The Time‐Life Treasury of the Blues

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Born Under a Bad Sign
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
Gitarre:
Steve Cropper (in 1967) und Albert King (well‐known US blues guitarist & singer) (in 1967)
Horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) und Andrew Love (in 1967)
Klavier:
Isaac Hayes (in 1967) und Booker T. Jones (in 1967)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (in 1967)
Interpret(in):
Booker T. & the MG’s (in 1967) und The Memphis Horns (in 1967)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1988)
recording of:
Born Under a Bad Sign (in 1967)
Texter:
William Bell
Komponist(in):
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music, Inc.
Albert King32:49
2The Thrill Is Gone
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 183)
recording of:
The Thrill Is Gone (1951 blues song)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King5:26
3Boom Boom
Produzent(in):
Calvin Carter
Bass:
James Jamerson
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist)
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961)
Tenorsaxophon:
Hank Crosby
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1967)
aufgenommen bei:
Universal Recording Corporation, Studio B in Chicago, Illinois, Vereinigte Staaten (am 1961-10-26)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 218) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 463)
recording of:
Boom Boom (am 1961-10-26)
Texter und Komponist(in):
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. und Tristan Music Ltd.
John Lee Hooker3.252:33
4Wang Dang Doodle
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1965-12-07)
Produzent(in):
Willie Dixon
Bass:
Jack Meyers (US blues bassist) (am 1965-12-07)
Gitarre:
Buddy Guy (am 1965-12-07) und Johnny "Twist" Williams (Side-man blues guitar player, Big Boy Spires associate) (am 1965-12-07)
Klavier:
Lafayette Leake (am 1965-12-07)
Saxophon [sax]:
Gene Barge (am 1965-12-07) und Donald Hankins (Saxophonist) (am 1965-12-07)
Schlagzeug:
Fred Below
Tenorsaxophon:
Gene Barge
Hintergrundgesang:
Willie Dixon (am 1965-12-07)
Sologesang:
Koko Taylor
vocals:
Koko Taylor (am 1965-12-07)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1995)
cover recording of:
Wang Dang Doodle (am 1965-12-07)
Texter:
Willie Dixon (in 1960-06)
Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Koko Taylor43:03
5Hound Dog
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
recording engineer und Mix:
Joel Moss
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer), Brandon Harris (US engineer) und Sue McLean
Produzent(in):
Hummie Mann, Johnny Otis und Marc Shaiman (American score composer and lyricist)
Editing:
Curtis Roush
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis & His Orchestra (am 1952-08-13)
conductor:
Artie Kane
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Hound Dog (am 1952-08-13)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Willie Mae “Big Mama” Thornton4.652:51
6How Many More Years
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1951-05-14)
Gitarre:
Willie Johnson (American electric blues guitarist) (am 1951-05-14)
Klavier:
Ike Turner (am 1951-05-14)
Mundharmonika und Sologesang:
Howlin’ Wolf (am 1951-05-14)
Schlagzeug:
Willie Steele (am 1951-05-14)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2013)
recording of:
How Many More Years (am 1951-05-14)
Verfasser(in):
Chester Arthur Burnett (in 1951)
publisher:
Abraham Music, Arc Music (U.S. rock & blues publisher) und Tristan Music Ltd.
Howlin’ Wolf22:43
7Dust My Blues
recording of:
Dust My Blues
Verfasser(in):
Joe Bihari und Elmore James
zusätzliche(r) Verfasser(in):
Robert Johnson (1930s blues legend)
Version von:
Dust My Broom
Elmore James & His Broom Dusters3:12
8I’m Your Hoochie Coochie Man
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1954-01-07)
Gitarre:
Muddy Waters (blues musician) (am 1954-01-07) und Jimmy Rogers (blues artist) (am 1954-01-07)
Klavier:
Otis Spann (am 1954-01-07)
Kontrabass:
Willie Dixon (am 1954-01-07)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1954-01-07)
Schlagzeug:
Fred Below (am 1954-01-07)
vocals:
Muddy Waters (blues musician) (am 1954-01-07)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 225)
recording of:
I’m Your Hoochie Coochie Man (am 1954-01-07)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) und Willie Dixon Music
Muddy Waters3.752:52
9Call It Stormy Monday (But Tuesday Is Just as Bad)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-09-13)
Bass:
Arthur Edwards (double bassist)
E-Gitarre:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
Klavier:
Lloyd Glenn
Schlagzeug:
Oscar Lee Bradley, Sr. (jazz drummer, active 40s-60s)
