Die Zauberflöte

~ Release by Wolfgang Amadeus Mozart; Lorengar, Prey, Talvela, Wiener Philharmoniker, Solti (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Die Zauberflöte, K. 620: Ouverture
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:13
2Die Zauberflöte, K. 620: Act I, Scene I. No. 1 Introduction "Zu Hilfe! Zu Hilfe!"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:51
3Die Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja"
producer:
Christopher Raeburn (producer)
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: "Der Vogelfänger bin ich ja" (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
Wolfgang Amadeus Mozart2:51
4Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:10
5Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!"
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1969-10)
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:09
6Die Zauberflöte, K. 620: Act I, Scene XI-XII. No. 6 Terzetto "Du feines Täubchen, nur herein"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:48
7Die Zauberflöte, K. 620: Act I, Scene XV. "Wo willst du kühner Fremdling hin?"
producer:
Christopher Raeburn (producer)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:56
8Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton"
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:01
9Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:10
10Die Zauberflöte, K. 620: Act I, Scene XVIII. "Herr, ich bin zwar Verbrecherin"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:20
11Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris"
producer:
Christopher Raeburn (producer)
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:20
12Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden"
producer:
Christopher Raeburn (producer)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:34
13Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen”
producer:
Christopher Raeburn (producer)
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:51
14Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt"
producer:
Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:32
15Die Zauberflöte, K. 620: Act II, Scene XVIII. No. 17 Aria "Ach, ich fühl's, es ist verschwunden"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:20
16Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden"
producer:
Christopher Raeburn (producer)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:11
17Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Tamino mein! O welch Glück!"
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:27
18Die Zauberflöte, K. 620: Act II, Scene XXIX. Pa Pa Pa...
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:27
19Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille, stille, stille!"
producer:
Christopher Raeburn (producer)
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:13
20Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne"
producer:
Christopher Raeburn (producer)
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59