The Complete Bud Powell on Verve

~ Release by Bud Powell (see all versions of this release, 1 available)

Annotation

Verve 5 CD Box set
Anybody serious at either hard-bop or Powell should dig this.
Casual listeners though might want the great pianist at a lighter dose, possibly with Verve's Genius of Bud Powell or Blue Note's Amazing Bud Powell.

Annotation last modified on 2018-11-08 23:18 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Tempus Fugue-It (Tempus Fugit)
recorded in:
New York, New York, United States (from 1949-01 until 1949-02)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1949-01 until 1949-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (from 1949-01 until 1949-02)
piano:
Bud Powell (from 1949-01 until 1949-02)
recording of:
Tempus Fugit (from 1949-01 until 1949-02)
composer:
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:28
2Celia
recorded in:
New York, New York, United States (in 1949-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1949-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-01)
piano:
Bud Powell (in 1949-01)
recording of:
Celia (in 1949-01)
composer:
Bud Powell
3:00
3Cherokee
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1949-02-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Cherokee (on 1949-02-23)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:40
4I'll Keep Loving You
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
piano:
Bud Powell (on 1949-02-23)
recording of:
I'll Keep Loving You (on 1949-02-23)
composer:
Bud Powell
publisher:
Groove Music
2:43
5Strictly Confidential
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1949-02-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Strictly Confidential (on 1949-02-23)
composer:
Bud Powell
3:11
6All God's Chillun Got Rhythm
recorded in:
New York, New York, United States (in 1949-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1949-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-01)
piano:
Bud Powell (in 1949-01)
instrumental recording of:
All God’s Chillun Got Rhythm (in 1949-01)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
3:02
7So Sorry Please
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
composer:
Bud Powell
3:17
8Get Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:54
9Sometimes I'm Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:39
10Sweet Georgia Brown
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:51
11Yesterdays
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Yesterdays (in 1950-02)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:52
12April in Paris
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:10
13Body and Soul
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Body and Soul (in 1950-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:23
14Hallelujah!
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Hallelujah! (on 1950-07-01)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:01
15Tea for Two (Compilation take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
4:16
16Tea for Two (Common take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:32
17Tea for Two (78 take)
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Tea for Two (No, No, Nanette) (on 1950-07-01)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:49
18Parisian Thoroughfare
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Parisian Thoroughfare (in 1951-02)
composer:
Bud Powell
2:31
19Oblivion
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
composer:
Bud Powell
2:11
20Dusky 'N' Sandy (Dusk in Sandi)
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Dusk In Sandi (in 1951-02)
composer:
Bud Powell
2:15
21Hallucinations
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Hallucinations (in 1951-02)
composer:
Bud Powell
publisher:
Embassy Music Corporation
2:27
22The Fruit
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Fruit (in 1951-02)
composer:
Bud Powell
3:19
23A Nightingale Sang in Berkeley Square
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
A Nightingale Sang in Berkeley Square (in 1951-02)
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:44
24Just One of Those Things
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
instrumental recording of:
Just One of Those Things (in 1951-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:53
25The Last Time I Saw Paris
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Last Time I Saw Paris (in 1951-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
3:16
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