The Art of Magdalena Kožená

~ Release by Magdalena Kožená (see all versions of this release, 1 available)

Annotation

℗ & © «2013 Deutsche Grammophon GmbH, Berlin»
℗ «This Compilation»

Annotation last modified on 2025-11-18 00:07 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Le domino noir, Act III: Je suis sauvée enfin – Ah! quelle nuit! – Flamme vengeresse
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recording of:
Le Domino noir: Act III. "Je suis sauvée enfin!... Ah! quelle nuit!" (Angèle)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte III
recording of:
Le Domino noir: Acte III. "Flamme vengeresse"
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte III
Daniel Auber6:30
2Le nozze di Figaro, K. 492, Act I: No. 6, Non so più cosa son, cosa faccio
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:40
3Rinaldo, HWV 7a, Act II: Lascia ch’io pianga
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:56
4Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete (Embellishments by Domenico Corri)
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:58
5Giulio Cesare, HWV 17, Act III: No. 37, Aria. Da tempeste il legno infranto - Live
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
George Frideric Handel5:29
6Was mir behagt, ist nur die muntre Jagd, BWV 208 “Hunting Cantata”: IX. Aria. Schafe können sicher weiden
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:02
7Mass in B Minor, BWV 232: Laudamus te (Soprano)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1996-07 until 1996-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:19
8Ach, dass ich Wassers g’nug hätte “Lamento”
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 2003-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
previously attributed to:
Heinrich Bach
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/B/9) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 642)
Johann Christoph Bach7:19
9Juditha Triumphans, RV 644, Pt. 2: No. 52, Aria. Armatae face, et anguibus
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2008-10)
orchestra:
Venice Baroque Orchestra (in 2008-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2008-10)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2008-10)
recording of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Aria “Armatae face, et anguibus” (Vagaus) (in 2008-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Iacopo Cassetti
part of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II
Antonio Vivaldi3:17
10Farnace, RV 711, Act II: Gelido in ogni vena
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2008-10)
orchestra:
Venice Baroque Orchestra (in 2008-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2008-10)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2008-10)
recording of:
Il Farnace, RV 711: Atto II, Scena VI. Aria “Gelido in ogni vena” (Farnace) (in 2008-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Antonio Maria Lucchini
part of:
Il Farnace, RV 711: Atto II
Antonio Vivaldi9:18
11Ariodante, HWV 33, Act III: Dopo notte, atra e funesta
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Ariodante, HWV 33: Atto III, no. 82. "Dopo notte, atra e funesta" (Ariodante)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ariodante, HWV 33: Atto III
George Frideric Handel6:39
12Don Quichotte, Act IV: Lorsque le temps d’amour a fui – Par fortune! – Alza! Alza! Ne pensons qu’au plaisir d’aimer
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recording of:
Don Quichotte : Acte IV. « Lorsque le temps d’amour a fui » (Dulcinée)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
Jules Massenet6:46
13Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 2002-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:12
2▶Digital Media