Bach 333: Sacred Cantatas I

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▼CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
#TitleRatingLength
1Komm, du süße Todesstunde, BWV 161: 1. Aria: Komm, du süße Todesstunde
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:24
2Komm, du süße Todesstunde, BWV 161: 2. Recitative: Welt! deine Lust ist Last
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1997-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:03
3Komm, du süße Todesstunde, BWV 161: 3. Aria: Mein Verlangen ist, den Heiland zu umfangen
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:00
4Komm, du süße Todesstunde, BWV 161: 4. Recitative: Der Schluss ist schon gemacht
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:29
5Komm, du süße Todesstunde, BWV 161: 5. [Chorus:] Wenn es meines Gottes Wille
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:53
6Komm, du süße Todesstunde, BWV 161: 6. Chorale: Der Leib zwar in der Erden
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:33
7Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 1. Aria: Ach! ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Peter Harvey (bass-baritone) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:52
8Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 2. Recitative: O großes Hochzeitfest
tenor vocals:
Christoph Genz (tenor) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:42
9Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 3. Aria: Jesu, Brunnquell aller Gnaden
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:36
10Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 4. Recitative: Mein Jesu, lass mich nicht
alto vocals:
Sara Mingardo (contralto) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:42
11Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 5. Duet: In meinem Gott bin ich erfreut!
alto vocals:
Sara Mingardo (contralto) (on 2000-11-04)
tenor vocals:
Christoph Genz (tenor) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:11
12Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: 6. Chorale: Ach, ich habe schon erblicket
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-11-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-11-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-11-04)
recorded at:
Cattedrale di San Lorenzo in Genova (Genoa), Genova, Liguria, Italy (on 2000-11-04)
live recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (on 2000-11-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:11
13Jesus nahm zu sich die Zwölfe, BWV 22: 1. [Arioso & Chorus:] Jesus nahm zu sich die Zwölfe
choir vocals:
Choir of Clare College, Cambridge (on 2000-03-05), Choir of Trinity College, Cambridge (on 2000-03-05) and Monteverdi Choir (English vocal Baroque ensemble) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (Tenore, Basso) e Coro "Jesus nahm zu sich die Zwölfe und sprach" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
4:51
14Jesus nahm zu sich die Zwölfe, BWV 22: 2. Aria: Mein Jesu, ziehe mich nach dir
alto vocals:
Claudia Schubert (mezzo-soprano) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (Alto) "Mein Jesu, ziehe mich nach dir" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
4:32
15Jesus nahm zu sich die Zwölfe, BWV 22: 3. Recitative: Mein Jesu, ziehe mich, so werd ich laufen
bass vocals:
Peter Harvey (bass-baritone) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo (Basso) "Mein Jesu, ziehe mich, so werd ich laufen" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
1:57
16Jesus nahm zu sich die Zwölfe, BWV 22: 4. Aria: Mein alles in allem, mein ewiges Gut
tenor vocals:
James Oxley (tenor) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (Tenore) "Mein alles in allem, mein ewiges Gut" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:44
17Jesus nahm zu sich die Zwölfe, BWV 22: 5. Chorale: Ertöt uns durch dein Güte
choir vocals:
Choir of Clare College, Cambridge (on 2000-03-05), Choir of Trinity College, Cambridge (on 2000-03-05) and Monteverdi Choir (English vocal Baroque ensemble) (on 2000-03-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-03-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-03-05)
performer:
English Baroque Soloists (The English Baroque Soloists) and Monteverdi Choir (English vocal Baroque ensemble)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 2000-03-05)
live recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (on 2000-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:03
18Du wahrer Gott und Davids Sohn, BWV 23: 1. Duet: Du wahrer Gott und Davids Sohn
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
7:45
19Du wahrer Gott und Davids Sohn, BWV 23: 2. Recitative: Ach! gehe nicht vorüber
recording engineer:
Eckhard Steiger (producer and engineer)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
1:22
20Du wahrer Gott und Davids Sohn, BWV 23: 3. Chorus: Aller Augen warten, Herr
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
bass vocals:
Jan Van der Crabben (Belgian baritone vocalist) (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
5:12
21Du wahrer Gott und Davids Sohn, BWV 23: 4. Chorale: Christe, du Lamm Gottes
recording engineer:
Eckhard Steiger (producer and engineer)
alto vocals:
Petra Noskaiová (in 2007-03)
bass vocals:
Jan Van der Crabben (Belgian baritone vocalist) (in 2007-03)
soprano vocals:
Siri Karoline Thornhill (soprano) (in 2007-03)
tenor vocals:
Marcus Ullmann (in 2007-03)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 2007-03)
conductor:
Sigiswald Kuijken (in 2007-03)
performer:
La Petite Bande (Belgian chamber orchestra)
recorded at:
Auditorium Cesare Pollini in Padova (Padua), Padova, Veneto, Italy (in 2007-03)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (in 2007-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
5:43
22Wer mich liebet, der wird mein Wort halten, BWV 59: 1. Duet: Wer mich liebet, der wird mein Wort halten
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
3:16
23Wer mich liebet, der wird mein Wort halten, BWV 59: 2. Recitative: O, was sind das vor Ehren
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
2:11
24Wer mich liebet, der wird mein Wort halten, BWV 59: 3. Chorale: Komm, heiliger Geist, Herre Gott
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:49
25Wer mich liebet, der wird mein Wort halten, BWV 59: 4. Aria: Die Welt mit allen Königreichen
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
2:30
26Wer mich liebet, der wird mein Wort halten, BWV 59: Chorale: Du heilige Brunst, süßer Trost from BWV 226
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": V. Choral "Gott Heil"ger Geist" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:54
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]