The Very Best of Duke Ellington

~ Veröffentlichung von Duke Ellington & His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: RCA - Catalog #: 63729

Anmerkung zuletzt geändert am 2006-10-09 00:12 UTC.

Titelliste

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Nr.TitelBewertungLänge
1Take the "A" Train
alto saxophone:
Harry Carney (am 1941-02-15), Otto Hardwick (am 1941-02-15) und Johnny Hodges (am 1941-02-15)
baritone saxophone:
Harry Carney (am 1941-02-15)
Gitarre:
Fred Guy (am 1941-02-15)
Klarinette:
Barney Bigard (am 1941-02-15), Harry Carney (am 1941-02-15) und Johnny Hodges (am 1941-02-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1941-02-15)
Kontrabass [bass]:
Jimmie Blanton (am 1941-02-15)
Kornett:
Rex Stewart (am 1941-02-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-02-15) und Joe Nanton (am 1941-02-15)
Schlagzeug [drums]:
Sonny Greer (am 1941-02-15)
Tenorsaxophon:
Barney Bigard (am 1941-02-15) und Ben Webster (am 1941-02-15)
Trompete:
Wallace Jones (am 1941-02-15) und Ray Nance (am 1941-02-15)
Ventilposaune:
Juan Tizol (am 1941-02-15)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1941-02-15)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
12:58
2Warm Valley
recording of:
Warm Valley
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:24
3Cotton Tail
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-04)
alto saxophone:
Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
alto saxophone [as]:
Johnny Hodges (am 1940-05-04) und Otto Hardwicke (am 1940-05-04)
alto saxophone und Klarinette:
Johnny Hodges (am 1940-05-04)
alto saxophone, baritone saxophone und Klarinette, baritone saxophone und baritone saxophone [bars]:
Harry Carney (am 1940-05-04)
Gitarre und Gitarre [g]:
Fred Guy (am 1940-05-04)
Klarinette:
Harry Carney und Barney Bigard (am 1940-05-04)
Klarinette [cl] und Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-05-04)
Klavier und Klavier [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-05-04)
Kontrabass, Kontrabass [b] und Kontrabass [bass]:
Jimmy Blanton (am 1940-05-04)
Kornett und Kornett [c]:
Rex Stewart (am 1940-05-04)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-05-04), Joe "Tricky Sam" Nanton (am 1940-05-04) und Juan Tizol (am 1940-05-04)
Posaune [tb]:
Lawrence Brown (jazz trombonist) (am 1940-05-04) und Joe "Tricky Sam" Nanton (am 1940-05-04)
Rohrblattinstrumente:
Barney Bigard (am 1940-05-04), Harry Carney (am 1940-05-04), Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
Schlagzeug und Schlagzeug [d]:
Sonny Greer (am 1940-05-04)
Tenorsaxophon:
Ben Webster (am 1940-05-04)
Tenorsaxophon [ts]:
Barney Bigard (am 1940-05-04) und Ben Webster (am 1940-05-04)
Trompete:
Wallace Jones (am 1940-05-04), Rex Stewart (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Trompete [t]:
Wallace Jones (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Ventilposaune und Ventilposaune [vtb]:
Juan Tizol (am 1940-05-04)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Ben Webster
recording of:
Cotton Tail (am 1940-05-04)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
13:14
4Jack the Bear
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-03-06)
alto saxophone:
Otto Hardwick (am 1940-03-06)
alto saxophone und Klarinette:
Johnny Hodges (am 1940-03-06)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1940-03-06)
Gitarre:
Fred Guy (am 1940-03-06)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-03-06)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-03-06)
