100 Greatest: One Hit Wonders

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Return of the Mack
Produzent(in):
Phil Chill und Mark Morrison (r&b vocalist)
zusätzliche(r) Produzent(in):
Cutfather & Joe
remixer:
Cutfather & Joe
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison3.53:33
2Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:33
3TroubleShampoo2.53:13
4Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:51
5Bad Day
recording engineer:
David Boucher und Jeff Dawson
Programmierung:
Jeff Dawson
Produzent(in):
Jeff Dawson und Mitchell Froom
Mix:
David Boucher
Bass:
Davey Faragher und Darren Parris
Gitarre [guitars]:
Jeff Dawson und Val McCallum (guitarist & singer-songwriter)
Keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
Schlagzeug [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander und Pete Thomas (drummer)
zusätzlich Keyboard [keyboards]:
Mitchell Froom
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Area A. in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bad Day
Texter und Komponist(in):
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.153:55
6Spaceman (radio edit)
Produzent(in):
Jas Mann und Steve Power
Mix:
Clive Black
Bearbeitung von:
Spaceman von Babylon Zoo
recording of:
Spaceman
Texter und Komponist(in):
Jas Mann
Babylon Zoo3.54:00
7I’ll Be There for You (Theme From “Friends”)
leitende(r) Produzent(in):
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) und Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
Texter:
Allee Willis
Komponist(in):
Michael Skloff
zusätzliche(r) Komponist(in):
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:08
8One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
sonstige Unterstützung:
Ed (Aufgabe: Dans la Maison) und Tyler (Aufgabe: Dans la Maison)
Techniker(in):
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:52
9Mysterious Girl (radio edit)
sonstige Unterstützung:
Bubbler Ranx (Aufgabe: toast)
Produzent(in) und Mix:
Ollie J
Bass, Keyboard [keyboards] und Schlagzeug [drums]:
Ollie J
Saxophon:
Claudio Galdes
Hintergrundgesang [backing vocals]:
Glen Goldsmith, Bubbler Ranx und Samantha Scott
gemixt für und produced for:
Roll Over Productions
aufgenommen bei:
Roll Over Studios London in London (Greater London), England, Vereinigtes Königreich
recording of:
Mysterious Girl
Verfasser(in):
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3.13:39
10Sleeping Satellite
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Paul Wickens
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Musikvideos:
Sleeping Satellite von Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:42
11Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:14
12Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:32
13Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:15
14Turn Me On
recording of:
Turn Me On (Lyttle original)
Texter:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus und Courtney Sills
Komponist(in):
Arnold Hennings, Daron Jones, Kevin Lyttle und Raeon Primus
Kevin Lyttle4.153:12
15Bom Bom (radio edit)
recording of:
Bom Bom
Verfasser(in):
Bloem de Ligny, Aaron Horn, Raz Olsher und Samuel Ritchie
teilweise recording of:
Bom Bom
Verfasser(in):
Bloem de Ligny, Aaron Horn, Raz Olsher und Samuel Ritchie
Sam and the Womp22:53
16Stars Are Blind
Programmierung, Techniker(in) und Produzent(in):
Garibay (US producer, songwriter and DJ)
Koproduzent(in):
Sheppard Solomon
assistierende(r) Mix:
Neeraj Khajanchi
Mix:
Tony Maserati (engineer / mixer)
Instrumente:
Garibay (US producer, songwriter and DJ)
Posaune:
Eric Jorgensen
Trompete:
Lee R. Thornburg
Hintergrundgesang:
Jennifer Karr
Sologesang:
Paris Hilton
zusätzlich vocals arranger:
Jennifer Karr
gemixt für:
Two Chord Music Inc.
produced for:
F2 Inc.
