Nummerlijst

1cd
#TitelArtiestWaarderingDuur
1Don Carlo: Atto I. ”Su, cacciator! pronti o bleva …”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
versie van:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:24
2Don Carlo: Atto I. ”Fontainebleau! Foresta immensa e solitaria”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
compilatie van:
Don Carlo: Atto I, No. 2. Scena e romanza: "Fontainebleau! Foresta immensa e solitaria!" (Carlo) van Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) en Don Carlo: Atto I, No. 2. Scena e romanza: "Io la vidi e al suo sorriso" (Carlo) van Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
is een opname van:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:23
3Don Carlo: Atto I. ”Il suon del como alfin nel bosco face”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
mezzo-sopraanvocalen [Tebaldo]:
Delia Wallis (mezzo-soprano) (van 1970-08-18 tot 1970-08-31)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:37
4Don Carlo: Atto I. ”Al mio pie' perché?”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:37
5Don Carlo: Atto I. ”Di qual amor, di quanto ardor”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°3 “Di qual amor, di quant'ardor” (Elisabetta, Carlo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:30
6Don Carlo: Atto I. ”Al fedel ch'ora viene, o signora”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
mezzo-sopraanvocalen [Tebaldo]:
Delia Wallis (mezzo-soprano) (van 1970-08-18 tot 1970-08-31)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°3 “Al fedel ch'ora viene, o signora” (Tebaldo, Elisabetta, Carlo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:15
7Don Carlo: Atto I. ”L'ora fatale è suonata!”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi0:54
8Don Carlo: Atto I. ”Inni di festa lieta echeggiate”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1970-08-18 tot 1970-08-31)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Lerma]:
Ryland Davies (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:28
9Don Carlo: Atto I. ”Il glorioso Re di Francia”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor)
tenorvocalen [Lerma]:
Ryland Davies (tenor)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
compilatie van:
Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Il glorioso Re di Francia" (Lerma, Coro, Elisabetta) van John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Ryland Davies (tenor), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) en Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Vi benedica, Iddio dal ciel!" (Coro, Elisabetta, Carlo) van John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
is een opname van:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
is een opname van:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Vi benedica, Iddio dal ciel!” (Coro, Elisabetta, Carlo)
deel van:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:21
10Don Carlo: Atto II, scena 1. ”Carlo il sommo Imperatore”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
basvocalen [un frate]:
Simon Estes (bass-baritone)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
compilatie van:
Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: Preludio van Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) en Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Carlo il sommo Imperatore" (Coro, Un frate) van John McCarthy (British choral conductor, scholar, composer and arranger), Simon Estes (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
is een opname van:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:37
11Don Carlo: Atto II, scena 1. ”Al chiostro di San Giusto”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
basvocalen [un frate]:
Simon Estes (bass-baritone) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:58
12Don Carlo: Atto II, scena 1. ”E lui Desso l Infante”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone)
basvocalen [un frate]:
Simon Estes (bass-baritone)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:34
13Don Carlo: Atto II, scena 1. ”Ascolta! Le porte dell'asil s'apron già”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 1. N°3 “Ascolta! Le porte dell’asil s’apron già” (Rodrigo, Carlo)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:55
14Don Carlo: Atto II, scena 1. ”Dio, Che Nell' Alma Infondere Amor...”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone) (van 1970-08-18 tot 1970-08-31)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:58
15Don Carlo: Atto II, scena 2. ”Sotto ai folti, immensi abeti”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano)
mezzo-sopraanvocalen [Tebaldo]:
Delia Wallis (mezzo-soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:54
16Don Carlo: Atto II, scena 2. ”Tra queste mura pie la Regina...”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
was koorleider:
John McCarthy (British choral conductor, scholar, composer and arranger)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:57
17Don Carlo: Atto II, scena 2. ”Nei giardin del bello”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1970-08-18 tot 1970-08-31)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano) (van 1970-08-18 tot 1970-08-31)
mezzo-sopraanvocalen [Tebaldo]:
Delia Wallis (mezzo-soprano) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
is een opname van:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:56
18Don Carlo: Atto II, scena 2. ”La Regina!... Un'arcana mestizia...”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone)
koor:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano)
mezzo-sopraanvocalen [Tebaldo]:
Delia Wallis (mezzo-soprano)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:11
19Don Carlo: Atto II, scena 2. ”Che mai si fa nel suol francese”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
20Don Carlo: Atto II, scena 2. ”Carlo ch'è sol il nostro amore”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
baritonvocalen [Rodrigo]:
Sherrill Milnes (baritone)
mezzo-sopraanvocalen [Eboli]:
Shirley Verrett (mezzo-soprano)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
is een opname van:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:51
21Don Carlo: Atto II, scena 2. ”Io vengo a demandar”
assisterend producent:
Gwyn Morris (record producer)
producent:
Christopher Bishop (conductor/producer)
sopraanvocalen [Elisabetta]:
Montserrat Caballé (soprano) (van 1970-08-18 tot 1970-08-31)
tenorvocalen [Don Carlo]:
Plácido Domingo (tenor) (van 1970-08-18 tot 1970-08-31)
orkest:
Orchestra of the Royal Opera House, Covent Garden (van 1970-08-18 tot 1970-08-31)
was dirigent:
Carlo Maria Giulini (conductor) (van 1970-08-18 tot 1970-08-31)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (van 1970-08-18 tot 1970-08-31)
compilatie van:
Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Io vengo a domandar" (Carlo, Elisabetta) van Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) en Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Perduto ben, mio sol tesor" (Carlo, Elisabetta) van Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
is een opname van:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (van 1970-08-18 tot 1970-08-31)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
vertaler:
Achille de Lauzières
deel van:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi8:28
2cd
3cd