Kontrabass:
Jimmy Blanton (am 1940-03-06)
Kornett:
Rex Stewart (am 1940-03-06)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-03-06) und Joe "Tricky Sam" Nanton (am 1940-03-06)
Schlagzeug [drums]:
Sonny Greer (am 1940-03-06)
Tenorsaxophon:
Ben Webster (am 1940-03-06)
Trompete:
Wallace Jones (am 1940-03-06) und Cootie Williams (am 1940-03-06)
Ventilposaune:
Juan Tizol (am 1940-03-06)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Jack the Bear (am 1940-03-06)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:18
5Concerto for Cootie
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-03-15)
alto saxophone:
Otto Hardwick (am 1940-03-15)
alto saxophone und Klarinette und Saxophon:
Johnny Hodges (am 1940-03-15)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1940-03-15)
Gitarre:
Fred Guy (am 1940-03-15)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-03-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-03-15)
Kontrabass:
Jimmy Blanton (am 1940-03-15)
Kornett:
Rex Stewart (am 1940-03-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-03-15) und Joe "Tricky Sam" Nanton (am 1940-03-15)
Rohrblattinstrumente:
Barney Bigard (am 1940-03-15), Harry Carney (am 1940-03-15) und Otto Hardwick (am 1940-03-15)
Schlagzeug:
Sonny Greer (am 1940-03-15)
Tenorsaxophon:
Ben Webster (am 1940-03-15)
Trompete:
Wallace Jones (am 1940-03-15) und Cootie Williams (am 1940-03-15)
Ventilposaune:
Juan Tizol (am 1940-03-15)
recording of:
Concerto for Cootie (am 1940-03-15)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:21
6Black and Tan Fantasy
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1927-10-26)
alto saxophone:
Harry Carney (am 1927-10-26) und Otto Hardwick (am 1927-10-26)
Banjo:
Fred Guy (am 1927-10-26)
baritone saxophone:
Harry Carney (am 1927-10-26)
Klarinette:
Harry Carney (am 1927-10-26), Otto Hardwick (am 1927-10-26) und Rudy Jackson (clarinetist and saxophonist) (am 1927-10-26)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1927-10-26)
Kontrabass:
Wellman Braud (am 1927-10-26)
Posaune:
Tricky Sam Nanton (am 1927-10-26)
Rohrblattinstrumente:
Harry Carney (am 1927-10-26) und Rudy Jackson (clarinetist and saxophonist) (am 1927-10-26)
Saxophon:
Otto Hardwick (am 1927-10-26)
Schlagzeug:
Sonny Greer (am 1927-10-26)
Tenorsaxophon:
Rudy Jackson (clarinetist and saxophonist) (am 1927-10-26)
Trompete:
Louis Metcalf (am 1927-10-26), Bubber Miley (am 1927-10-26) und unidentified ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1927-10-26)
recording of:
Black and Tan Fantasy (am 1927-10-26)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
3:11
7East St. Louis Toodle-Oo
recorded in:
New York, New York, Vereinigte Staaten (am 1927-12-19)
alto saxophone und baritone saxophone:
Harry Carney (am 1927-12-19) und Otto Hardwick (am 1927-12-19)
Banjo:
Fred Guy (am 1927-12-19)
Klarinette und Tenorsaxophon:
Rudy Jackson (clarinetist and saxophonist) (am 1927-12-19)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1927-12-19)
Kontrabass [bass]:
Wellman Braud (am 1927-12-19)
Posaune:
Joe Nanton (am 1927-12-19)
Schlagzeug [drums]:
Sonny Greer (am 1927-12-19)
Sopransaxophon:
Harry Carney (am 1927-12-19)
Trompete:
Louis Metcalf (am 1927-12-19) und Bubber Miley (am 1927-12-19)
recording of:
East St. Louis Toodle‐oo (am 1927-12-19)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
publisher:
Mills Music, Inc.
