Water for Elephants

~ Veröffentlichung von James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Did I Miss It?
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Did I Miss It?
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard1:49
2The Circus Sets Up
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Circus Sets Up
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard2:32
3Circus Fantasy
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Circus Fantasy
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard13:45
4Jacob Sees Marlena
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Jacob Sees Marlena
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard5:01
5Button Up Your Overcoat (excerpt)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Bearbeitung von:
Button Up Your Overcoat von Ruth Etting
teilweise recording of:
Button Up Your Overcoat
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Ruth Etting0:32
6Proszę, Rosie, daj nogę
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Proszę, Rosie, daj noge
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard4:12
7Rosie
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Rosie
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard3:25
8Speakeasy Kiss
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Speakeasy Kiss
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard1:34
9I’m Confessin’ (That I Love You)
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
instrumental recording of:
I’m Confessin’ (That I Love You)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
James Newton Howard1:41
10Barbara’s Tent
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Barbara’s Tent
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard1:18
11Jacob Returns
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Jacob Returns
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard5:31
12Don’t Tell Him What Happened to Me
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
instrumental recording of:
Don’t Tell Him What Happened to Me
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
James Newton Howard2:03
13Shooting Star
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Shooting Star
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard2:26
14The Job Is Yours
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Job Is Yours
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard0:57
15I Need a Little Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
recording of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Verfasser(in):
James “Tim” Brymn, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Bessie Smith2:49
16Stomp Time Blues
phonographisches Urheberrecht (℗) von:
The George H. Buck, Jr. Jazz Foundation
recording of:
Stomp Time Blues
Komponist(in):
Tiny Parham (Canadian-American jazz bandleader & pianist)
Jasper Taylor and His State Street Boys2:34
17I Can See Straight Through You
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
I Can See Straight Through You
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard6:00
18Sanctuary
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Sanctuary
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard1:55
19Baptism / Jacob & Rosie
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Baptism / Jacob & Rosie
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard1:59
20The Stampede / I’m Coming Home
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
James Newton Howard (American score composer) und Jim Weidman (music editor, producer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
Orchestrator(in):
Pete Anthony (American conductor and orchestrator.), Jeff Atmajian, Jon Kull und Conrad Pope
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
mixed at:
James Newton Howard Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
The Stampede / I'm Coming Home
Komponist(in):
James Newton Howard (American score composer)
James Newton Howard8:21

Nennungen

Veröffentlichung

vertrieben von und lizenziert an:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
urheberrechtlich geschützt (©) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011)
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
phonographisches Urheberrecht (℗) von:Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 2011)
Discogs:https://www.discogs.com/release/10788444 [Info]
ASIN:US: B004Q56748 [Info]