| # | Title | Artist | Rating | Length |
|---|
| 1 | (I've Had) The Time of My Life - From "Dirty Dancing" Soundtrack- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:47 |
| 2 | What's Love Got to Do With it- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:45 |
| 3 | Kokomo | The Beach Boys | | 3:34 |
| 4 | Footloose - From "Footloose" Soundtrack- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:46 |
| 5 | The Power of Love - From "Back to the Future" Soundtrack- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:53 |
| 6 | Love is a Battlefield- producer:
- Neil Geraldo, Peter Coleman and Peter Coleman
- mixer:
- Neil Giraldo and Peter Coleman
- bass guitar:
- Roger Capps
- drums (drum set):
- Myron Grombacher
- electric guitar:
- Neil Giraldo
- keyboard:
- Charles Giordano
- lead vocals:
- Pat Benatar
- vocals:
- Pat Benatar
- phonographic copyright (℗) by:
- EMI Records , Capitol Records, LLC (in 1983), Chrysalis Records (in 1983) and Chrysalis Records, Inc. (in 1983, in 1984)
- recorded at:
- MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 4.1 | 4:07 |
| 7 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:42 |
| 8 | Mad About You | Belinda Carlisle | 3.35 | 3:36 |
| 9 | Rosanna | Toto | 3.8 | 4:00 |
| 10 | Don't Stop Believin'- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd. , Lacey Boulevard Music, Sharandall Music, Sony Music , Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス , 日音 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4.3 | 4:11 |
| 11 | Jessie's Girl- producer:
- Keith Olsen
- arranger:
- Neil Geraldo, Keith Olsen and Rick Springfield
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (in 1981), RCA Records, Inc. (in 1981), Sony Music Entertainment (in 1981, in 2001) and Wizard Records (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 20) and Billboard: The 500 Best Pop Songs (number: 55)
- recording of:
- Jessie’s Girl
- lyricist and composer:
- Rick Springfield
- publisher:
- BMG Music, Copyright Control , Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc. and Wizard Music
| Rick Springfield | 4.45 | 3:13 |
| 12 | Keep on Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin, Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.7 | 3:21 |
| 13 | Right Here Waiting | Richard Marx | 3.75 | 4:05 |
| 14 | Gloria | Laura Branigan | | 4:50 |
| 15 | I Feel For You | Chaka Khan | 3 | 4:05 |
| 16 | Upside Down | Diana Ross | 4 | 4:04 |
| 17 | Who's Zoomin' Who?- engineer:
- Dr. Dave Frazer
- producer:
- Narada Michael Walden
- additional mixer:
- Michael Brauer
- bass synthesizer:
- Randy Jackson
- drums (drum set) and piano:
- Narada Michael Walden
- guitar:
- Corrado Rustici
- keyboard:
- Walter Afanasieff and Preston Glass
- background vocals:
- Jim Gilstrap, Preston Glass, Randy Jackson , Laundon Von Kendricks, Sylvester , Jeanie Tracy and Vickie Randle
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1985)
- recording of:
- Who’s Zoomin’ Who
- writer:
- Aretha Franklin, Preston Glass and Narada Michael Walden
- publisher:
- Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. and Warner–Tamerlane Publishing Corp.
| Aretha Franklin | 3 | 4:06 |
| 18 | Arthur's Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 19 | Angel of the Morning | Juice Newton | | 4:12 |
| 20 | Lady | Kenny Rogers | 3.4 | 3:54 |
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