Philips And Decca Recordings 1961-1979

~ Release by Dame Janet Baker (see all versions of this release, 1 available)

Annotation

Copyright: © 2003 Decca Music Group Limited
This Compilation ℗ 2003 Decca Music Group Limited

Annotation last modified on 2024-12-31 07:46 UTC.

Tracklist

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1Trois Poèmes de Stéphane Mallarmé, M.64: 1. Soupir
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Trois poèmes de Stéphane Mallarmé : Soupir
lyricist:
Stéphane Mallarmé
composer:
Martino Traversa
part of:
Trois poèmes de Stéphane Mallarmé
Maurice Ravel3:56
2Trois Poèmes de Stéphane Mallarmé, M.64: 2. Placet futile
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 2. Placet futile
lyricist:
Stéphane Mallarmé
composer:
Maurice Ravel (French composer) (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, M. 64
Maurice Ravel4:47
3Trois Poèmes de Stéphane Mallarmé, M.64: 3. Surgi de la croupe et du bond
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 3. Surgi de la croupe et du bond
lyricist:
Stéphane Mallarmé
composer:
Maurice Ravel (French composer) (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, M. 64
Maurice Ravel3:13
4Chansons madécasses, M. 78: 1. Andante quasi allegretto: Nahandove
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Chansons madécasses, M. 78: No. 1. Nahandove
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel5:33
5Chansons madécasses, M. 78: 2. Andante: Aoua! Aoua!
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Chansons madécasses, M. 78: No. 2. Aoua!
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel4:01
6Chansons madécasses, M. 78: 3. Lento: Il est doux de se coucher
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Chansons madécasses, M. 78: No. 3. Il est doux de se coucher
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel4:23
7Chanson Perpetuelle, op. 37
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Chanson perpétuelle, op. 37 (for voice, string quartet and piano)
lyricist:
Charles Cros
composer:
Ernest Chausson (composer) (in 1898)
part of:
Works of Ernest Chausson by opus number (number: op. 37)
Ernest Chausson6:51
8Quatre Poèmes Hindous: 1. Une Belle (Madras)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Quatre poèmes hindous : I. Madras: Une belle
composer:
Maurice Delage (in 1912)
part of:
Quatre poèmes hindous
Maurice Delage2:19
9Quatre Poèmes Hindous: 2. Un sapin isolé (Lahore)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Quatre poèmes hindous : II. Lahore: Un sapin isolé
lyricist:
Heinrich Heine (German poet)
composer:
Maurice Delage (in 1912)
part of:
Quatre poèmes hindous
Maurice Delage3:59
10Quatre Poèmes Hindous: 3. Naissance de Bouddha (Benares)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Melos Ensemble
conductor:
Bernard Keeffe
recording of:
Quatre poèmes hindous : III. Bénarès: Naissance de Bouddha
composer:
Maurice Delage (in 1912)
part of:
Quatre poèmes hindous
Maurice Delage1:28
11Quatre Poèmes Hindous: 4. Si vous pensez (Jaipur)
Maurice Delage1:40
12The Rape of Lucretia, op. 37 / Act 2: "Lucretia! Lucretia!"
producer:
Ray Minshull (record producer)
bass vocals [Collatinus]:
John Shirley‐Quirk (bass-baritone) (in 1970-07)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
partial recording of:
The Rape of Lucretia, op. 37: Act II (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37
Benjamin Britten2:59
13The Rape of Lucretia, op. 37 / Act 2: "Last Night Tarquinius Ravished Me"
producer:
Ray Minshull (record producer)
bass vocals [Collatinus]:
John Shirley‐Quirk (bass-baritone) (in 1970-07)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act II, Scene II. "Last night Tarquinius ravished me" (Lucretia, Collatinus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act II
Benjamin Britten3:30
14Owen Wingrave, op. 85 / Act 2: "Ah, Owen, what shall I do?"
producer:
David Harvey (producer)
baritone vocals [Owen Wingrave]:
Benjamin Luxon (baritone) (in 1970-11)
mezzo-soprano vocals [Kate Julian]:
Janet Baker (mezzo‐soprano and alto) (in 1970-11)
tenor vocals [Lechmere]:
Nigel Douglas (British operatic tenor and writer) (in 1970-11)
orchestra:
English Chamber Orchestra (in 1970-11)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1970-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-11)
partial recording of:
Owen Wingrave: Act II (in 1970-11)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Myfanwy Piper
part of:
Owen Wingrave
Benjamin Britten7:44
15Phaedra, op. 93: In May, In Brilliant Athens
producer:
Ray Minshull (record producer)
orchestra:
English Chamber Orchestra (in 1977-03)
conductor:
Steuart Bedford (conductor) (in 1977-03)
balance engineer:
John Dunkerley (engineer) (in 1977-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-03)
partial recording of:
Phaedra, op. 93 (in 1977-03)
premiered in:
Aldeburgh, Suffolk, England, United Kingdom (on 1976-06-16)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1975)
librettist:
Jean Racine (Funk/soul/pop artist Jean Racine Mbaye)
dedicated to:
Dame Janet Baker (mezzo‐soprano and alto)
translator:
Robert Lowell (American poet)
premiered at:
Aldeburgh Festival 1976: [concert] (1976-06-16)
publisher:
Faber Music Ltd.
part of:
Works of Benjamin Britten by opus number (number: op. 93)
Benjamin Britten6:37
16Phaedra, op. 93: Oh Gods Of Wrath
producer:
Ray Minshull (record producer)
orchestra:
English Chamber Orchestra (in 1977-03)
conductor:
Steuart Bedford (conductor) (in 1977-03)
balance engineer:
John Dunkerley (engineer) (in 1977-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-03)
partial recording of:
Phaedra, op. 93 (in 1977-03)
premiered in:
Aldeburgh, Suffolk, England, United Kingdom (on 1976-06-16)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1975)
librettist:
Jean Racine (Funk/soul/pop artist Jean Racine Mbaye)
dedicated to:
Dame Janet Baker (mezzo‐soprano and alto)
translator:
Robert Lowell (American poet)
premiered at:
Aldeburgh Festival 1976: [concert] (1976-06-16)
publisher:
Faber Music Ltd.
part of:
Works of Benjamin Britten by opus number (number: op. 93)
Benjamin Britten2:51
17Phaedra, op. 93: My Time's Too Short, Your Highness
producer:
Ray Minshull (record producer)
orchestra:
English Chamber Orchestra (in 1977-03)
conductor:
Steuart Bedford (conductor) (in 1977-03)
balance engineer:
John Dunkerley (engineer) (in 1977-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-03)
partial recording of:
Phaedra, op. 93 (in 1977-03)
premiered in:
Aldeburgh, Suffolk, England, United Kingdom (on 1976-06-16)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1975)
librettist:
Jean Racine (Funk/soul/pop artist Jean Racine Mbaye)
dedicated to:
Dame Janet Baker (mezzo‐soprano and alto)
translator:
Robert Lowell (American poet)
premiered at:
Aldeburgh Festival 1976: [concert] (1976-06-16)
publisher:
Faber Music Ltd.
part of:
Works of Benjamin Britten by opus number (number: op. 93)
Benjamin Britten6:04