3:40
8The Mooche
alto saxophone:
Harry Carney (am 1928-10-30) und Johnny Hodges (am 1928-10-30)
Banjo:
Fred Guy (am 1928-10-30)
Klarinette:
Barney Bigard (am 1928-10-30), Harry Carney (am 1928-10-30) und Johnny Hodges (am 1928-10-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1928-10-30)
Posaune:
Joe "Tricky Sam" Nanton (am 1928-10-30)
Schlagzeug:
Sonny Greer (am 1928-10-30)
Tenorsaxophon:
Barney Bigard (am 1928-10-30)
Trompete:
Arthur Whetsel (am 1928-10-30)
Tuba [brass bass]:
Wellman Braud (am 1928-10-30)
recording of:
The Mooche (am 1928-10-30)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
3:35
9Mood Indigo
Banjo:
Fred Guy (am 1930-12-10)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1930-12-10)
Kontrabass:
Wellman Braud (am 1930-12-10)
Posaune:
Joe "Tricky Sam" Nanton (am 1930-12-10)
Rohrblattinstrumente:
Barney Bigard (am 1930-12-10), Harry Carney (am 1930-12-10) und Johnny Hodges (am 1930-12-10)
Schlagzeug:
Sonny Greer (am 1930-12-10)
Trompete:
Freddy Jenkins (am 1930-12-10), Arthur Whetsel (am 1930-12-10) und Cootie Williams (am 1930-12-10)
Ventilposaune:
Juan Tizol (am 1930-12-10)
recording of:
Mood Indigo (1930 jazz composition and song) (am 1930-12-10)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:10
10Rockin' in Rhythm
recorded in:
New York, New York, Vereinigte Staaten (am 1931-01-16)
alto saxophone:
Harry Carney (am 1931-01-16) und Johnny Hodges (am 1931-01-16)
Banjo:
Fred Guy (am 1931-01-16)
Klarinette, Rohrblattinstrumente und Tenorsaxophon:
Barney Bigard (am 1931-01-16)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1931-01-16)
Kontrabass und Kontrabass [bass]:
Wellman Braud (am 1931-01-16)
Posaune:
Joe Nanton (am 1931-01-16)
Schlagzeug und Schlagzeug [drums]:
Sonny Greer (am 1931-01-16)
Trompete:
Freddy Jenkins (am 1931-01-16), Arthur Whetsel (am 1931-01-16) und Cootie Williams (am 1931-01-16)
Ventilposaune:
Juan Tizol (am 1931-01-16)
recording of:
Rockin’ in Rhythm (am 1931-01-16)
Komponist(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
basiert auf:
Kinda Dukish
2:58
11Creole Rhapsody, Part 1
alto saxophone:
Johnny Hodges (am 1931-06-11)
Banjo und Gitarre:
Fred Guy (am 1931-06-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1931-06-11)
Kontrabass:
Wellman Braud (am 1931-06-11)
Posaune:
Joe "Tricky Sam" Nanton (am 1931-06-11)
Rohrblattinstrumente:
Barney Bigard (am 1931-06-11), Harry Carney (am 1931-06-11) und Johnny Hodges (am 1931-06-11)
Saxophon:
Harry Carney (am 1931-06-11)
Schlagzeug:
Sonny Greer (am 1931-06-11)
Trompete:
Freddy Jenkins (am 1931-06-11), Arthur Whetsel (am 1931-06-11) und Cootie Williams (am 1931-06-11)
Ventilposaune:
Juan Tizol (am 1931-06-11)
recording of:
Creole Rhapsody, Part 1 (am 1931-06-11)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
4:05
12I Got It Bad (and That Ain't Good)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-06-26)
alto saxophone:
Harry Carney (am 1941-06-26), Otto Hardwick (am 1941-06-26) und Johnny Hodges (am 1941-06-26)
baritone saxophone:
Harry Carney (am 1941-06-26)
Celesta [celeste] und Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1941-06-26)
Gitarre:
Fred Guy (am 1941-06-26)
Klarinette:
Barney Bigard (am 1941-06-26), Harry Carney (am 1941-06-26) und Johnny Hodges (am 1941-06-26)
Kontrabass [bass]:
Jimmie Blanton (am 1941-06-26)
Kornett:
Rex Stewart (am 1941-06-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-06-26) und Joe Nanton (am 1941-06-26)
Schlagzeug [drums]:
Sonny Greer (am 1941-06-26)
Tenorsaxophon:
Barney Bigard (am 1941-06-26) und Ben Webster (am 1941-06-26)
Trompete:
Wallace Jones (am 1941-06-26) und Cootie Williams (am 1941-06-26)
Ventilposaune:
Juan Tizol (am 1941-06-26)
vocals:
Ivie Anderson (am 1941-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (am 1941-06-26)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:21