aufgenommen bei:
F2 Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio at the Palms in Paradise, Nevada, Vereinigte Staaten
recording of:
Stars Are Blind
Verfasser(in):
Garibay (US producer, songwriter and DJ), Ralph McCarthy und Sheppard Solomon
publisher:
Fernando Garibay Music, V2 Music Publishing Limited und Zufelt Music
Paris Hilton0.63:58
17ReplayIyaz3.83:02
18La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:57
19Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:49
20Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:44
21Informer
recording of:
Informer
Texter:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Verfasser(in):
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Snow44:29
22Stay
Produzent(in):
Nigel Lowis
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
cover recording of:
Stay
Verfasser(in):
Mark Elmer Stevens (US funk musician/songwriter, brother of Chaka Khan) und Robert S. Khozouri
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Eternal3.63:58
23You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:51
24GloriousAndreas Johnson43:29
25Heaven Is a Halfpipe
recording of:
Heaven Is a Halfpipe
Verfasser(in):
Roy C. Hammond (US southern soul singer & songwriter), johne. Necro, Matthew und Geoff Turney
publisher:
MNO Music, OPM Den Music, Shakey Lo Music und Street Tuff Tunes
OPM4:08
26In the Meantime
Techniker(in):
Bryce Goggin
assistierende(r) Produzent(in):
Todd Toddney Vos
Produzent(in) und Mix:
Bryce Goggin und Spacehog
assistierende(r) Mix:
Dave Voigt (engineer), Sue Dryer und Dave Voight
Analoger Synthesizer [Juno 60]:
Antony Langdon
Bassgitarre und elektronische Orgel [Magnus]:
Royston Langdon
Gitarre:
Antony Langdon und Richard Steel
Hammond-Orgel [B-3], Moog und Sologesang:
Antony Langdon und Royston Langdon
Perkussion, Schlagzeug und Hintergrundgesang:
Jonny Cragg
Schlagzeug-Techniker:
Carl Plaster
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
mixed at:
RPM Studios in New York, New York, Vereinigte Staaten
Musikvideos:
In the Meantime (music video) von Spacehog
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 498)
recording of:
In the Meantime
Texter und Komponist(in):
Royston Langdon
publisher:
Hog (Space) Music, Ltd. und Thiscurrytastesfunny Music
Spacehog4.24:59
27I Wanna Sex You UpColor Me Badd4:24
28Ooh Aah (Just a Little Bit)Gina G3:21
29Just a Friend
Techniker(in):
Ivan “Doc” Rodriguez
Koproduzent(in):
Cutmaster Cool V (hip hop DJ Vaughan Lee)
Produzent(in) und Mix:
The Diabolical Biz Markie
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 477) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 480)
recording of:
Just a Friend
Texter:
Joe Flizzow, Leaflizard, Malique und Biz Markie
Komponist(in):
Biz Markie
Biz Markie3.653:58
30International Rescue
Techniker(in):
Richard Manwaring (Producer)
recording of:
International Rescue
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill und Liam Sternberg
Fuzzbox3:30
31Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.64:02
32It’s a Fine Day
Sologesang:
Kirsty Hawkshaw
phonographisches Urheberrecht (℗) von:
PWL International Ltd. (in 1992)
cover recording of:
It’s a Fine Day
Texter und Komponist(in):
Owain A. Barton
publisher:
Complete Music Ltd.
recording of:
It’s a Fine Day
Texter und Komponist(in):
Owain A. Barton
publisher:
Complete Music Ltd.
Opus III33:38
33Ghetto Heaven
The Family Stand4:53
34Too Blind to See It
recording of:
Too Blind to See It
Texter und Komponist(in):
Steve “Silk” Hurley (Chicago house DJ/producer)
Kym Sims3:31
35I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:38
36I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.84:01
37The Harder I TryBrother Beyond13:29
38What’s the Colour of Money
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1986)
recording of:
What's the Colour of Money?
Verfasser(in):
Mark Rogers (Hollywood Beyond) und Jamie B. Rose
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:27
39Just What I Always Wanted
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Just What I Always Wanted
Texter und Komponist(in):
Teddy Johns
Mari Wilson3:26
40GloriaThe Shadows of Knight32:37
41Cool Jerk
The Capitols2:46
42Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:30
43Two of Hearts
recording of:
Two of Hearts
Verfasser(in):
Sue Gatlin, Tim Greene und John Dixon Mitchell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), On The Note Publishing (in 1986) und Tim Green Music (publisher) (in 1986)
Stacey Q37:12
44The Politics of Dancing
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex3.353:47
45Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain34:09
46School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:31