Tenorsaxophon:
“Bumps” Myers
Trompete:
Teddy Buckner (US dixieland jazz trumpeter)
vocals und Interpret(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
T‐Bone Walker3:02
10That’s All Right
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1946-09-06)
Gitarre:
Arthur “Big Boy” Crudup (am 1946-09-06)
Kontrabass:
Ransom Knowling (am 1946-09-06)
Schlagzeug:
Lawrence "Judge" Riley (early blues drummer) (am 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (am 1946-09-06)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
That’s All Right (am 1946-09-06)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Arthur “Big Boy” Crudup4.52:55
11The Things That I Used to Do
alto saxophone:
Gus Fontenette (am 1953-10-26)
Bassgitarre [bass]:
Lloyd Lambert (am 1953-10-26)
Gitarre:
Eddie "Guitar Slim" Jones (Eddie Jones) (am 1953-10-26)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1953-10-26)
Schlagzeug [drums]:
Oscar Moore (am 1953-10-26)
Tenorsaxophon:
Charles Burbank (am 1953-10-26) und Joseph Tillman (am 1953-10-26)
Trompete:
Frank S. Mitchell (trumpet) (am 1953-10-26)
vocals:
Eddie "Guitar Slim" Jones (Eddie Jones) (am 1953-10-26)
arranger:
Ray Charles (soul musician, singer and songwriter) (am 1953-10-26)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1953-10-26)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984)
recording of:
The Things That I Used to Do (am 1953-10-26)
Texter und Komponist(in):
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC und Venice Music
Guitar Slim23:03
12My Babe
Gitarre:
Leonard Caston (father of Leonard "Lenny" Caston jr.) (am 1955-01-25) und Robert Lockwood, Jr. (am 1955-01-25)
Kontrabass:
Willie Dixon (am 1955-01-25)
membranophone:
Fred Below (am 1955-01-25)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1955-01-25)
vocals:
Little Walter (blues performer and songwriter) (am 1955-01-25)
recording of:
My Babe (am 1955-01-25)
Texter und arranger:
Willie Dixon
Komponist(in):
[traditional] (special purpose artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music (music publishing), Bug Music Ltd. und Hoochie Coochie Music
basiert auf:
This Train
Little Walter2:38
13Kansas City
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 5)
cover recording of:
Kansas City (aka “K.C. Loving”)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Wilbert Harrison32:27
14Baby What You Want Me to Do
E-Bass [electric bas]:
Marcus Johnson (bassist) (am 1959-08-07)
Gitarre:
Lefty Bates (am 1959-08-07), Jimmy Reed (blues musician) (am 1959-08-07) und Eddie Taylor (electric blues guitarist and singer) (am 1959-08-07)
Mundharmonika:
Jimmy Reed (blues musician) (am 1959-08-07)
Schlagzeug [drums]:
Earl Phillips (am 1959-08-07)
vocals:
Mama Reed (am 1959-08-07) und Jimmy Reed (blues musician) (am 1959-08-07)
recording of:
Baby What You Want Me to Do (am 1959-08-07)
Texter:
Jimmy Reed (blues musician) (bis 1952-08-07)
Komponist(in):
Jimmy Reed (blues musician) (bis 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music und Tristan Music Ltd.
Jimmy Reed2:25
15I’m Tore Down
Techniker(in):
Randall Merryman
recording of:
I’m Tore Down
Texter und Komponist(in):
Sonny Thompson (US R&B bandleader and pianist)
publisher:
Fort Knox Music Inc. und Trio Music Co., Inc.
Freddy King2:39
16I Can’t Quit You Baby
aufgenommen bei:
Boulevard Recording Studio in Chicago, Illinois, Vereinigte Staaten
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1994)
recording of:
I Can’t Quit You Baby
Texter und Komponist(in):
Willie Dixon
publisher:
Conrad Music (publisher; do NOT use as release label) und Hoochie Coochie Music
Otis Rush2:59
17Mojo Hand
recorded in:
New York, New York, Vereinigte Staaten (in 1960-11)
Gitarre:
Lightnin’ Hopkins
vocals:
Lightnin’ Hopkins
recording of:
Mojo Hand
Texter und Komponist(in):
Lightnin’ Hopkins
Lightnin’ Hopkins2:55
18Baby Scratch My Back
Produzent(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Gitarre:
James Johnson (50s-60s US bass player) und Rudolph Richard
membranophone:
Sammy K. Brown
Mundharmonika:
Slim Harpo
Tenorsaxophon:
Willie Parker
vocals:
Slim Harpo
recording of:
Baby, Scratch My Back
Texter und Komponist(in):
James Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co.
Slim Harpo2:55
19Turn On Your Love Light
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 16) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Turn On Your Love Light
Verfasser(in):
Deadric Malone und J. Scott (Joseph Wade Scott)
publisher:
Don Music, Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) und Universal Duchess Music Corporation
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby “Blue” Bland52:38
20Got My Mojo Working
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters4:13