Essential Baroque

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro
clavicembalo :
Paul Crocker (harpsichord) (nel 1979-12)
violino :
Yehudi Menuhin (violinist) (nel 1979-12)
orchestra:
Camerata Lysy Gstaad (nel 1979-12)
direttore d'orchestra:
Alberto Lysy (violinist and conductor) (nel 1979-12)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1979-12)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro) (nel 1979-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:45
2Canon & Gigue in D major, T. 337: I. Canon
tecnico:
Christopher Parker (classical recording and balance engineer, active from 1950s)
produttore:
Christopher Bishop (conductor/producer)
violino :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (dal 1973-10-01 al 1973-10-04)
orchestra:
Academy of St Martin in the Fields (dal 1973-10-01 al 1973-10-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1973-10-01 al 1973-10-04)
tecnico di bilanciamento:
Stuart Eltham (engineer)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-10-01 al 1973-10-04)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (dal 1973-10-01 al 1973-10-04)
compositore:
Johann Pachelbel (composer)
parte di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
3Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba
produttore:
John Fraser (UK producer)
clavicembalo :
Ian Watson (conductor and keyboardist) (dal 1983-06-27 al 1983-06-28)
orchestra:
Academy of St Martin in the Fields (dal 1983-06-27 al 1983-06-28)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1983-06-27 al 1983-06-28)
tecnico di bilanciamento:
Stuart Eltham (engineer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1983-06-27 al 1983-06-28)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (dal 1983-06-27 al 1983-06-28)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
George Frideric Handel42:48
4Adagio in G minor (excerpt)
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione parziale di:
Adagio for Strings and Organ in G minor
compositore:
Remo Giazotto
precedentemente attribuito a:
Tomaso Giovanni Albinoni (Italian Baroque composer)
editore:
Ricordi London (Casa Ricordi sublabel for Classical music) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:51
5Toccata and Fugue in D minor, BWV 565: Toccata
organo :
Wayne Marshall (British pianist, organist and conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
registrazione di:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Classic 100: Piano (2025) (numero: 30)
parte di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:23
6Water Music Suite no. 2, HWV 349: Alla Hornpipe
orchestra:
Prague Chamber Orchestra
direttore d'orchestra:
Charles Mackerras (Australian conductor)
registrazione di:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel3:18
7Gloria in D major, RV 589: I. Gloria in excelsis Deo
produttore:
David Groves (classical music producer at EMI)
cori:
Academy of St Martin in the Fields Chorus (dal 1990-10-05 al 1990-10-07)
orchestra:
Academy of St Martin in the Fields (dal 1990-10-05 al 1990-10-07)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1990-10-05 al 1990-10-07)
maestro del coro:
László Heltay (British/Hungarian conductor and composer) (dal 1990-10-05 al 1990-10-07)
tecnico di bilanciamento:
Mark Vigars (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1990-10-05 al 1990-10-07)
registrazione di:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (dal 1990-10-05 al 1990-10-07)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Gloria in D major, RV 589
registrazione di:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
paroliere:
Anonymous ([anonymous], special purpose artist)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
compositore aggiunto:
Gian Francesco Malipiero (Italian composer)
si basa su:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
parte di:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
8Miserere mei, Deus
voce di basso [Cantor]:
Gerald Finley (bass-baritone)
voce di ragazzo soprano (treble):
Timothy Beasley-Murray (treble vocalist)
direttore d'orchestra:
Stephen Cleobury (organist, conductor)
registrazione di:
Miserere mei, Deus
compositore:
Gregorio Allegri (composer)
parte di:
ABC Classic 100 (2001) (numero: 9)
cita i testi di:
Miserere mei (words from Psalm 51)
Gregorio Allegri4:33
9Orfeo ed Euridice: Ballet in D minor (Dance of the Blessed Spirits)
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
compositore:
Christoph Willibald Gluck (composer)
parte di:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
parte di:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:19
10Herz und Mund und Tat und Leben, BWV 147: No. 10. Choral. "Jesus bleibet meine Freude"
produttore:
Christopher Bishop (conductor/producer)
cori:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
direttore d'orchestra:
Sir Neville Marriner (conductor) e Sir David Willcocks (UK composer, organist, choral conductor)
tecnico di bilanciamento:
Neville Boyling (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito
registrazione di:
Jesu, Joy of Man’s Desiring
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1723-07-02)
paroliere:
Martin Janus (German Protestant minister, c. 1620–1682) (nel 1665)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Classic 100: Piano (2025) (numero: 15)
parte di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
11Abdelazer: Rondeau
orchestra:
Bath Festival Orchestra
direttore d'orchestra:
Yehudi Menuhin (violinist)
registrazione parziale di:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
compositore:
Henry Purcell (Baroque composer)
parte di:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:16
12Orchestral Suite no. 3 in D major, BWV 1068: II. Air
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:33
13Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (Allegro)
orchestra:
Menuhin Festival Orchestra (nel 1968)
direttore d'orchestra:
Yehudi Menuhin (violinist) (nel 1968)
registrazione di:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (nel 1968)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1749)
parte di:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:23
14Flute Concerto in D major, op. 10 no. 3, RV 428 "Il gardellino": I. Allegro
clavicembalo :
George Malcolm (English harpsichordist, conductor)
flauto :
William Bennett (flautist)
orchestra:
English Chamber Orchestra
direttore d'orchestra:
George Malcolm (English harpsichordist, conductor)
registrazione di:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: I. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
William Bennett4:11
15Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio
clavicembalo :
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba :
Jordi Savall (viol player, conductor and composer)
registrazione di:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach6:05
16Concerto Grosso in G minor, op. 6 no. 8: VI. Pastorale: Largo
clavicembalo :
Jean‐Patrice Brosse
violino :
Georges Armand (conductor and violinist)
orchestra:
Orchestre de chambre de Toulouse
direttore d'orchestra:
Georges Armand (conductor and violinist)
registrazione di:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo)
compositore:
Arcangelo Corelli (Italian baroque composer and violinist)
parte di:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:16
17Goldberg Variations, BWV 988: Aria
clavicembalo :
Alan Curtis (harpsichordist, musicologist, and conductor)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (opening)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:52
18Dido and Aeneas, Z. 626: When I am laid in earth (Dido)
produttore:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
clavicembalo [harpsichord continuo] :
Raymond Leppard (conductor and harpsichordist) (dal 1965-08-25 al 1965-08-27)
cori:
English Chamber Choir (dal 1965-08-25 al 1965-08-27)
voce di soprano [Dido]:
Victoria de los Ángeles (Spanish soprano) (dal 1965-08-25 al 1965-08-27)
orchestra:
English Chamber Orchestra (dal 1965-08-25 al 1965-08-27)
direttore d'orchestra:
Sir John Barbirolli (conductor and cellist) (dal 1965-08-25 al 1965-08-27)
tecnico di bilanciamento:
Neville Boyling (engineer)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1965-08-25 al 1965-08-27)
registrazione parziale di:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (dal 1965-08-25 al 1965-08-27)
compositore:
Henry Purcell (Baroque composer) (nel 1689)
librettista:
Nahum Tate
parte di:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:50
19Coronation Anthem no. 1 "Zadok the Priest", HWV 258
cori:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Menuhin Festival Orchestra
direttore d'orchestra:
Yehudi Menuhin (violinist)
registrazione di:
Coronation Anthem no. 1, HWV 258 “Zadok the Priest”: I. Zadok the Priest
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
George Frideric Handel5:43
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