The Christmas Album

~ Release by Berliner Philharmoniker (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Fünfstimmige Blasmusik: Intrada – Intrada – Sarabande – Intrada – IntradaJohann Christoph Pezel6:18
2Notre Dame: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Notre Dame, op. 2: Act I. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Franz Schmidt (Austrian composer)
part of:
Notre Dame, op. 2: Act I
Franz Schmidt4:43
3Still, weils Kindlein schlafen will
orchestra:
Brass Ensemble of the Berlin Philharmonic Orchestra
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
instrumental recording of:
Still, Still, Still
lyricist:
Georg Götsch
composer:
[traditional] (special purpose artist)
[traditional]0:51
4Mass in C major “Coronation”, K 317: VI. Agnus Dei
producer:
Christian Gansch (conductor)
organ:
Sigurd Brauns (chorus master) (in 1991-02)
alto vocals:
Delores Ziegler (mezzo-soprano) (in 1991-02)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1991-02)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Sylvia McNair (soprano) (in 1991-02)
tenor vocals:
Hans Peter Blochwitz (tenor) (in 1991-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1991-02)
conductor:
James Levine (US conductor and pianist) (in 1991-02)
chorus master:
Marcus Creed (conductor) (in 1991-02)
performer:
Hans Peter Blochwitz (tenor), Sigurd Brauns (chorus master), Sylvia McNair (soprano), Andreas Schmidt (bass-baritone & teacher) and Delores Ziegler (mezzo-soprano)
balance engineer:
Gregor Zielinsky (Balance engineer) (in 1991-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1991-02)
live recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (in 1991-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:33
5Vom Himmel hoch, da komm ich her
producer:
Günther Breest (producer for classical music) and Wolfgang Stengel
orchestra:
Blechbläser-Ensemble der Berliner Philharmoniker (in 1977-08)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Kirche St. Emmeram in Regensburg, Bayern (Bavaria), Germany (in 1977-08)
recording of:
Vom Himmel hoch, da komm ich her (in 1977-08)
composer:
Johannes Eccard (composer)
Johannes Eccard0:43
6Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach56:37
7The Nutcracker, op. 71, TH.14 no. 2: MarchПётр Ильич Чайковский2:30
8Christmas Oratorio, BWV 248 no. 10: Sinfonia
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:55
9Christmas Oratorio, BWV 248 no. 8: Aria “Großer Herr, o starker König”
bass vocals:
Heinz Rehfuss (baritone) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:16
10Vesperae solennes de confessore, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117)
producer:
Christopher Alder (editor/engineer/producer)
organ:
Kay Johannsen (in 1999-07)
choir vocals:
Swedish Radio Choir (in 1999-07)
soprano vocals:
Rachel Harnisch (soprano) (in 1999-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-07)
conductor:
Claudio Abbado (conductor) (in 1999-07)
chorus master:
Maria Wieslander (Swedish organist / harpsichordist) (in 1999-07)
balance engineer:
Klaus Hiemann (engineer/producer)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1999-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:29
11Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:27
12Florilegium Secondum: Ouverture – Sarabande – Bourrée – Rondeau
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
recording of:
Florilegium I: Fasciculus II, Sperantis Gaudia: XI, Rondeau
composer:
Georg Muffat (composer)
Georg Muffat5:34
13Hymnus, op. 57
performer:
Die 12 Cellisten der Berliner Philharmoniker
recording of:
Hymnus, op. 57
composer:
Julius Klengel (German cellist and composer)
part of:
Works of Julius Klengel by opus number (number: op. 57)
Julius Klengel6:13
14Es ist ein Ros’ entsprungen
producer:
Günther Breest (producer for classical music) and Wolfgang Stengel
orchestra:
Blechbläser-Ensemble der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) (in 1977-08)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Kirche St. Emmeram in Regensburg, Bayern (Bavaria), Germany (in 1977-08)
recording of:
Es ist ein Ros entsprungen (original anonymous version)
composer:
[anonymous] (special purpose artist)
publisher:
Dreiklang/Dreimasken
[traditional]1:08
15Concerto for Flute, Harp, and Orchestra in C major, K 299: II. Andantino
flute:
Karlheinz Zöller (flutist) (in 1962-10)
harp:
Nicanor Zabaleta (harpist) (in 1962-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-10)
conductor:
Ernst Märzendorfer (conductor) (in 1962-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-10)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1962-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:53
16Sonata à 5Vincenzo Albrici2:50