Die kompletten Werke, Volume 11: Kantaten, BWV 130-140, 143-145

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Januar/Februar 1974 (BWV 130); Januar 1975 (BWV 131); September 1976/Januar/April 1977 (BWV 132)
CD2 Aufnahme: Gedächtniskirche Stuttgart. September 1976/Januar 1977 (BWV 134); Februar 1979 (BWV 135); Februar/April 1980 (BWV 136)
CD3 Aufnahme: Gedächtniskirche Stuttgart. September/Dezember 1977, Januar 1978 (BWV 136 & 138); Dezember 1980/März 1981/1982 (BWV 137); Oktober 1979/April 1980 (BWV 139)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September 1983/Februar 1984 (BWV 140); Januar/April 1975 (BWV 143); September 1978 (BWV 144); Februar 1984 (BWV 145)

Annotation last modified on 2014-06-19 18:13 UTC.

Tracklist

1▶CD: BWV 130-132
2▶CD: BWV 133-135
3▼CD: BWV 136-139
#TitleArtistRatingLength
1Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Coro "Erforsche mich, Gott, und erfahre mein Herz"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": I. Coro "Erforsche mich, Gott, und erfahre mein Herz" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach3:53
2Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitativo (Tenor) "Ach, daß der Fluch, so dort die Erde schlägt"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": II. Recitativo (Tenor) "Ach, daß der Fluch, so dort die Erde schlägt" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach1:15
3Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (Alt) "Es kömmt ein Tag"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": III. Aria (Alt) "Es kömmt ein Tag" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach4:58
4Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitativo (Bass) "Die Himmel selber sind nicht rein"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": IV. Recitativo (Bass) "Die Himmel selber sind nicht rein" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach1:13
5Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (Duetto Tenor, Bass) "Uns treffen zwar der Sünden Flecken"
bass vocals:
Niklaus Tuller (bass-baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": V. Aria (Duetto Tenor, Bass) "Uns treffen zwar der Sünden Flecken" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach3:50
6Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft" (from 1977-09 until 1978-01)
composer:
Johann Heermann and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 27)
part of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz"
Johann Sebastian Bach0:55
7Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1982-03)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren" (from 1980-12 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:43
8Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1982-03)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren" (from 1980-12 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:16
9Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren"
bass vocals:
Walter Heldwein
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1982-03)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren" (from 1980-12 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:54
10Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1982-03)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren" (from 1980-12 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach2:59
11Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1982-03)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren" (from 1980-12 until 1982-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach1:00
12Kantate, BWV 138 "Warum betrübst du dich, mein Herz": I. Coro e Recitativo (Tenor, Alt) "Warum betrübst du dich, mein Herz?"
alto vocals:
Ria Bollen (Belgian contralto)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": I. Coro e Recitativo (Tenor, Alt) "Warum betrübst du dich, mein Herz?" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach4:10
13Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II. Recitativo (Bass) "Ich bin veracht'"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II. Recitativo (Bass) "Ich bin veracht'" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach1:08
14Kantate, BWV 138 "Warum betrübst du dich, mein Herz": III. Coro e Recitativo (Sopran, Alt) "Er kann und will dich lassen nicht"
alto vocals:
Ria Bollen (Belgian contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II.b Coro e Recitativo (Sopran, Alt) "Er kann und will dich lassen nicht" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach3:59
15Kantate, BWV 138 "Warum betrübst du dich, mein Herz": IV. Recitativo (Tenor) "Ach süßer Trost!"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": III. Recitativo (Tenor) "Ach süßer Trost!" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach1:20
16Kantate, BWV 138 "Warum betrübst du dich, mein Herz": V. Aria (Bass) "Auf Gott steht meine Zuversicht"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": IV. Aria (Bass) "Auf Gott steht meine Zuversicht" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach5:15
17Kantate, BWV 138 "Warum betrübst du dich, mein Herz": VI. Recitativo (Alt) "Ei nun! So will ich auch recht sanfte ruhn"
alto vocals:
Ria Bollen (Belgian contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": V. Recitativo (Alt) "Ei nun! So will ich auch recht sanfte ruhn" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach0:35
18Kantate, BWV 138 "Warum betrübst du dich, mein Herz": VII. Choral "Weil du mein Gott und Vater bist"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977 until 1978-01)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": VI. Choral "Weil du mein Gott und Vater bist" (from 1977 until 1978-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach2:32
19Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:11
20Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:31
21Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:42
22Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:51
23Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir"
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach1:07
24Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!" (from 1979-10 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 238)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:59
4▶CD: BWV 140,143-145