Mafia II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Framed
registrazione di:
Framed
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC e Southern Music Pub. Co. Ltd.
The Coasters2:43
2Got My Mojo Working
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 1984)
registrazione di:
Got My Mojo Working (Muddy Waters arrangement)
autore aggiunto:
Morgan Field (blues musician)
arrangiatore:
Muddy Waters (blues musician)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Dare Music Co.
versione di:
Got My Mojo Working (original version)
Muddy Waters52:46
3Honey Love
registrazione di:
Honey Love
autore:
Clyde McPhatter e Jerry Wexler
editore:
P.M.P.C. Inc.
The Drifters2:22
4I Put a Spell on You
voce:
Screamin’ Jay Hawkins
parte di:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 299) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 313)
registrazione di:
I Put a Spell on You (il 1956-09-12)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Jalacy Hawkins3.32:25
5In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.52:59
6Keep a‐Knockin’
edit di:
Keep a Knockin’ di Little Richard
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 9)
registrazione di:
Keep a Knockin’ (Little Richard’s version)
paroliere e compositore:
Richard Wayne Penniman (nel 1957-01)
editore:
MCA Music Ltd.
versione di:
Keep a‐Knockin’ an You Can’t Get In
Little Richard52:15
7Ling, Ting, Tong
The Five Keys52:07
8Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:07
9Lucille
registrazione di:
Lucille
autore:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
sub-editore:
Sony/ATV Music Publishing France (conclusa), Sony Music Publishing France e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard2:23
10Mannish Boy
registrazione di:
Mannish Boy
autore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London e McKinley Morganfield (blues musician)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd. e Tristan Music Ltd.
parte di:
Risky Business (film soundtrack)
Muddy Waters2:54
11Nadine
produttore:
Leonard & Phil Chess (legendary US production duo)
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra e voce principale:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
Nadine (Is It You?) (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Limited
Chuck Berry2:31
12No Particular Place to Go
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra e voce principale:
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (Pianist, played with Chuck Berry) (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
13One Kiss Led to Another
registrazione di:
One Kiss Led to Another
autore:
Jerry Leiber e Mike Stoller
editore:
Jerome Leiber Music, Purple Starfish Music, Sony/ATV Songs LLC e Unichappell Music, Inc.
The Coasters2:19
14Rags to Riches
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Jack Wilson2:38
15Smokestack Lightning
registrazione di:
Smokestack Lightning
paroliere e compositore:
Chester Arthur Burnett
editore:
Arc Music (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chester Burnett3:03
16Speedo
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 3)
registrazione di:
Speedoo (nel 1955-09)
paroliere e compositore:
Esther Navarro
The Cadillacs32:17
17Who Do You Love
batteria :
Clifton James (il 1956-05-24)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1956-05-24) e Jody Williams (blues guitarist/singer) (il 1956-05-24)
maracas :
Jerome Green (il 1956-05-24)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1956-05-24)
voce di accompagnamento:
The Moonglows (1950s Cleveland R&B group)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (dal 1956 a oggi)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 132)
registrazione di:
Who Do You Love? (il 1956-05-24)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (nel 1956)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
Bo Diddley3.52:27
18All I Have to Do Is Dream
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 390)
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers52:18
19At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.52:36
20C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Edward Cochran and Jerry Capehart41:53
21Cannonball
Duane Eddy1:53
22Come On, Let’s Go
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Ritchie Valens52:00
23Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel (The Fleetwoods’ lead singer and songwriter)
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods32:22
24Don’t Let Go
registrazione di:
Don’t Let Go
paroliere e compositore:
Jesse Stone
editore:
Campbell Connelly & Co. Ltd., Scion Three Music LLC e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:28
25Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:20
26Forty Miles of Bad Road
battimani e altra voce [rebel yells]:
The Sharps (US doo wop group from Los Angeles, CA)
sassofono :
Steve Douglas (American saxophonist, flautist and clarinetist)
registrazione di:
40 Miles of Bad Road (1959 instrumental) (nel 1959)
compositore:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) e Duane Eddy
registrazione strumentale di:
40 Miles of Bad Road (1959 instrumental)
compositore:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) e Duane Eddy
Duane Eddy2:03
27Maybe
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 5)
registrazione di:
Maybe (il 1957-10-16)
paroliere e compositore:
Richard Barrett (US soul producer/singer)
editore:
Tunecore Digital Music (publisher; not a release label. Use [no label]) e チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels2:34
28Money (That’s What I Want)
registrazione di:
Money (That’s What I Want)
autore:
Janie Bradford e Berry Gordy
editore:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Barrett Strong2:35
29Movin’ ’n’ Groovin’
Duane Eddy2:01
30Mr. Sandman
The Chordettes2:22
31Not Fade Away
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-27)
batteria :
Jerry Allison (il 1957-05-27, il 1957-05-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 107)
registrazione di:
Not Fade Away (il 1957-05-27)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
registrazione di:
Not Fade Away (il 1957-05-29)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
Charles Holley4.652:15
32Rave On
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 4)
registrazione cover di:
Rave On
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) e Wren Music Co.
Charles Holley1:47
33Rebel Rouser
Duane Eddy2:23
34Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:10
35Sh‐Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:45
36Stood Up
voce:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 31)
registrazione di:
Stood Up
autore:
Dub Dickerson e Erma Herrold
editore:
Francis, Day & Hunter Ltd.
Ricky Nelson1:50
37Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Edward Cochran3.751:55
38Teen Beat
registrazione di:
Teen Beat
compositore:
Arthur Egnoian e Sandy Nelson
editore:
Lovolar Music
Sander Nelson2:21
39Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:10
40That’ll Be the Day
Charles Holley32:14
41The Book of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 12) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 29)
registrazione di:
Book of Love
autore:
Warren Davis, George Malone e Charles Patrick (lead singer for The Monotones)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Nom Music, Inc.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:18
42Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:17
43You Can Have Her
registrazione di:
You Can Have Her (1961 song)
paroliere e compositore:
Bill Cook (American songwriter)
editore:
Big Billy Music e Big Billy Music Co.
Roy Hamilton2:43