47Grind With Me
Pretty Ricky33:57
48Thunder Island
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
Texter und Komponist(in):
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson4:00
49In‐a‐gadda‐da‐vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:53
50Vehicle
Produzent(in):
Bob Destocki und Frank Rand
recording of:
Vehicle
Texter und Komponist(in):
Jim Peterik
publisher:
Bald Medusa Music Company
Ides of March32:53
51Oops (Oh My)
Interpret(in):
Missy Elliott (American rapper, singer, dancer & record producer) und Fabolous (US rapper)
recording of:
Oops (Oh My)
Verfasser(in):
Charlene Keys, Melissa Elliott (American rapper, singer, dancer & record producer) und Timothy Mosley
Tweet feat. Missy Elliott43:59
52House of Pain
Produzent(in) und Mix:
John Jansen (US recording engineer and producer)
Bassgitarre:
Eric Stacy
Gitarre:
Brent Muscat und Greg Steele
Schlagzeug:
Mark Michals
Sologesang:
Taime Downe
recording of:
House of Pain
Verfasser(in):
Taime Downe und Greg Steele
publisher:
Gypsy Fetish Music
Faster Pussycat55:46
53Tell Laura I Love HerRicky Valance2:37
54Smooth Up in Ya
Techniker(in):
Jeff Hendrickson (sound engineer)
zusätzliche(r) Techniker(in):
Toby Wright (producer & engineer)
Produzent(in):
Jeff Hendrickson (sound engineer) und Ted Templeman
Bassgitarre:
Lonnie Vencent
Gitarre:
Mick Sweda
Schlagzeug:
Jimmy D’Anda
Hintergrundgesang:
Mick Sweda und Lonnie Vencent
Sologesang:
Marq Torien
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
aufgenommen bei und mixed at:
One on One Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smooth Up in Ya von BulletBoys
recording of:
Smooth Up in Ya
Verfasser(in):
Jimmy D’Anda, Mick Sweda, Marq Torien und Lonnie Vencent
publisher:
Buffoonery Grooves, From My Head to Your Ears Music, Fussy Pants Music, My Two Angels Publishing und Shifty Harris
BulletBoys4:22
55Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:30
56Cry Boy Cry
recording of:
Cry Boy Cry
Verfasser(in):
Andy O (member of Blue Zoo) und Tim Parry (guitarist)
Blue Zoo4:27
57Love on a Rooftop
recording of:
Love on a Rooftop
Verfasser(in):
Desmond Child, Paul Stanley (KISS frontman) und Diane Warren (US songwriter)
publisher:
Immaculate Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing), Desmobile Inc. (in 1987), Realsongs (in 1987, in 1991), SBK April Music Inc. (in 1987), Desmobile Music Co., Inc. (publisher) (in 1991) und EMI April Music Inc. (in 1991)
Desmond Child5:18
58Far Behind
assistierende(r) Techniker(in):
Jon Plum
Techniker(in):
Kelly Gray
Produzent(in) und Mix:
Candlebox und Kelly Gray
Bass:
Bardi Martin
Gitarre:
Peter Klett
Schlagzeug:
Scott Mercado
vocals:
Kevin Martin (Candlebox vocalist)
aufgenommen bei:
Robert Lang Studios in Shoreline, Washington, Vereinigte Staaten (am 1992-04-19)
recording of:
Far Behind
Texter:
Kevin Martin (Candlebox vocalist)
Komponist(in):
Candlebox
Candlebox4.64:59
59Spend My Life With You
Produzent(in):
Eric Benét, George Nash, Jr. und Demonte Posey
Mix:
Kevin Davis (US producer/engineer “KD” Davis)
Gast vocals:
Tamia (Canadian R&B and soul singer)
Sologesang:
Eric Benét
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1999)
Eric Benét4:36
60Really Into You
Around the Way35:09
61Better Days (And the Bottom Drops Out)Citizen King43:27
62My Love Is the Shhh!
Gast vocals:
Trina & Tamara
Somethin’ for the People5:08
63Got a Love for You
Jomanda5:09
64Heaven
Nu Flavor4:56
65Graduation (Friends Forever)
instrumental versions:
Graduation (Friends Forever) (Instrumental) von Vitamin C (US pop singer Colleen Fitzpatrick)
recording of:
Graduation (Friends Forever)
Verfasser(in):
Michael Carabello (percussionist), Coke Escovedo und Gregg Rolie (keyboardist and vocalist)
Vitamin C4.355:40
66Good
recording engineer und Produzent(in):
Dan Rothchild
phonographisches Urheberrecht (℗) von:
Swell Records (label associated with Better Than Ezra) (in 1993) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1995)
recording of:
Good
Texter und Komponist(in):
Kevin Griffin (member of Better Than Ezra)
Better Than Ezra4.253:05
67Get Silly
recording of:
Get Silly
Verfasser(in):
Derrick Crooms, Michael Antoine Crooms (Hip-hop DJ and producer), DeAndre Way (US rapper fka Soulja Boy Tell ’Em), Jonathan Bashan Dumas, Victor Owusu (US rapper Victor Owusu, active 2007+) und Jonathan "John Boy" Wright (hip-hop producer)
V.I.C.3:47
68Barely Breathing
recording of:
Barely Breathing
Verfasser(in):
Duncan Sheik
Duncan Sheik3.654:15
69Don’t Say You Love Me
Koproduzent(in):
Jimmy Bralower und Peter Zizzo
Mix:
Tom Lord‐Alge
E-Gitarre:
John Bertsche und Marc Shulman (American guitarist)
Keyboard:
Peter Zizzo
membranophone:
Jimmy Bralower
Perkussion:
Marion Raven
phonographisches Urheberrecht (℗) von:
