The Power of Love: Truly

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Back in the High Life Again
tecnico di missaggio:
Tom Lord‐Alge
voce:
James Taylor (singer-songwriter and guitarist)
edit di:
Back in the High Life Again di Steve Winwood
registrazione di:
Back in the High Life Again
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), F.S. Music Ltd. e Willin' David Music
sub-editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood4:25
2The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:16
3Let's Get It On
tecnico:
William McMeekin e Art Stewart
produttore:
Marvin Gaye e Ed Townsend
tecnico di missaggio:
Cal Harris
batteria :
Paul Humphrey (jazz, r&b drummer) (il 1973-03-22)
bonghi e congas :
Eddie “Bongo” Brown (il 1973-03-22) e Bobbye Hall (il 1973-03-22)
chitarra basso :
Wilton Felder (il 1973-03-22)
famiglia delle chitarre :
Don Peake (il 1973-03-22), Louie Shelton (il 1973-03-22), David T. Walker (il 1973-03-22) e Melvin “Wah Wah” Watson (il 1973-03-22)
percussione :
Emil Richards (il 1973-03-22)
pianoforte :
Marvin Gaye (il 1973-03-22), Marvin Jenkins (il 1973-03-22) e Joe Sample (il 1973-03-22)
sassofono :
Plas Johnson (il 1973-03-22) e Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (il 1973-03-22)
vibrafono :
Victor Feldman (jazz musician) (il 1973-03-22) e Emil Richards (il 1973-03-22)
voce di accompagnamento e voce principale:
Marvin Gaye (il 1973-03-22)
direttore d'orchestra:
René Hall (il 1973-03-22)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (il 1973-03-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 167) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 264)
registrazione di:
Let’s Get It On (il 1973-03-22)
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye4.054:54
4Can't Get Enough of Your Love, Babe
produttore:
Barry White
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:31
5Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:12
6Reunited
produttore:
Freddie Perren
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978)
edit di:
Reunited di Peaches & Herb
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:01
7Laughter in the RainNeil Sedaka52:47
8My Cherie Amour
registrazione di:
My Cherie Amour
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder2:51
9Truly
tecnico di registrazione:
Calvin Harris
tecnico:
Jim Cassell
assistente produttore:
Brenda Harvey–Richie
produttore:
James Anthony Carmichael e Lionel Richie
tecnico di missaggio:
Calvin Harris, Michael Johnson (Motown related), Fred Law e Stephan Smith (US 70s/80s soul/funk engineer)
archi :
Assa Drori, Allan Harshman (violist), Joy Lyle e Paul Shure
arpa :
Gayle Levant (American studio musician, harpist)
basso :
Joe Chemay
batteria :
Paul Leim
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra acustica :
Tim May (session/jazz guitarist)
contrabbasso :
Árni Egilsson e Buell Neidlinger
corno francese :
Arthur Maebe (US horn player), Richard Perissi e Henry Sigismonti
flauto :
Louise DiTullio
piano Rhodes [Fender rhodes] :
William Payne
viola :
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) e Gareth Nuttycombe (violist)
violino :
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) e Charles Veal Jr. (violinist, conductor and arranger)
violoncello :
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff e Dennis Karmazyn
voce di accompagnamento:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Gene Page (conductor, composer, arranger and record producer)
arrangiatore voci:
Lionel Richie
primo violino:
Harry Bluestone
registrata presso:
A&M Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
versioni strumentali:
Truly (instrumental) di Lionel Richie
registrazione di:
Truly
paroliere e compositore:
Lionel Richie
Lionel Richie3.353:22
10Don't Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
David Soul (nel 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul33:40
11Touch Me in the Morning
produttore:
Tom Baird (Motown producer) e Michael Masser
arrangiatore:
Tom Baird (Motown producer) e Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
Touch Me in the Morning
autore:
Michael Masser e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross3.53:29
12The Morning After
tecnico:
Arnie Rosenberg
produttore:
Carl Maduri
arrangiatore:
Joe Hudson (US composer, string arranger and conductor)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1972) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
The Morning After (from "The Poseidon Adventure")
autore:
Joel Hirschhorn (songwriter) e Al Kasha (composer, songwriter and arranger)
editore:
Fox Fanfare Music e Twentieth Century Music Corp.
parte di:
The 45th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1972 winner)
Maureen McGovern52:22
13You Needed Me
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978) e EMI Music Canada (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 63)
registrazione di:
You Needed Me (nel 1978)
paroliere e compositore:
Randy Goodrum
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:38
14I Honestly Love You
co-tecnico:
Alan Rouse
tecnico:
Tony Clark (engineer, Abbey Road)
produttore:
John Farrar
arrangiatore:
Alan Hawkshaw (British pianist, composer and producer.)
diritti fonografici (℗) detenuti da:
Festival Records International Ltd. (company; do NOT use as release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
I Honestly Love You (nel 1974)
paroliere:
Jeff Barry
compositore:
Peter Allen (Australian singer‐songwriter)
arrangiatore:
Alan Hawkshaw (British pianist, composer and producer.)
editore:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:39
15Love Will Keep Us Together
tecnico di registrazione e tecnico di missaggio:
Dennis Dragon
produttore:
The Captain
produttore associato:
Toni Tennille
basso elettrico [Fender] , campane a vento , celesta , clavinet , minimoog [Mini-moog] , organo Hammond , piano elettrico Wurlitzer , pianoforte , sintetizzatore [Arp String Ensemble] , sintetizzatore [Odyssey] e tastiera [Clavietta] :
The Captain
batteria , congas e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
violino :
Kenneth Yerke
voce di accompagnamento:
Melissa Tennille e Toni Tennille
arrangiatore archi :
Kenneth Yerke
arrangiatore:
The Captain
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), A&M Records, Inc. (nel 1975) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1975)
è stato produttore per:
Moonlight and Magnolia Productions
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 337)
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
16Candle in the Wind
tecnico:
David Hentschel
produttore:
Gus Dudgeon
batteria :
Nigel Olsson (nel 1973-05)
chitarra basso :
Dee Murray (nel 1973-05)
chitarra elettrica :
Davey Johnstone (nel 1973-05)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1973-05)
voce di accompagnamento:
Davey Johnstone (nel 1973-05), Dee Murray (nel 1973-05) e Nigel Olsson (nel 1973-05)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia (nel 1973-05)
video musicali:
Candle in the Wind di Elton John (English singer, songwriter, pianist, and composer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 7) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 348)
registrazione di:
Candle in the Wind (nel 1973-05)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
dedicata a:
Marilyn Monroe (US actress, model & singer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
17I'll Have to Say I Love You in a Song
basso :
Joe Macho
batteria :
Gary Chester (studio drummer and educator)
chitarra [rhythm guitar] :
Jim Croce
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
pianoforte elettrico :
Tommy West
voce:
Jim Croce (il 1973-06-07)
voce di accompagnamento:
Marty Nelson e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973) e Lastrada Entertainment Co., Ltd. (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-07)
registrazione di:
I’ll Have to Say I Love You in a Song (il 1973-06-07)
paroliere e compositore:
Jim Croce
editore:
Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:33
18Nights in White Satin
tecnico:
Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist) (incarico: realisation) e Michael Dacre-Barclay (British producer) (incarico: realisation)
produttore esecutivo:
Hugh Mendl
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues47:40

Accreditamenti

Gruppo di pubblicazioni

parte di:Ultimate Love Songs Collection (numero: 19689-2) (ordine: 4)