13Don't You Know I Care (or Don't You Care to Know) (take 2)
alto saxophone:
Otto Hardwick (am 1944-12-01) und Johnny Hodges (am 1944-12-01)
Gitarre:
Fred Guy (am 1944-12-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1944-12-01)
Kontrabass:
Junior Raglin (bass) (am 1944-12-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1944-12-01), Claude Jones (am 1944-12-01) und Joe "Tricky Sam" Nanton (am 1944-12-01)
Rohrblattinstrumente:
Harry Carney (am 1944-12-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1944-12-01) und Otto Hardwick (am 1944-12-01)
Schlagzeug:
Hillard Brown (am 1944-12-01) und Sonny Greer (am 1944-12-01)
Tenorsaxophon:
Al Sears (am 1944-12-01)
Trompete:
William “Cat” Anderson (am 1944-12-01), Shelton "Scad" Hemphill (am 1944-12-01), Taft Jordan (am 1944-12-01) und Ray Nance (am 1944-12-01)
vocals:
Al Hibbler (am 1944-12-01)
recording of:
Don’t You Know I Care? (am 1944-12-01)
Texter:
Mack David (American lyricist and songwriter) (in 1944)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
3:00
14Chelsea Bridge
alto saxophone:
Otto Hardwick (am 1941-12-02)
alto saxophone und Klarinette:
Johnny Hodges (am 1941-12-02)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1941-12-02)
Gitarre:
Fred Guy (am 1941-12-02)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1941-12-02)
Klavier:
Billy Strayhorn (am 1941-12-02)
Kontrabass:
Junior Raglin (bass) (am 1941-12-02)
Kornett:
Rex Stewart (am 1941-12-02)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-12-02) und Joe "Tricky Sam" Nanton (am 1941-12-02)
Schlagzeug:
Sonny Greer (am 1941-12-02)
Tenorsaxophon:
Ben Webster (am 1941-12-02)
Trompete:
Wallace Jones (am 1941-12-02) und Ray Nance (am 1941-12-02)
Ventilposaune:
Juan Tizol (am 1941-12-02)
arranger:
Billy Strayhorn (am 1941-12-02)
recording of:
Chelsea Bridge (am 1941-12-02)
Komponist(in):
Billy Strayhorn (in 1941)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:56
15Work Song (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-11)
alto saxophone:
Otto Hardwick (am 1944-12-11) und Johnny Hodges (am 1944-12-11)
baritone saxophone:
Harry Carney (am 1944-12-11)
Geige / Violine:
Ray Nance (am 1944-12-11)
Gitarre:
Fred Guy (am 1944-12-11)
Klarinette und Rohrblattinstrumente:
Harry Carney (am 1944-12-11) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1944-12-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1944-12-11)
Kontrabass:
Junior Raglin (bass) (am 1944-12-11)
Kontrabass [bass]:
Alvin "Junior" Raglin (bass) (am 1944-12-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1944-12-11), Claude Jones (am 1944-12-11) und Joe "Tricky Sam" Nanton (am 1944-12-11)
Schlagzeug:
Hillard Brown (am 1944-12-11)
Schlagzeug [drums]:
Sonny Greer (am 1944-12-11)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1944-12-11) und Al Sears (am 1944-12-11)
Trompete:
William “Cat” Anderson (am 1944-12-11), Taft Jordan (am 1944-12-11), Ray Nance (am 1944-12-11) und Shelton Hemphill (am 1944-12-11)
recording of:
Black, Brown, and Beige: I. Black: Work Song (part of the 1943 original "Black, Brown, and Beige" suite) (am 1944-12-11)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
Black, Brown, and Beige: I. Black (part of the 1943 original "Black, Brown, and Beige" suite)
4:37
16Caravan
alto saxophone:
Otto Hardwick (am 1945-05-11) und Johnny Hodges (am 1945-05-11)
Gitarre:
Fred Guy (am 1945-05-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-05-11)
Kontrabass:
Junior Raglin (bass) (am 1945-05-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-05-11), Claude Jones (am 1945-05-11) und Joe "Tricky Sam" Nanton (am 1945-05-11)
Rohrblattinstrumente:
Harry Carney (am 1945-05-11) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-05-11)
Schlagzeug:
Sonny Greer (am 1945-05-11)
Tenorsaxophon:
Al Sears (am 1945-05-11)
Trompete:
