| # | Title | Artist | Rating | Length |
|---|
| 1 | I Come Undone- additional engineer:
- David Dale
- assistant engineer:
- Michael Morgan
- engineer:
- Arthur Payson
- producer:
- Desmond Child
- mixer:
- Chris Lord‐Alge
- additional keyboard [keyboards]:
- Al Greenwood
- bass:
- John Seigler
- drums (drum set):
- Michael Braun
- guitar:
- Richie Sambora
- keyboard [keyboards]:
- Robbie Kondor
- percussion:
- Savron Hudson
- background vocals:
- Diana Grasselli, Jennifer Rush, Ellen Shipley and Myriam Valle
- performer:
- Jennifer Rush
- sound effects:
- Savron Hudson
- phonographic copyright (℗) by:
- CBS Schallplatten GmbH, Germany (in 1987)
- recorded at:
- Giant Sound Recording in New York, New York, United States, Quad Recording in New York, New York, United States and Skyline Studios in New York, United States
- mixed at:
- Unique Recording Studio in Manhattan, New York, New York, United States
- recording of:
- I Come Undone
- lyricist and composer:
- Morrie Brown and Ellen Shipley
- publisher:
- Shipwreck Music and Wavemaker Music Group Inc.
| Jennifer Rush | 4.65 | 4:09 |
| 2 | All Cried Out | Alison Moyet | 2 | 6:48 |
| 3 | Everytime You Go Away | Paul Young | | 5:24 |
| 4 | What the Papers Say | Bad Manners | | 2:55 |
| 5 | Alice, I Want You Just for Me | Full Force | | 6:15 |
| 6 | We Gotta Do It | R.O.A.R. | | 4:51 |
| 7 | Wrap It Up | The Fabulous Thunderbirds | | 2:44 |
| 8 | Big Shot- assistant engineer:
- Dave Martone
- engineer:
- Jim Boyer
- producer:
- Phil Ramone
- mixer:
- Jim Boyer and Phil Ramone
- drums (drum set):
- Liberty DeVitto (in 1978)
- electric bass guitar:
- Doug Stegmeyer (in 1978)
- electric guitar:
- Steve Kahn (in 1978)
- piano and lead vocals:
- Billy Joel (in 1978)
- saxophone:
- Richie Cannata (in 1978)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1978), Sony BMG Music Entertainment (in 1978), Sony Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
- recorded at:
- A & R Recording in Manhattan, New York, New York, United States (in 1978)
- mixed at:
- A & R Recording in Manhattan, New York, New York, United States
- music videos:
- Big Shot by Billy Joel
- recording of:
- Big Shot (in 1978)
- lyricist and composer:
- Billy Joel
- publisher:
- April Music Inc., Joelsongs, ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) and Impulsive Music (in 1978)
| Billy Joel | 3.85 | 4:01 |
| 9 | Bonny | Prefab Sprout | 4.35 | 3:44 |
| 10 | Till the End- programming:
- Steve Porcaro
- additional engineer:
- Dan Garcia (task: additional), Doug Linnell (task: additional), Duane Seykora (task: additional), Jack Puig (task: additional), John Jessel (task: additional), Julie Last (task: additional), Mike Ross (task: additional), Murray Dvorkin (task: additional) and Teruo "Mu" Murakami (task: additional)
- engineer:
- Tom Knox and Shep Lonsdale
- producer:
- Toto
- mixer:
- Greg Ladanyi
- bass:
- Mike Porcaro
- bass guitar:
- Michael Porcaro
- brass [horns]:
- Bill Reichenbach , Charlie Loper , Chuck Findley , Gary Grant and Jerry Hey
- drums (drum set):
- Jeff Porcaro
- guitar:
- Steve Lukather
- horn:
- Bill Reichenbach , Charlie Loper , Chuck Findley , Gary Grant and Jerry Hey
- instruments:
- Steve Porcaro
- keyboard:
- David Paich and Steve Porcaro
- percussion:
- Lenny Castro, Paulinho da Costa and Jeff Porcaro
- background vocals:
- Mike Sherwood
- vocals:
- David Paich, Joseph Williams and Steve Lukather
- additional brass [horns] arranger:
- Jerry Hey
- additional arranger:
- Jerry Hey
- arranger:
- Toto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986)
- recording of:
- Till the End
- writer:
- David Paich and Joseph Williams
- publisher:
- Hudmar Publishing Co. Inc., Johnson Jo Music, Off Backstreet Music, Inc., Seph Music, Universal Texas City Music Inc., シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Toto | 4 | 5:27 |
| 11 | Tales of Kilimanjaro | Santana | | 4:53 |
| 12 | The Eye of the Dragonfly | Friedemann | | 3:53 |
| 13 | That’s Why I’m Here | James Taylor | 5 | 3:38 |
| 14 | Voice on a Hotline | Don Johnson | | 3:58 |
| 15 | Spanish Eyes | Al Di Meola | | 5:08 |