Puccini: The Essentials

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1La bohème: Atto I. “Che gelida manina” (live)
Tenor-Gesang:
Rolando Villazón (tenor)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks)
conductor:
Bertrand de Billy (conductor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:57
2La bohème: Atto I. “O soave fanciulla” (live)
Baritongesang:
Boaz Daniel (Baritone) (in 2008)
Chorgesang:
Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper) (in 2008)
Soprangesang:
Anna Netrebko (soprano) (in 2008)
Tenor-Gesang:
Rolando Villazón (tenor) (in 2008)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (in 2008)
conductor:
Bertrand de Billy (conductor) (in 2008)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 2008)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:09
3Madama Butterfly: Atto I. “Vogliatemi bene”
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:07
4Gianni Schicchi: “O mio babbino caro”
recording engineer:
Dagmar Birwe (von 2004-02 bis 2004-03) und Wolf‐Dieter Karwatky (von 2004-02 bis 2004-03)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Soprangesang und Soprangesang [Lauretta]:
Anna Netrebko (soprano) (von 2004-02 bis 2004-03)
Orchester:
Mahler Chamber Orchestra (von 2004-02 bis 2004-03)
conductor:
Claudio Abbado (conductor) (von 2004-02 bis 2004-03)
Tonmeister(in):
Rainer Maillard (von 2004-02 bis 2004-03)
aufgenommen bei:
Teatro Municipale Romolo Valli (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italien (von 2004-02 bis 2004-03)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (von 2004-02 bis 2004-03)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
32:46
5La Fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano”
Baritongesang:
Sherrill Milnes (baritone)
Tenor-Gesang:
Plácido Domingo (tenor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:20
6Madama Butterfly: Atto II. “Addio fiorito asil”
Baritongesang:
Juan Pons (baritone)
Tenor-Gesang:
José Carreras (Spanish tenor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:07
7Manon Lescaut: Atto II. “Tu, tu, amore? tu?”
Soprangesang:
Montserrat Caballé (soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
8:21
8La bohème: Atto III. “Donde lieta uscì” (live)
assistierende(r) Techniker(in):
Monika Graul (in 2007-04)
Produzent(in):
Christopher Alder (editor/engineer/producer) und Wilhelm Meister (Tonmeister / recording producer)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (in 2007-04)
conductor:
Bertrand de Billy (conductor) (in 2007-04)
Tonmeister(in):
Rainer Maillard (in 2007-04) und Peter Urban (sound engineer) (in 2007-04)
aufgenommen bei:
Philharmonie im Gasteig in München, Bayern, Deutschland (in 2007-04)
live recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 2007-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
3:23
9Tosca: Atto I. “Ah, quegli occhi…” … “Qual occhio al mondo può star di paro”
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto I (Tosca: Act 1)
5:43
10Manon Lescaut: Atto II. “In quelle trine morbide”
Soprangesang:
Mirella Freni (soprano)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:22
11Tosca: Atto III. “O dolci mani”
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
Plácido Domingo (tenor)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
5:56
12La bohème: Atto I. “Sì. Mi chiamano Mimì”
Baritongesang [Marcello]:
Tito Gobbi (baritone)
Soprangesang [Mimì]:
Renata Scotto (operatic soprano)
Tenor-Gesang [Rodolfo]:
Gianni Poggi (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Antonino Votto (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:05
13La bohème: Atto II. “Quando m’en vo’” (Musetta’s Waltz)
Baritongesang und Baritongesang [Marcello]:
Tito Gobbi (baritone)
Baritongesang [Alcindoro]:
Virgilio Carbonari (baritone)
Baritongesang [Schaunard]:
Giorgio Giorgetti (baritone)
Bass-Gesang [Alcindoro]:
Fernando Corena (operatic bass)
Bass-Gesang [Colline]:
Giuseppe Modesti (operatic bass-baritone)
Soprangesang und Soprangesang [Musetta]:
Jolanda Meneguzzer (soprano)
Soprangesang [Mimì]:
Renata Scotto (operatic soprano)
Tenor-Gesang [Rodolfo]:
Gianni Poggi (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Antonino Votto (conductor)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
4:58
14La bohème: Atto IV. “O Mimì, tu più non torni”
Baritongesang [Marcello]:
Tito Gobbi (baritone)
Tenor-Gesang [Rodolfo]:
Gianni Poggi (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Antonino Votto (conductor)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
3:14
15Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Produzent(in):
Wolfgang D. Stengel
Baritongesang:
Samuel Ramey (bass-baritone)
bass-baritone vocals:
Samuel Ramey (bass-baritone) (in 1992)
Soprangesang:
Mirella Freni (soprano) (in 1992)
Soprangesang [Tosca]:
Mirella Freni (soprano) (in 1990-05, in 1992)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05, in 1992)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:38
16Tosca: Atto III. “E lucevan le stelle”
Produzent(in):
Wolfgang D. Stengel
Tenor-Gesang [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (in 1990-05)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-05)
Bearbeitung von:
Tosca: Atto III. "E lucevan le stelle" (Cavaradossi) von Plácido Domingo (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1990-05)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
4:25
17Madama Butterfly: Atto II. “Un bel dì vedremo”
Produzent(in):
Wolfgang Stengel
Soprangesang [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:02
18Madama Butterfly: Atto II. Coro a bocca chiusa
Produzent(in):
Wolfgang Stengel
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1987-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1987-04)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3:07
19Madama Butterfly: Atto II. “Tu? tu? Piccolo Iddio!” (Butterfly, Pinkerton)
Produzent(in):
Wolfgang Stengel
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1987-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
5:31
20Manon Lescaut: Atto I. “Donna non vidi mai”
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:22
21Manon Lescaut: Atto II. Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut
5:34
22Manon Lescaut: Atto IV. “Sola perduta, abbandonata”
Soprangesang [Manon]:
Mirella Freni (soprano)
teilweise recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
5:33
23Turandot: Atto I. “Signore, ascolta!”
Sound-Engineering:
Heinz Wildhagen (engineer, producer) (am 1965-06-05)
Soprangesang:
Rita Streich (soprano) (am 1965-06-05)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (am 1965-06-05)
conductor:
Reinhard Peters (conductor) (am 1965-06-05)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (am 1965-06-05)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:18
24Turandot: Atto I. “Non piangere Liù”
Soprangesang [Liù]:
Emma Bruno de Sanctis (soprano)
Tenor-Gesang [Calaf]:
Sándor Kónya (Hungarian tenor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:28
25Turandot: Atto III. “Nessun dorma!”
Tenor-Gesang [Calaf]:
Sándor Kónya (Hungarian tenor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:04

Nennungen

Veröffentlichungsgruppe

Teil von:The Essentials (Deutsche Grammophon) (Reihenfolge: 3)