Greatest Hits of the 80's

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:28
2I Love Little Girls
Oingo Boingo3:46
3Talk Talk
tecnico di registrazione e produttore:
Colin Thurston
tecnico di missaggio:
Mike Robinson (engineer)
batteria :
Lee Harris (drummer, member of Talk Talk and .O.Rang)
chitarra basso :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
tastiera :
Simon Brenner (UK musician, member of Talk Talk)
voce principale:
Mark Hollis
registrazione di:
Talk Talk (Talk Talk)
paroliere e compositore:
Ed Hollis (British songwriter and producer) e Mark Hollis
Talk Talk33:20
4Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:52
5Major Tom
tecnico di registrazione:
Lars Hidde (dal 1982 al 1983), Manfred Lohse (dal 1982 al 1983), Geoff Peacey (dal 1982 al 1983), Frank Reinke (Germany based engineer) (dal 1982 al 1983), Peter Schilling (German synthpop musician) (dal 1982 al 1983) e Peter Schmidt (recording engineer) (dal 1982 al 1983)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (dal 1982 al 1983) e Peter Schilling (German synthpop musician) (dal 1982 al 1983)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1983)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
registrata presso:
Peer Studio in Hamburg, Germania (dal 1982 al 1983)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 68)
registrazione di:
Major Tom (Coming Home) (dal 1982 al 1983)
paroliere e compositore:
Peter Schilling (German synthpop musician)
traduttore:
David Lodge
dedicata a:
Peer Musikverlag
versione tradotta di:
Major Tom (Völlig losgelöst)
Peter Schilling4.355:01
6With or Without You
tecnico di registrazione:
Flood (British producer Mark Ellis)
programmazione degli strumenti:
Brian Eno
tecnico aggiunto:
Pat McCarthy e Dave Meegan (producer)
produttore:
Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistente tecnico di missaggio:
Mary Kettle
tecnico di missaggio:
Steve Lillywhite e Mark Wallis
armonica (a bocca) e voce principale:
Bono (singer of U2)
batteria e percussione :
Larry Mullen, Jr.
chitarra :
The Edge (U2 guitarist David Evans)
chitarra aggiunto, omnichord e tamburello :
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
chitarra basso :
Adam Clayton
tastiera :
Brian Eno
voce di accompagnamento:
The Edge (U2 guitarist David Evans), Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1987, nel 2007, nel 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1987) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2007)
registrata presso e mixata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
With or Without You di U2 (Irish rock band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 131) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 211)
registrazione di:
With or Without You
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:58
7One Thing Leads to Another
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
batteria :
Adam Woods (drummer)
chitarra :
Jamie West‐Oram
tastiera :
Rupert Greenall
voce:
Cy Curnin
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990)
registrata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
video musicali:
One Thing Leads to Another di The Fixx
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 72)
registrazione di:
One Thing Leads to Another (The Fixx song)
autore e compositore:
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram e Adam Woods (drummer)
The Fixx4.353:21
8Red Red Wine
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Ray “Pablo” Falconer e UB40
basso :
Earl Falconer
chitarra :
Ali Campbell (UB40’s former vocalist) e Robin Campbell
drum machine e batteria :
Jim Brown (UB40 drummer)
percussione :
Astro (UB40 toast, trumpet & percussion) e Norman Hassan
sassofono :
Brian Travers
tastiera :
Michael Virtue (keyboardist)
altra voce:
Astro (UB40 toast, trumpet & percussion)
voce:
Ali Campbell (UB40’s former vocalist), Robin Campbell e Norman Hassan
arrangiatore:
UB40
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB404.15:23
9You Keep Me Hanging On
registrata a:
England, Regno Unito
tecnico:
Peter Wade Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
chitarra :
Steve Byrd
tastiera :
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M Productions (British record and publishing company)
registrata presso e mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti, Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
parte di:
Cachitos Nochevieja 2022 (numero: 108)
registrazione cover di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kim Wilde3.454:21
10Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:31
11In a Big Country
tecnico:
Will Gosling
produttore:
Steve Lillywhite
video musicali:
In a Big Country di Big Country
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 17)
registrazione di:
In a Big Country
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country44:48
12Enola Gay
tecnico:
Laurence Diana e Max Norman
produttore:
Mike Howlett e Orchestral Manoeuvres in the Dark
basso e sintetizzatore :
Andy McCluskey
batteria e percussione :
Malcolm Holmes (drummer)
tastiera e sintetizzatore :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Enola Gay
paroliere e compositore:
Andy McCluskey
editore:
Dinsong Music e Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:31
13Boys Don't Cry
tecnico:
Mike Hedges (UK producer/recording engineer)
produttore e tecnico di missaggio:
Chris Parry
batteria :
Lol Tolhurst
chitarra e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
chitarra basso :
Michael Dempsey
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
video musicali:
Boys Don’t Cry di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 242)
registrazione di:
Boys Don’t Cry (nel 1979)
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Lol Tolhurst
editore:
APB Music Co.
The Cure4.452:37
14Caribbean Queen
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean53:46
15Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.54:04

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comprende:Monster '80s