100% Loungin’: Urban Sounds for Modern Living, Vol. 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
Tony Bennett42:16
2Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.23:19
3Mas que nada
registrazione cover di:
Mas, que nada!
paroliere e compositore:
Jorge Ben Jor
Sérgio Mendes & Brasil ’6642:38
4This Guy’s in Love With You
tecnico:
Larry Levine
produttore:
Herb Alpert e Jerry Moss (record company founder and inductee)
voce:
Herb Alpert
arrangiatore:
Herb Alpert e Burt Bacharach
diritti fonografici (℗) detenuti da:
Herb Alpert Presents (Herb Alpert label) (nel 2015)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1968)
registrazione di:
This Guy’s in Love With You (nel 1968)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
registrazione cover di:
This Guy’s in Love With You
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Herb Alpert & the Tijuana Brass3.54:00
5I Say a Little Prayer
registrazione di:
I Say a Little Prayer
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Booker T. & the MG’s4:06
6S’Wonderful
registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Ray Conniff2:27
7Beyond the Sea (La Mer)
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:54
8Sunny
registrazione cover di:
Sunny
paroliere e compositore:
Bobby Hebb
editore:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Robert Mitchum2:45
9Un homme et une femme
voce:
Pierre Barouh e Nicole Croisille
registrazione di:
Un homme et une femme (sans lyrics)
compositore:
Francis Lai (French composer)
Francis Lai32:42
10Basin Street Blues
produttore:
Voyle Gilmore
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba e voce principale:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
medley che comprende una registrazione di:
Basin Street Blues (il 1956-04-19)
paroliere e compositore:
Spencer Williams (US jazz composer, pianist & singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley che comprende una registrazione di:
When It’s Sleepy Time Down South (il 1956-04-19)
paroliere:
Leon René e Otis René
compositore:
Clarence Muse
editore:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication e Sherwin Music (publisher)
Louis Prima4:13
11Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:49
12You’re Nobody Till Somebody Loves You
produttore:
Lee Gillette
basso :
Joe Comfort (il 1960-05-10)
batteria :
Alvin Stoller (il 1960-05-10)
chitarra :
Al Hendrickson (il 1960-05-10)
pianoforte :
Bill Miller (pianist) (il 1960-05-10)
sassofono :
Buddy Collette (il 1960-05-10), Plas Johnson (il 1960-05-10), Harry Klee (il 1960-05-10), Joe Koch (il 1960-05-10) e Wilbur Schwartz (il 1960-05-10)
tromba :
Pete Candoli (il 1960-05-10), Conrad Gozzo (il 1960-05-10), Carroll Lewis (trumpeter) (il 1960-05-10) e Shorty Sherock (il 1960-05-10)
trombone :
Russell Brown (Swing trombonist) (il 1960-05-10), Dick Noel (trombone) (il 1960-05-10), Tom Pederson (il 1960-05-10) e Thomas Shepard (il 1960-05-10)
viola :
Alvin Dinkin (il 1960-05-10) e Paul Robyn (il 1960-05-10)
violino :
Victor Bay (il 1960-05-10), Alex Beller (il 1960-05-10), Dan Lube (il 1960-05-10), Felix Slatkin (il 1960-05-10), Marshall Sosson (il 1960-05-10) e Gerald Vinci (American violinist and strings conductor) (il 1960-05-10)
violoncello :
Jacques Gasselin (il 1960-05-10), Edgar Lustgarten (il 1960-05-10) e Eleanor Slatkin (US cellist, b. Aller) (il 1960-05-10)
voce:
Dean Martin (American singer/actor) (il 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (il 1960-05-10)
direttore d'orchestra:
Nelson Riddle (il 1960-05-10)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1960-05-10)
registrazione cover di:
You’re Nobody Till Somebody Loves You (il 1960-05-10)
autore:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) e Larry Stock
editore:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.352:13
13Up, Up & Away
tecnico:
“Bones” Howe
produttore:
Johnny Rivers (Singer, songwriter, and guitarist) e Marc Gordon (soul songwriter, producer, and manager)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
direttore d'orchestra:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arrangiatore archi e arrangiatore ottoni [horns] :
Marty Paich
arrangiatore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
registrata presso:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Up, Up and Away
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
The 5th Dimension2.52:39
14Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-12-03) e The Ray Charles Singers (il 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-12-03)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments (il 1957-12-03)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.152:40
15Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
16Wonderful World
tecnico:
Dino Lapis (engineer)
produttore:
Lou Adler e Sam Cooke (American singer and songwriter, “King of Soul”)
basso :
Adolphus Alsbrook (bass) (il 1959-03-02)
batteria :
Ronald Selico (il 1959-03-02)
chitarra :
Clifton White (il 1959-03-02)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1959-03-02)
direttore d'orchestra:
René Hall (il 1959-03-02)
registrata presso:
Rex Productions Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1959-03-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 21) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 182)
registrazione di:
Wonderful World (il 1959-03-02)
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke3.72:07
17The Look of Love
registrazione cover di:
The Look of Love (il 1967-01-29)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
registrazione di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:33
18Raindrops Keep Falling on My Head
voce:
B.J. Thomas
direttore d'orchestra:
Burt Bacharach
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 345)
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas43:03
19(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
20Peaceful
registrazione cover di:
Peaceful
autore:
Kenny Rankin
editore:
Warner Chappell
Georgie Fame2:33
21My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:38
22C’est si bon
orchestra:
Henri René & His Orchestra (il 1953-03-12)
registrazione di:
C’est si bon (original French version) (il 1953-03-12)
paroliere:
André Hornez (nel 1947)
compositore:
Henri Betti (songwriter and pianist) (nel 1947)
editore:
Éditions Beuscher Arpège
Eartha Kitt42:59
23As Time Goes By
registrazione di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Julie London3:12
24Help Yourself
registrazione di:
Help Yourself
paroliere:
Mogul (Italian lyricist)
autore:
Jack Fishman
compositore:
Carlo Donida
si basa su:
Gli Occhi Miei
Tom Jones2:53

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parte di:100% Loungin’: Urban Sounds for Modern Living (numero: 1) (ordine: 1)