| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | You Really Got Me- Produzent(in):
- Shel Talmy (in 1964-07)
- Bassgitarre:
- Pete Quaife (in 1964-07)
- Gitarre:
- Harry Fryer (in 1964-07)
- Gitarre [lead guitar]:
- Dave Davies (in 1964-07)
- Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
- Ray Davies (in 1964-07)
- Schlagzeug:
- Bobby Graham (in 1964-07)
- zusätzlich Klavier:
- Perry Ford (in 1964-07)
- phonographisches Urheberrecht (℗) von:
- Sanctuary Records Group Ltd. (in 1964)
- sonstige Unterstützung:
- PRT Records (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
- aufgenommen bei:
- IBC Studios in London , England, Vereinigtes Königreich (in 1964-07)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
- recording of:
- You Really Got Me (in 1964-07)
- Texter und Komponist(in):
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. und Jay Boy
| The Kinks | 4.25 | 2:13 |
| 2 | Keep On Running | The Spencer Davis Group | 3.65 | 2:45 |
| 3 | Get Away | Georgie Fame | | 2:31 |
| 4 | I’m Alive | The Hollies | | 2:24 |
| 5 | Oh, Pretty Woman- recorded in:
- Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
- Produzent(in):
- Fred Foster
- Gitarre:
- Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (am 1964-08-01)
- Klavier:
- Floyd Cramer (am 1964-08-01)
- Kontrabass [upright bass]:
- Bob Moore (am 1964-08-01)
- Mundharmonika:
- Charlie McCoy (am 1964-08-01)
- Perkussion:
- Paul Garrison (am 1964-08-01)
- Saxophon:
- Boots Randolph (am 1964-08-01)
- Schlagzeug:
- Buddy Harman (am 1964-08-01)
- zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
- Roy Orbison (am 1964-08-01)
- vocals:
- Roy Orbison
- phonographisches Urheberrecht (℗) von:
- Orbison Records, Orbison Records, Inc. und Monument Record Corp. (in 1964)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (Nummer: 20), Billboard: The 500 Best Pop Songs (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 222)
- recording of:
- Oh, Pretty Woman (am 1964-08-01)
- Texter und Komponist(in):
- Bill Dees und Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (am 1964-08-26) und Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:58 |
| 6 | Baby Love | The Supremes | 4.35 | 2:33 |
| 7 | I’m a Believer- recorded in:
- New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
- Produzent(in):
- Jeff Barry
- Akustikgitarre:
- Neil Diamond (von 1966-10-15 bis 1966-10-23)
- Bass:
- Dick Romoff (von 1966-10-15 bis 1966-10-23)
- Gitarre:
- Al Gorgoni (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
- Klavier und Tamburin:
- Jeff Barry (von 1966-10-15 bis 1966-10-23)
- Orgel:
- Artie Butler (von 1966-10-15 bis 1966-10-23)
- Schlagzeug:
- Buddy Salzman (von 1966-10-15 bis 1966-10-23)
- Hintergrundgesang:
- Davy Jones (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
- Hintergrundgesang und Sologesang:
- Micky Dolenz (von 1966-10-15 bis 1966-10-23)
- arranger:
- Jeff Barry
- phonographisches Urheberrecht (℗) von:
- Rhino Entertainment Company (in 1966) und WEA International Inc. (in 1966, in 1967)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
- cover recording of:
- I’m a Believer (von 1966-10-15 bis 1966-10-23)
- Texter und Komponist(in):
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music
- recording of:
- I’m a Believer
- Texter und Komponist(in):
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music
| The Monkees | 4.65 | 2:43 |
| 8 | The Legend of Xanadu | Dave Dee, Dozy, Beaky, Mick & Tich | | 3:34 |
| 9 | Sweets for My Sweet | The Searchers | 3.5 | 2:27 |
| 10 | Have I the Right | The Honeycombs | 3 | 2:57 |
| 11 | Long Live Love | Sandie Shaw | | 2:37 |
| 12 | Ob‐La‐Di, Ob‐La‐Da | Marmalade | | 3:00 |
| 13 | The Israelites | Desmond Dekker & the Aces | | 2:29 |
| 14 | Where Do You Go to My Lovely | Peter Sarstedt | 5 | 4:40 |
| 15 | Blackberry Way | The Move | 5 | 3:36 |
| 16 | Pretty Flamingo | Manfred Mann | 5 | 2:31 |
| 17 | Baby Now That I’ve Found You | The Foundations | 4 | 2:34 |
| 18 | Concrete and Clay | Unit 4+2 | 3.5 | 2:15 |
| 19 | If Paradise Is Half as Nice | Amen Corner | | 2:43 |
| 20 | Out of Time | Chris Farlowe | 3 | 3:33 |
| 21 | Young Girl | Gary Puckett & the Union Gap | 4 | 3:12 |
| 22 | Mr Tambourine Man- recorded in:
- Hollywood, Los Angeles, California , Vereinigte Staaten (am 1965-01-20)
- Produzent(in):
- Terry Melcher
- Bassgitarre:
- Chris Hillman (am 1965-01-20)
- Gitarre:
- David Crosby (am 1965-01-20)
- Schlagzeug:
- Michael Clarke (am 1965-01-20)
- Tamburin:
- Gene Clark (am 1965-01-20)
- zwölfsaitige Gitarre:
- Jim McGuinn (am 1965-01-20)
- vocals:
- Gene Clark (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
- phonographisches Urheberrecht (℗) von:
- Columbia Records (in 1965) und Sony Music Entertainment Inc. (in 1965)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
- cover recording of:
- Mr. Tambourine Man (am 1965-01-20)
- Texter und Komponist(in):
- Bob Dylan (von 1964-02 bis 1964-04)
- publisher:
- Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Bros. Music , Warner Brothers Music Ltd. , Warner/Chappell (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
- adaptations:
- Setä pelimanni
| The Byrds | 4.15 | 2:19 |
| 23 | With a Girl Like You | The Troggs | 4.4 | 2:08 |
| 24 | House of the Rising Sun | The Animals | 4.2 | 4:29 |
| 25 | Woodstock | Matthews’ Southern Comfort | 3.6 | 4:29 |
| 26 | The Good, the Bad & The Ugly | Hugo Montenegro | 5 | 2:45 |
| 27 | Albatross | Fleetwood Mac | 4 | 3:06 |