| # | Title | Artist | Rating | Length |
|---|
| 1 | You Make Loving Fun | Fleetwood Mac | 3.75 | 3:37 |
| 2 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:54 |
| 3 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:39 |
| 4 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:13 |
| 5 | Tonight’s the Night (Gonna Be Alright) | Rod Stewart | | 3:33 |
| 6 | Rock Your Baby | George McCrae | 3.25 | 3:20 |
| 7 | Feel Like Makin’ Love | Roberta Flack | | 2:55 |
| 8 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music , Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4.1 | 4:16 |
| 9 | Could It Be I’m Falling in Love | The Spinners | | 4:09 |
| 10 | My Eyes Adored You | Frankie Valli | | 3:32 |
| 11 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 12 | How Sweet It Is (to Be Loved by You) | James Taylor | 3.8 | 3:34 |
| 13 | Close to You- recording engineer:
- Phil Ramone
- producer:
- Burt Bacharach and Hal David
- vocals:
- Dionne Warwicke (from 1971-08-12 until 1971-08-23)
- conductor:
- Bob James (from 1971-08-12 until 1971-08-23)
- arranger:
- Bob James
- phonographic copyright (℗) by:
- Warner Bros. Records Inc.
- recorded at:
- A&R Recording Studio in New York, New York, United States (from 1971-08-12 until 1971-08-23)
- recording of:
- (They Long to Be) Close to You
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. , Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部
| Dionne Warwick | | 2:54 |
| 14 | Goodbye Girl | David Gates | | 2:49 |
| 15 | A Song for You | Donny Hathaway | 4 | 5:23 |
| 16 | Everything I Own | Bread | 4.35 | 3:07 |
| 17 | Wuthering Heights | Kate Bush | | 3:26 |
| 18 | Just When I Needed You Most | Randy VanWarmer | | 4:02 |
| 19 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:28 |
| 20 | Get Closer | Seals & Crofts | 5 | 3:58 |
| 21 | Wishing on a Star (edit) | Rose Royce | 4 | 3:59 |
| 22 | I’d Love You to Want Me | Lobo | 2.5 | 4:04 |
| 23 | Your Song- assistant engineer:
- Don Henderson and Linda Tyler
- producer:
- Tommy LiPuma and Al Schmitt
- bass guitar:
- Willie Weeks (from 1976-02 until 1976-05)
- drums (drum set):
- Joe Correro (from 1976-02 until 1976-05)
- electric piano:
- Tom Canning (from 1976-02 until 1976-05)
- guitar:
- Larry Carlton (from 1976-02 until 1976-05)
- piano [acoustic piano]:
- Joe Sample (from 1976-02 until 1976-05)
- conductor:
- Dale Oehler (from 1976-02 until 1976-05)
- strings arranger and synthesizer arranger:
- Dale Oehler
- phonographic copyright (℗) by:
- WEA International Inc. (in 1976)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976-05)
- cover recording of:
- Your Song (from 1976-02 until 1976-05)
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Dick James Music Ltd. (ended), Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Jarreau | | 5:37 |
| 24 | Do You Want to Dance- recording engineer:
- Lew Hahn
- producer:
- Joel Dorn
- double bass [bass]:
- Ron Carter (on 1972-01-19)
- drums (drum set):
- Ray Lucas (on 1972-01-19)
- percussion:
- Ralph MacDonald (on 1972-01-19)
- piano:
- Barry Manilow (on 1972-01-19)
- background vocals:
- Cissy Houston (on 1972-01-19), Beverly McKenzie (on 1972-01-19), Renelle Broxton (on 1972-01-19), Tender Loving Care (on 1972-01-19) and Deidre Tuck (on 1972-01-19)
- lead vocals:
- Bette Midler (on 1972-01-19)
- remixer:
- Bob Liftin
- brass [horns] arranger and strings arranger:
- Thom Bell
- arranger:
- Barry Manilow
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1972)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1972-01-19)
- remixed at:
- Regent Sound Studios in New York, New York, United States
- cover recording of:
- Do You Want to Dance (on 1972-01-19)
- lyricist and composer:
- Bobby Freeman
- publisher:
- Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music , ミュージカル・ライツ・東京 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Bette Midler | 3 | 2:44 |
| 25 | Supernatural Thing, Pt. 1 | Ben E. King | 4 | 4:12 |
| 26 | Please Don’t Go | KC & the Sunshine Band | 4 | 3:50 |
| 27 | A Warm Summer Night | Chic | | 6:05 |
| 28 | You Belong to Me | The Doobie Brothers | 3.5 | 3:05 |
| 29 | I Need You | America & George Martin | 3.55 | 3:03 |
| 30 | Let’s Stay Together | Margie Joseph | | 3:27 |
| 31 | Love the One You’re With- engineer:
- Andy Johns
- producer:
- Bill Halverson and Stephen Stills
- bass:
- Calvin Samuels (in 1970-03)
- congas:
- Jeff Whittaker (in 1970-03)
- guitar, organ, percussion and lead vocals:
- Stephen Stills (in 1970-03)
- steelpan:
- Stephen Stills
- background vocals:
- Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (in 1970-03) and John Sebastian (in 1970-03)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970-03)
- recording of:
- Love the One You’re With (in 1970-03)
- lyricist and composer:
- Stephen Stills
- publisher:
- Sony/ATV Music Publishing LLC , Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Gold Hill Music, Inc. (in 1970)
- sub-publisher:
- EMI Music Publishing Scandinavia AB (in 1997)
| Stephen Stills | 3.5 | 3:06 |
| 32 | It’s the Falling in Love | Carole Bayer Sager & Michael McDonald | | 3:56 |
| 33 | Never Let Her Slip Away | Andrew Gold | 5 | 3:22 |
| 34 | Lotta Love | Nicolette Larson | 5 | 3:06 |
| 35 | A Little Bit More (re‐recorded version) | Dr. Hook & Ray Sawyer | | 3:24 |
| 36 | (Where Do I Begin) Love Story | Shirley Bassey | | 3:17 |
| 37 | You’re in My Heart (The Final Acclaim) | Rod Stewart | 3.8 | 4:31 |
| 38 | Love Ballad | George Benson | | 4:17 |
| 39 | Dance With Me | Orleans | | 3:21 |
| 40 | Then Came You | The Spinners | 4.5 | 4:01 |
| 41 | Make It With You | Bread | 5 | 3:12 |
| 42 | You’re All I Need to Get By | Aretha Franklin | 3.5 | 3:35 |
| 43 | Who Loves You | Frankie Valli & The Four Seasons | | 4:12 |
| 44 | Love Is Alive | Gary Wright | 5 | 3:50 |
| 45 | Love, Love, Love | Donny Hathaway | | 3:24 |
| 46 | Love Hurts | Gram Parsons | 5 | 3:39 |
| 47 | Killing Me Softly With His Song | Roberta Flack | 3.55 | 4:47 |
| 48 | You Are the Woman | Firefall | 2.5 | 2:46 |
| 49 | Move Me No Mountain | Dionne Warwick | | 5:03 |
| 50 | You’ve Got a Friend | James Taylor | 4.4 | 4:29 |
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