William “Cat” Anderson (am 1945-05-11), Shelton "Scad" Hemphill (am 1945-05-11), Taft Jordan (am 1945-05-11), Ray Nance (am 1945-05-11) und Rex Stewart (am 1945-05-11)
recording of:
Caravan (am 1945-05-11)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
2:48
17Perdido
alto saxophone:
Russell Procope (am 1952-03-25) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1952-03-25)
baritone saxophone:
Harry Carney (am 1952-03-25)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-03-25)
Kontrabass:
Wendell Marshall (am 1952-03-25)
Posaune:
Quentin "Butter" Jackson (am 1952-03-25) und Britt Woodman (am 1952-03-25)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1952-03-25)
Schlagzeug:
Louie Bellson (am 1952-03-25)
Tenorsaxophon:
Paul Gonzalves (am 1952-03-25)
Trompete:
Cat Anderson (am 1952-03-25), Willie Cook (US jazz trumpeter) (am 1952-03-25) und Clark Terry (American swing trumpeter) (am 1952-03-25)
Ventilposaune:
Juan Tizol (am 1952-03-25)
arranger:
Billy Strayhorn
aufgenommen bei:
Civic Auditorium in Seattle, Washington, Vereinigte Staaten (am 1952-03-25)
live recording of:
Perdido (original instrumental version) (am 1952-03-25)
Komponist(in):
Juan Tizol
recording of:
Perdido (original instrumental version) (am 1952-03-25)
Komponist(in):
Juan Tizol
4:42
18Isfahan
Techniker(in):
Ed Begley (sound engineer in RCA Victor) (am 1966-12-20)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1966-12-20)
baritone saxophone:
Harry Carney (am 1966-12-20)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1966-12-20)
Kontrabass:
John Lamb (bass) (am 1966-12-20)
Posaune:
Lawrence Brown (jazz trombonist) (am 1966-12-20), Chuck Connors (trombonist) (am 1966-12-20) und Buster Cooper (am 1966-12-20)
Rohrblattinstrumente:
Paul Gonsalves (am 1966-12-20), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1966-12-20) und Russell Procope (am 1966-12-20)
Schlagzeug:
Rufus "Speedy" Jones (drums, aka Speedy Jones) (am 1966-12-20)
Trompete:
Cat Anderson (am 1966-12-20), Mercer Ellington (am 1966-12-20), Herbie Jones (am 1966-12-20) und Cootie Williams (am 1966-12-20)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1966-12-20)
recording of:
Isfahan (am 1966-12-20)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
4:07
19Blood Count
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-09-01) und Russell Procope (am 1967-09-01)
Bassposaune:
Chuck Connors (trombonist) (am 1967-09-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-09-01)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-09-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-09-01) und Buster Cooper (am 1967-09-01)
Rohrblattinstrumente:
Harry Carney (am 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-09-01) und Russell Procope (am 1967-09-01)
Schlagzeug:
Steve Little (am 1967-09-01)
Tenorsaxophon:
Paul Gonsalves (am 1967-09-01)
Trompete:
Cat Anderson (am 1967-09-01), Mercer Ellington (am 1967-09-01), Herbie Jones (am 1967-09-01) und Cootie Williams (am 1967-09-01)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Blood Count (am 1967-09-01)
Komponist(in):
Billy Strayhorn (in 1967)
14:19
20Come Sunday
recording engineer:
Ed Begley (sound engineer in RCA Victor)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
baritone saxophone:
Harry Carney (am 1965-12-26)
Klarinette und Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Charles Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Saxophon:
Harry Carney (am 1965-12-26), Paul Gonsalves (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
vocals:
Esther Marrow (am 1965-12-26)
Orchester:
Duke Ellington and His Orchestra (am 1965-12-26)
aufgenommen bei:
Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (am 1965-12-26)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:57

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