Now That’s What I Call the Ultimate Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
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4▼CD
#TitleArtistRatingLength
1Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
2Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
3Hungry Like the Wolf
engineer and producer:
Colin Thurston
performer:
Duran Duran (English rock band) (in 1982)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 398)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:30
4Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 Steve Barron version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a-ha4.43:48
5Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
6Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris3.44:31
7Stand and Deliver
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
music videos:
Stand and Deliver by Adam and the Ants (English new wave band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 10)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:35
8Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.753:58
9Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:04
10Copacabana (At the Copa)
assistant engineer:
Derek Dunan
engineer:
Michael DeLugg
producer:
Ron Dante and Barry Manilow
bass guitar:
Will Lee (US jazz/rock bassist) (from 1977-07 until 1977-11)
drums (drum set):
Ronnie Zito (from 1977-07 until 1977-11)
guitar:
Mitch Holder (guitarist) (from 1977-07 until 1977-11)
keyboard:
Bill Mays (from 1977-07 until 1977-11)
percussion:
Allan Estes (from 1977-07 until 1977-11)
background vocals:
Ginger Blake (from 1977-07 until 1977-11), Laura Creamer (from 1977-07 until 1977-11) and Linda Dillard (from 1977-07 until 1977-11)
lead vocals:
Barry Manilow (from 1977-07 until 1977-11)
orchestrator:
Artie Butler
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1978) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1977-07 until 1977-11)
edit of:
Copacabana by Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song) (from 1977-07 until 1977-11)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow54:05
11Livin’ La Vida Loca
additional recording engineer:
Craig Lozowick and Nathan Malki
recording engineer and mixer:
Charles Dye
programming:
Randy Cantor
assistant engineer:
Craig Lozowick, Nathan Malki and Germán Ortiz
additional producer:
Iris Aponte and Brian Coleman (Manager/production coordinator)
co-producer:
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
producer:
Desmond Child
acoustic guitar and background vocals:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
flugelhorn and trumpet:
Tony Concepción
guitar:
Rusty Anderson
keyboard:
Randy Cantor
percussion:
Rafael Solano
vocals:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arranger:
Randy Cantor
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
recorded at and mixed at:
The Gentlemen’s Club in Miami Beach, Florida, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 180)
recording of:
Livin’ la Vida Loca (English version) (from 1998-10 until 1999-03)
writer:
Desmond Child and Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (from 1999 to present), Desmophobia (from 1999 to present), PolyGram Music Publishing (from 1999 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1999 to present)
Ricky Martin4.54:03
12Man! I Feel Like a Woman!
Shania Twain3:53
13Teardrops (7″ edit)
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:49
14I Don’t Believe You Want to Get Up and Dance (Oops, Up Side Your Head) (7″ single version)
producer:
Lonnie Simmons (producer, songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:31
15Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (from 1987 to present), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:34
16Love in the First Degree
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
produced for:
PWL Productions
recording of:
Love in the First Degree
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:31
17So Macho
recording of:
So Macho
lyricist and composer:
James George Hargreaves
Sinitta3:23
18Fantasy Island
cover recording of:
Fantasy Island (english version)
writer:
Martin Duiser and Piet Souer (composer)
publisher:
ROBA Music Verlag GmbH
Tight Fit3:23
19It’s Not Unusual (2nd studio version)
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
20Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
Lulu & the Luvvers2:54
21Gotta Go Home
recording of:
Gotta Go Home
lyricist:
Jürgen Huth and Fred Jay
composer:
Frank Farian and Heinz Huth
is based on:
Hallo Bimmelbahn
Boney M.4.053:46
22The Grease Megamix (album version)
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:51