Bacobens Rock Top 500

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▶Digitales Medium
4▶Digitales Medium
5▶Digitales Medium
6▶Digitales Medium
7▶Digitales Medium
8▶Digitales Medium
9▶Digitales Medium
10▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Rough Boys
Techniker(in):
Bill Price (UK producer/engineer)
zusätzliche(r) Techniker(in):
Steve Nye (producer, engineer and pianist)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre, Synthesizer und Sologesang:
Pete Townshend (of The Who)
Keyboard ["straight" keyboard]:
John “Rabbit” Bundrick
Mundharmonika:
Peter Hope‐Evans
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Horn arranger:
Raphael Rudd
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Rough Boys
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. und Windswept Pacific
Pete Townshend33:59
2Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:30
3Ballad of John and Yoko
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
The Ballad of John and Yoko
geschrieben in:
Paris, Île-de-France, Frankreich (in 1969)
Verfasser(in):
John Lennon (The Beatles) (in 1969) und Paul McCartney (The Beatles) (in 1969)
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles2:56
4Lyin’ Eyes
recording engineer und Mix:
Allan Blazek und Bill Szymczyk
Produzent(in):
Bill Szymczyk
Akustikgitarre:
Don Felder und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bassgitarre:
Randy Meisner
Gitarre [lead] und Mandoline:
Bernie Leadon
Klavier:
Jim Ed Norman
Perkussion, Schlagzeug und Hintergrundgesang [& harmony]:
Don Henley
Hintergrundgesang:
Bernie Leadon und Randy Meisner
Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1975) und Eagles Recording Co. II (not for release label use! see "Eagles Recording Company") (in 2024)
recording of:
Lyin’ Eyes
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eagles4.16:21
5Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
6The End
recording of:
The End
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und Vicious Recordings (publisher of releases on Vicious Vinyl and subsidiaries)
The Doors11:42
7Speak to Me / Breathe (in the Air)
assistierende(r) Techniker(in):
Peter James (sound engineer)
Techniker(in):
Alan Parsons (of The Alan Parsons Project)
Produzent(in):
Pink Floyd
Mix:
Chris Thomas (UK record producer / remixer)
Band [tape effects] und Band [tape loops]:
Nick Mason (of Pink Floyd) (von 1972-06 bis 1973-01) und Roger Waters (von 1972-06 bis 1973-01)
E-Bass:
Roger Waters (von 1972-06 bis 1973-01)
E-Gitarre, Pedal-Steel-Gitarre, Hintergrundgesang und Sologesang:
David Gilmour (Pink Floyd) (von 1972-06 bis 1973-01)
Hammond-Orgel und Rhodes Piano:
Richard Wright (Pink Floyd keyboardist) (von 1972-06 bis 1973-01)
Perkussion und Schlagzeug:
Nick Mason (of Pink Floyd) (von 1972-06 bis 1973-01)
sonstiger Gesang [manic laughter]:
Peter Watts (Pink Floyd road manager)
sonstiger Gesang [scream]:
Clare Torry (von 1972-06 bis 1973-01)
Sprecher:
Chris Adamson (technician & roadie) (von 1972-06 bis 1973-01) und Gerry O’Driscoll (von 1972-06 bis 1973-01)
phonographisches Urheberrecht (℗) von:
The Gramophone Co., Ltd. (UK record company) (in 1973), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992), EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003), Pink Floyd Music Ltd. (in 2011) und Pink Floyd Music Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-06 bis 1973-01)
Kompilation von:
Speak to Me (original stereo mix) von Pink Floyd und Breathe (original studio stereo mix) von Pink Floyd
recording of:
Breathe (Pink Floyd song) (von 1972-06 bis 1973-01)
Texter:
Roger Waters
Komponist(in):
David Gilmour (Pink Floyd) und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16), World Copyrights Ltd. und Hampshire House Publishing Corp. (in 1973)
recording of:
Speak to Me (von 1972-06 bis 1973-01)
Komponist(in):
Nick Mason (of Pink Floyd)
publisher:
Hampshire House Publishing Corp., KPM (music publisher), Pink Floyd Music Publishers Ltd., TRO-Hampshire House Publishing Corp. und World Copyrights Ltd.
