:09
13Pull Yourself Together
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Pull Yourself Together
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:48
14Life Goes On
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Life Goes On
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle2:29
15Secrets to Hide
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Secrets to Hide
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle2:05
16Only for a While
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
vocals:
Abigail Doyle
conductor:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Only for a While
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Doyle and Altman3:17
17Rather a Pasting
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Rather a Pasting
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:34
18Love Jam
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Love Jam
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle3:08
19Why Isn't It You?
Klavier:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Hassall2:14
20The Way It's Meant to Be
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
vocals:
Abigail Doyle
conductor:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Way It's Meant to Be
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Doyle and Altman2:10
21Carpe Diem
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Carpe Diem
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:04
22Good Luck
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Good Luck
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle1:30
23Your Boy's Alive
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Yann McCullough (engineer, composer) und Ion Metsovitis
Produzent(in):
Patrick Doyle (Scottish score composer) und Maggie Rodford
assistierendes Editing:
Abigail Doyle
Editing:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (von 2001-10-01 bis 2001-10-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei und mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Your Boy's Alive
Orchestrator(in):
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) und James Shearman (conductor, orchestrator, composer)
Komponist(in):
Patrick Doyle (Scottish score composer)
Patrick Doyle2:00
24The Land of Might-Have-Been
Klavier:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Moore4:18