Cole Porter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: The Vocal Sides
Nr.TitelKünstlerBewertungLänge
1Love for Sale
recording of:
Love for Sale (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Anita O’Day3:36
2Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1961-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frank Sinatra33:40
3Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Billie Holiday3:13
4Get Out of Town
recording of:
Get Out of Town
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Mel Tormé3:16
5I Concentrate on You
cover recording of:
I Concentrate on You
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Dinah Washington3:05
6You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Matt Dennis2:49
7Why Shouldn’t I?
recording of:
Why Shouldn’t I?
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
Lee Wiley1:39
8My Heart Belongs to Daddy
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (am 1953-05-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Peggy Lee2:08
9Cherry Pies Ought to Be You
Gast vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl
Interpret(in):
Rosemary Clooney (am 1950-12-11)
arranger:
Axel Stordahl
recording of:
Cherry Pies Ought to Be You (Out of This World musical) (am 1950-12-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
publisher:
Buxton Hill Music Corp.
Rosemary Clooney & Frank Sinatra2:22
10Ev’rything I Love
recording of:
Everything I Love (Let’s Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Morgana King3:18
11In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
Jo Stafford2:41
12Let’s Do It, Let’s Fall in Love
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Tina Louise2:54
13Why Shouldn’t I?
cover recording of:
Why Shouldn’t I?
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
Margaret Whiting3:17
14From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
Chris Connor2:32
15Looking at You
recording of:
Looking at You (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
Lucy Ann Polk2:40
16All of You
recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Mel Tormé2:52
17I Concentrate on You
recording of:
I Concentrate on You
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire2:45
18Down in the Depths, on the Ninetieth Floor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-05)
Techniker(in):
Hal Valentin
alto saxophone:
Charlie Mariano (am 1955-01-05)
Bass und Bassgitarre:
Max Bennett (US jazz bassist and session musician) (am 1955-01-05)
Klavier:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (am 1955-01-05)
Schlagzeug:
Stan Levy (am 1955-01-05)
Trompete:
Don Fagerquist (am 1955-01-05)
vocals:
Helen Carr (40s jazz singer) (am 1955-01-05)
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (am 1955-01-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Helen Carr3:12
19You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Helen Merrill4:20
20Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Carmen McRae2:39
2▶CD: The Instrumental Sides