Revision von:
Intro Song
Pink Floyd4.054:00
8Dream Police
Techniker(in):
Mike Beiriger und Gary Ladinsky (engineer)
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978, in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978, in 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dream Police (in 1978)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (von 1978 bis 1979) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (von 1978 bis 1979)
Cheap Trick3.53:54
9Layla (unplugged)
recording of:
Layla
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton4:46
10Gimme All Your Lovin’
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.053:59
11Turn the Page
Techniker(in) und Mix:
Jim Bruzzese
Produzent(in):
Punch Andrews (Ed Andrews, Bob Seger's Manager) und Bob Seger
Bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band) (von 1975-09-04 bis 1975-09-05)
Gitarre:
Drew Abbott (von 1975-09-04 bis 1975-09-05)
Hybrid-Piano:
Bob Seger (von 1975-09-04 bis 1975-09-05)
mellotron:
Robyn Robbins (von 1975-09-04 bis 1975-09-05)
Saxophon:
Alto Reed (von 1975-09-04 bis 1975-09-05)
Schlagzeug:
Charlie Allen Martin (von 1975-09-04 bis 1975-09-05)
vocals:
Bob Seger (von 1975-09-04 bis 1975-09-05)
phonographisches Urheberrecht (℗) von:
Hideout Records & Distributors, Inc. (in 1976)
aufgenommen bei:
Cobo Arena in Detroit, Michigan, Vereinigte Staaten (von 1975-09-04 bis 1975-09-05) und Cobo Hall in Detroit, Michigan, Vereinigte Staaten (von 1975-09-04 bis 1975-09-05)
mixed at:
Pamper Recording Studio in Warren, Michigan, Vereinigte Staaten
live recording of:
Turn the Page (von 1975-09-04 bis 1975-09-05)
Texter:
Bob Seger
Komponist(in):
Bob Seger (in 1972)
publisher:
Gear Publishing (in 1973)
Bob Seger & the Silver Bullet Band45:03
12Something in the Air
recording of:
Something in the Air
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman3:54
13Goodbye Stranger
Sound-Engineering:
Russel Pope
assistierende(r) Techniker(in):
Lenise Bent und Jeff Harris (recording engineer)
Techniker(in):
Peter Henderson (English sound engineer)
Produzent(in):
Peter Henderson (English sound engineer) und Supertramp
Bassgitarre:
Dougie Thomson
Gitarre und Keyboard:
Roger Hodgson
Holzblasinstrumente:
John Helliwell
Keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
Schlagzeug:
Bob Siebenberg
vocals:
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
phonographisches Urheberrecht (℗) von:
A&M Records (in 2010)
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Crystal Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Goodbye Stranger
Verfasser(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Delicate Music
Supertramp3.955:50
14The Voice
Orchester:
Colorado Symphony Orchestra (am 1992-09-09)
conductor:
Larry Baird (am 1992-09-09)
aufgenommen bei:
Red Rocks Amphitheatre in Morrison, Colorado, Vereinigte Staaten (am 1992-09-09)
live recording of:
The Voice (am 1992-09-09)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Bright Music Ltd. (publisher)
The Moody Blues25:28
15Twilight Zone
recording of:
Twilight Zone
Texter und Komponist(in):
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) und Snamyook Music (publisher associated with George Kooymans) (in 1982)
Golden Earring4:40
16The Old Man Down the Road
Techniker(in):
Jeffrey "Nik" Norman
zusätzliche(r) Techniker(in):
Mark Slagle
Produzent(in):
John Fogerty
Sologesang:
John Fogerty
Interpret(in):
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 2017)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
recording of:
The Old Man Down the Road
Texter und Komponist(in):
John Fogerty
publisher:
Wenaha Music Company (in 1984)
John Fogerty4.753:33
17Glass Onion
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Chris Thomas (UK record producer / remixer)
Akustikgitarre:
John Lennon (The Beatles) (am 1968-09-11)
Bassgitarre:
Paul McCartney (The Beatles) (am 1968-09-11)
Bratsche / Viola:
Keith Cummings (violist) (am 1968-10-10) und John Underwood (violist) (am 1968-10-10)
Cello:
Eldon Fox (cellist) (am 1968-10-10) und Reginald Kilbey (am 1968-10-10)
E-Gitarre:
George Harrison (The Beatles) (am 1968-09-11)
Geige / Violine:
Eric Bowie (violinist) (am 1968-10-10), Henry Datyner (am 1968-10-10), Norman Lederman (am 1968-10-10) und Ronald Thomas (violinist and conductor) (am 1968-10-10)
Klavier:
Paul McCartney (The Beatles) (am 1968-09-13)
recorder:
Paul McCartney (The Beatles) (am 1968-09-16)
Schlagzeug:
Ringo Starr (The Beatles) (am 1968-09-11, am 1968-09-13)
Tamburin:
Ringo Starr (The Beatles) (am 1968-09-12)
Sologesang:
John Lennon (The Beatles) (am 1968-09-12)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-09-11, am 1968-09-12, am 1968-09-13, am 1968-09-16, am 1968-10-10)
recording of:
Glass Onion (von 1968-09-11 bis 1968-10-10)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.652:17
18Bungle in the Jungle
Jethro Tull3:32
19Sugar Magnolia
recording of:
Sugar Magnolia
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead) und Bob Weir
Komponist(in):
Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead3:21
20Waiting on a Friend
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
Bass:
Bill Wyman
Klavier:
Nicky Hopkins (pianist and organist)
Saxophon:
Sony Rollins (American saxophonist)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Hintergrundgesang:
Keith Richards (Rolling Stones guitarist)
Sologesang:
Mick Jagger
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
recording of:
Waiting on a Friend
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
The Rolling Stones3.754:34
21Right Place Wrong Time
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Solo-Gitarre:
David Spinozza
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music und Walden Music, Inc.