Waterfall Productions a/s (in 2000)
Samples von:
Pokémon: The First Movie: Music From and Inspired by the Motion Picture von Various Artists (Diverse Interpreten, add compilations to this artist)
recording of:
Don’t Say You Love Me
Komponist(in):
Jimmy Bralower, Marit Larsen (singer‐songwriter), Marion Raven und Peter Zizzo
M2M4.353:44
70Tempted to Touch
recording of:
Tempted to Touch
Verfasser(in):
Darron Grant (Bajan producer) und Rupert Clarke (Rupert Clarke, soca musician)
Rupee4:02
71How to Dance
Produzent(in):
Martin Neumayer
Samples:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) von Chic (US disco group) (in 1990: Sologesang), Got to Have Your Love von Mantronix (the group) (in 1990: Bass) und Kiss von Art of Noise feat. Tom Jones (Welsh pop singer) (in 1990: Sologesang)
recording of:
How to Dance (in 1990)
Texter:
Klaus Biedermann, Jennece S. Moore (rapper Jennece S. Moore), Martin Neumayer, Paul Pfab und Helmut Wolfgruber
Komponist(in):
Klaus Biedermann, Martin Neumayer, Paul Pfab und Helmut Wolfgruber
publisher:
HoBo Music & Media GmbH
Bingoboys3:47
72Don’t Walk Away
Jade3:37
73Kissing You
Keith Washington4:20
74The Weakness in Me
Keisha White3:18
75Crazy Love
Sunshine Anderson4:37
76I Wish You Loved Me
Tynisha Keli4:54
77Romantic
recording engineer und Mix:
Steve Hodge (engineer and producer)
Koproduzent(in):
Karyn White
Produzent(in):
Jimmy Jam & Terry Lewis
Instrumente:
Jimmy Jam, Terry Lewis
Hintergrundgesang:
Andre Shepard, Darron Story und Karyn White
Sologesang:
Karyn White
arranger:
Jimmy Jam, Terry Lewis
vocals arranger:
Jimmy Jam (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Karyn White
aufgenommen bei und mixed at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
recording of:
Romantic
Verfasser(in):
Jimmy Jam (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Karyn White
Karyn White3.54:07
78Games
Chuckii Booker5:26
79How Can I Ease the Pain
Lisa Fischer5:25
80Givin’ Me a Rush
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2007)
Tyra3:44
81Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
82Boys Will Be Boys
recording of:
Boys Will Be Boys
Verfasser(in):
William J. Brown (UK guitarist for The Ordinary Boys), James Gregory (UK bassist for The Ordinary Boys) und Samuel Preston (Sam Preston, English singer-songwriter, musician, actor)
The Ordinary Boys42:40
83Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
84Cat’s in the Cradle
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:42
85Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 25)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright44:16
86St. Elmos Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
872-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:18
88Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:52
89Stay With Me
Produzent(in):
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy und Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
Verfasser(in):
Jerry Ragovoy und George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:27
90Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:49
91Only One Woman
cover recording of:
Only One Woman
Texter und Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
Alien4:10
92You’re Invited (But Your Friend Can’t Come)
Gitarre:
Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Vik Foxx (US hard rock drummer)
Sologesang:
Vince Neil
recording of:
You’re Invited (but Your Friend Can’t Come)
Verfasser(in):
Vince Neil und Tommy Shaw (of Styx)
Vince Neil4:23
93Crossroads (radio edit)
Blazin’ Squad3:09
94Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und United Artists (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:40
95Have I the Right
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
The Honeycombs32:58
96Grandad
Clive Dunn3:25
97I Remember You
cover recording of:
I Remember You
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation und Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield2:04
98The Locomotion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:19
99Rhythm of the Rain
phonographisches Urheberrecht (℗) von:
Warner Music H.K. Ltd. (in 1997)
recording of:
Rhythm of the Rain (in 1962)
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:31
100The Name of the Wave
vocals:
Christine Leach
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1995) und Island Records (Island, imprint of Island Records, a division of Universal Music Group) (in 2015)
recording of:
The Name of the Wave
Verfasser(in):
William Orbit (English musician, composer and record producer)
publisher:
Guerilla Studios Limited
Strange Cargo36:20

Nennungen

Veröffentlichung

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