Capitol Sings Cole Porter: Anything Goes

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1All of You
registrazione di:
All of You (Silk Stockings musical)
paroliere e compositore:
Cole Porter (composer) (nel 1954)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Chappell Music (UK)
parte di:
Silk Stockings (1957 musical film)
Annie Ross with Gerry Mulligan2:19
2Always True to You in My Fashion
bonghi :
Armando Peraza (percussionist) (il 1959-04-29)
chitarra :
Toots Thielemans (il 1959-04-29)
contrabbasso :
Carl Pruitt (Double bass player) (il 1959-04-29)
pianoforte :
George Shearing (British jazz pianist) (il 1959-04-29)
vibrafono :
Ray Alexander (il 1959-04-29)
voce:
Peggy Lee (jazz vocalist) (il 1959-04-29)
registrazione cover di:
Always True to You in My Fashion (il 1959-04-29)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
parte di:
Kiss Me, Kate (musical)
Peggy Lee with George Shearing2:03
3Anything Goes
registrazione cover di:
Anything Goes
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
Tony Bennett42:20
4Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Gordon MacRae3:28
5Blow, Gabriel Blow
registrazione di:
Blow, Gabriel Blow (Anything Goes)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Martha Tilton2:48
6Ev’ry Time We Say Goodbye
pianoforte :
Stan Kenton
voce:
June Christy
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
June Christy with Stan Kenton and His Orchestra3:52
7From Now On
registrazione di:
From Now On
paroliere e compositore:
Cole Porter (composer)
parte di:
Leave It to Me!
Peggy Lee1:52
8I Get a Kick Out of You
registrazione cover di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Chris Connor2:43
9I Happen to Like New York
registrata a:
London (Greater London), England, Regno Unito (il 1960-08-03)
voce:
Judy Garland (il 1960-08-03)
direttore d'orchestra:
Norrie Paramor (il 1960-08-03)
registrazione di:
I Happen to Like New York (The New Yorkers musical) (il 1960-08-03)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Warner Bros. Music (publisher; do NOT use as release label)
Judy Garland2:56
10In the Still of the Night
registrazione di:
In the Still of the Night (Cole Porter song)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
Helen O’Connell2:18
11It’s All Right With Me
registrazione di:
It’s All Right with Me (Can‐Can musical)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell & Co., Inc. (USA)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
Dinah Shore with Red Norvo and His Quintet2:40
12I’ve Got You Under My Skin
produttore:
Voyle Gilmore (il 1959-01-02)
sassofono tenore :
Sam Butera (il 1959-01-02)
tromba :
Louis Prima (il 1959-01-02)
voce:
Louis Prima (il 1959-01-02) e Keely Smith (il 1959-01-02)
orchestra:
The Witnesses (il 1959-01-02)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-02)
registrazione cover di:
I’ve Got You Under My Skin (il 1959-01-02)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Louis Prima & Keely Smith2:38
13Just One of Those Things
registrazione cover di:
Just One of Those Things (il 1957-07-31)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Nat King Cole2:15
14Looking at You
registrazione di:
Looking at You (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
Liza Minnelli2:40
15Miss Otis Regrets
registrazione cover di:
Miss Otis Regrets
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1934)
Frances Faye2:11
16So in Love
registrazione di:
So in Love (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co., Inc. (USA)
parte di:
Kiss Me, Kate (musical)
John Raitt2:25
17True Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrazione cover di:
True Love (High Society) (nel 1960)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
Dean Martin2:32
18What Is This Thing Called Love
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Keely Smith1:53
19Why Shouldn’t I
registrazione cover di:
Why Shouldn’t I?
paroliere e compositore:
Cole Porter (composer) (nel 1935)
Margaret Whiting3:16
20Wunderbar
registrazione di:
Wunderbar (from Kiss Me, Kate) (il 1950-01-14)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Kiss Me, Kate (musical)
Jo Stafford and Gordon MacRae2:48
21You’d Be So Nice to Come Home To
produttore:
Brad Benedict
direttore d'orchestra:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
registrazione cover di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Nancy Wilson2:35
22You’re the Top
registrazione di:
You’re the Top
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Jean Turner2:37
23Let’s Do It
registrazione di:
Let’s Do It (Let’s Fall in Love) (Paris musical)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Trudy Richards2:13
24Get Out of Town
registrazione di:
Get Out of Town
paroliere e compositore:
Cole Porter (composer) (nel 1938)
parte di:
Leave It to Me!
Jeri Southern3:05
25You Do Something to Me
registrazione di:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
The Andrews Sisters2:50

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tributo a:Cole Porter (composer)