Dr. John3.652:54
22On the Road Again
recording of:
On the Road Again
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat5:01
23One of These Nights
Produzent(in):
Bill Szymczyk
Bassgitarre:
Randy Meisner
Gitarre [harmonics] und Klavier:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Gitarre [lead & rhythm]:
Bernie Leadon
Gitarre [lead guitar] und Gitarre [rhythm]:
Don Felder
Schlagzeug:
Don Henley
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Bernie Leadon und Randy Meisner
Sologesang:
Don Felder und Don Henley
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1975)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 377)
recording of:
One of These Nights
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
Eagles4.14:51
24Black Magic Woman
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana5:12
25Time Has Come Today
Produzent(in):
David Rubinson
Interpret(in):
The Chambers Brothers
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
Bearbeitung von:
Time Has Come Today (original unedited studio mix) von The Chambers Brothers
recording of:
Time Has Come Today (am 1967-08-09)
Verfasser(in):
Joseph Chambers (The Chambers Brothers) und Willie Chambers
The Chambers Brothers44:54
26Helplessly Hoping
recording engineer:
Bill Halverson
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
Mix:
David Crosby, Bill Halverson, Graham Nash und Stephen Stills
Akustikgitarre:
Stephen Stills (am 1969-02-15)
vocals:
David Crosby (am 1969-02-15), Graham Nash (am 1969-02-15) und Stephen Stills (am 1969-02-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-15)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Helplessly Hoping (am 1969-02-15)
Texter und Komponist(in):
Stephen Stills
publisher:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.352:41
27Southern Man
recorded in:
Topanga, California (Kalifornien), Vereinigte Staaten (am 1970-03-19)
recording engineer:
Henry Saskowski (von 1970-03-09 bis 1970-03-19)
Produzent(in):
David Briggs (producer best known for Neil Young productions) und Neil Young (Canadian singer, songwriter & musician)
zusätzliche(r) Produzent(in):
Kendall Pacios
Bass:
Greg Reeves (bass guitarist) (in 1970-03, am 1970-03-19)
E-Gitarre:
Neil Young (Canadian singer, songwriter & musician) (in 1970-03)
Gitarre:
Neil Young (Canadian singer, songwriter & musician) (am 1970-03-19)
Klavier:
Nils Lofgren (in 1970-03, am 1970-03-19)
Schlagzeug:
Ralph Molina (in 1970-03, am 1970-03-19)
vocals:
Ralph Molina (in 1970-03, am 1970-03-19), Danny Whitten (in 1970-03, am 1970-03-19) und Neil Young (Canadian singer, songwriter & musician) (in 1970-03, am 1970-03-19)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recording of:
Southern Man (am 1970-03-19)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music und Broken Arrow Music Pub, Co.
recording of:
Southern Man (in 1970-03)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music und Broken Arrow Music Pub, Co.
