Interstellar: Original Motion Picture Soundtrack Expanded Edition

~ Release by Hans Zimmer (see all versions of this release, 18 available)

Tracklist

1▼CD
#TitleRatingLength
1Dreaming of the Crash
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dreaming of the Crash (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
3.53:56
2Cornfield Chase
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Cornfield Chase (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
42:07
3Dust
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dust (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
45:41
4Day One
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Day One (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
4.653:19
5Stay
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Stay (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
4.56:52
6Message From Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Message From Home (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:41
7The Wormhole
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Wormhole (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:31
8Mountains
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mountains (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
43:39
9Afraid of Time
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Afraid of Time (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.52:33
10A Place Among the Stars
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
A Place Among the Stars (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
33:27
11Running Out
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Running Out (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:57
12I’m Going Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I’m Going Home (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
35:49
13Coward
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Coward (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
48:27
14Detach
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Detach (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.56:42
15S.T.A.Y.
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
S.T.A.Y. (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
4.56:23
16Where We’re Going
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Where We’re Going (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
47:41
2▶CD

Credits

Release

manufactured in:Europe
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by and licensed to:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by:Paramount Pictures Corp. (in 2020)
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2020)
phonographic copyright (℗) by:Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2020)
Discogs:https://www.discogs.com/release/16227462 [info]
other databases:https://rateyourmusic.com/release/album/hans-zimmer/interstellar-8/ [info]