Neil Young4.65:29
28Free Fallin’
Techniker(in):
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Smith (producer, engineer and mixer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne und Tom Petty
Akustikgitarre, E-Gitarre, Tamburin, zwölfsaitige Gitarre und Sologesang:
Tom Petty (von 1988 bis 1989)
Bass, Gitarre und Keyboard:
Jeff Lynne (von 1988 bis 1989)
Gitarre und Keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
Mandoline und Slide-Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (von 1988 bis 1989)
Hintergrundgesang:
Jeff Lynne (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
aufgenommen bei:
M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 120), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 177) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 219)
recording of:
Free Fallin’ (von 1988 bis 1989)
Verfasser(in):
Jeff Lynne und Tom Petty
publisher:
EMI April Music Inc. und Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers3.94:15
29Let It Bleed
recording of:
Let It Bleed
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
The Rolling Stones5:34
30Sledgehammer
recording of:
Sledgehammer
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, EMI Music Publishing Ltd. (PRS‐affiliated), Real World Music, Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Peter Gabriel4:51
31Green‐Eyed Lady
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 30)
recording of:
Green‐Eyed Lady
Verfasser(in):
Jerry Corbetta, John Collingwood Phillips und David Riordan
publisher:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf46:49
32Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:55
33Forever Man
recording of:
Forever Man
Texter und Komponist(in):
Jerry Lynn Williams
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) und Urge Music
Eric Clapton3:11
34Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:26
35Susie Q
Produzent(in):
John Fogerty und Saul Zaentz
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
vocals:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
teilweise cover recording of:
Susie Q (am 1968-01-19)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Creedence Clearwater Revival3.84:35
36Dance to the Music
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 223)
recording of:
Dance to the Music
Texter, Verfasser(in) und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
enthalten in:
Dance for Me
Sly & the Family Stone4.152:59
37Crazy Train
Techniker(in):
Max Norman
Produzent(in):
Bob Daisley, Lee Kerslake, Ozzy Osbourne und Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne)
Bassgitarre und Hintergrundgesang:
Bob Daisley (am 1980-03-22)
Gitarre:
Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne) (am 1980-03-22)
Schlagzeug:
Lee Kerslake (am 1980-03-22)
Sologesang:
Ozzy Osbourne (am 1980-03-22)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (am 1980-03-22)
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (von 1980-05-05 bis 1980-05-20)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 6), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 17), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard Hot 100: 2025-08-09 (Nummer: 39) und Billboard Hot 100: 2025-08-02 (Nummer: 46)
recording of:
Crazy Train (am 1980-03-22)
Texter und Komponist(in):
Bob Daisley, Ozzy Osbourne und Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne)
publisher:
Essex Music International Ltd., 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), Blizzard Music Ltd. (in 1980) und Kord Music (in 1980)
Ozzy Osbourne44:57
38Journey to the Center of the Mind
The Amboy Dukes3:36
39Rebel Rebel
aufgenommen bei:
Philipshalle (Mitsubishi Electric Halle) in Düsseldorf, Nordrhein-Westfalen, Deutschland (am 1976-04-08)
live recording of:
Rebel Rebel (am 1976-04-08)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America (, vom 1974 bis heute), MainMan, RZO Music Ltd und Tintoretto Music (vom 1997 bis heute)
David Bowie4:30
40Summer in the City
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful2:35
41Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.54:04
42Evil Ways
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1969-05-12)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1969-05-12)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1969-05-12)
Gitarre:
Carlos Santana (am 1969-05-12)
Klavier und Orgel:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12)
Schlagzeug:
Michael Shrieve (drummer) (am 1969-05-12)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12) und Carlos Santana (am 1969-05-12)
arranger:
Alberto Gianquinto
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (am 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 69)
cover recording of:
Evil Ways (am 1969-05-12)
Texter und Komponist(in):
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music und Universal–Songs of PolyGram International, Inc.
Santana4.23:58
43Old Time Rock & Roll
Techniker(in):
Greg Hamm (US engineer)
Produzent(in):
The Muscle Shoals Rhythm Section und Bob Seger
Mix:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) und Bob Seger
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Ken Bell und Howie McDonald
Klavier:
Randy McCormick (session musician and songwriter)
Perkussion und Schlagzeug:
Roger Hawkins (drummer and producer)
Saxophon:
Alto Reed
Hintergrundgesang:
Stanley Carter, George Jackson (US soul songwriter/vocalist) und James Lavell Easley (Blues harmonica player)
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Hideout Records & Distributors, Inc. (in 1978)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten
recording of:
Old Time Rock & Roll
Verfasser(in):
George Jackson (US soul songwriter/vocalist) und Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited und Peermusic III, Ltd. (BMI)
Teil von:
Risky Business (film soundtrack)
Bob Seger & the Silver Bullet Band4.53:14
44I Should Have Known Better
recording of:
I Should Have Known Better
Verfasser(in):
John Lennon (The Beatles) (in 1964-02) und Paul McCartney (The Beatles) (in 1964-02)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Unart Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
geschrieben bei:
George V Hotel in Paris, Île-de-France, Frankreich (von 1964-01 bis 1964-02)
The Beatles2:44
45Thirty Days in the Hole
Humble Pie3:56
46Louie, Louie
The Kingsmen2:46
47I’d Love to Change the World
Produzent(in):
Chris Wright (co-founder of Chrysalis Records)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1998)
recording of:
I’d Love to Change the World
Texter und Komponist(in):
Alvin Lee
Ten Years After4.553:44
48The Letter
cover recording of:
The Letter
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
Joe Cocker4:17
49Rainy Day Women #12 & 35
recording of:
Rainy Day Women #12 & 35
Texter und Komponist(in):
Bob Dylan (von 1966-02 bis 1966-03)
publisher:
Dwarf Music (vom 1966 bis heute)
Bob Dylan4:36
50Move It On Over
cover recording of:
Move It On Over
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI)
George Thorogood4:20