Notes From the Underground: Radical Music of the Twentieth Century

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Symphony No. 5 in C-sharp minor: IV. Adagietto - Sehr langsam
orchestra:
New York Philharmonic Orchestra (New York Philharmonic) (on 1947-02-10)
conductor:
Bruno Walter (conductor) (on 1947-02-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1947-02-10)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1947-02-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler7:40
2Four Sonatas (for Prepared Piano): Sonata VII
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 7
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:23
3Four Sonatas (for Prepared Piano): Sonata IV
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 4
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:49
4Four Sonatas (for Prepared Piano): Sonata II
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 2
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:27
5Four Sonatas (for Prepared Piano): Sonata III
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 3
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:45
6Parade: Prélude du rideau rouge
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Prélude du rideau rouge (for orchestra)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie3:03
7Parade: Prestidigitateur chinois
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: I. Prestidigitateur chinois (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie2:18
8Parade: Petite fille Américaine
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: II. Petite fille américaine (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie1:49
9Parade: Ragtime du paquebot
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Ragtime du paquebot (in 1959)
composer:
Erik Satie (French composer) (in 1917)
part of:
Parade
Erik Satie2:28
10Parade: Acrobates
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: III. Acrobates (in 1959)
composer:
Erik Satie (French composer) (in 1917)
part of:
Parade
Erik Satie3:13
11Parade: Suite au prélude du rideau rouge
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Suite au "Prélude du rideau rouge" (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie3:25
12Pierrot Lunaire, Op. 21, Part 1: Mondestrunken
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:46
13Pierrot Lunaire, Op. 21, Part 1: Colombine
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 2. „Colombine“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:33
14Pierrot Lunaire, Op. 21, Part 1: Der Dandy
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 3. „Der Dandy“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:09
15Pierrot Lunaire, Op. 21, Part 1: Eine blasse Wäscherin
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 4. „Eine blasse Wäscherin“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:28
16Pierrot Lunaire, Op. 21, Part 1: Valse de Chopin
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 5. „Valse de Chopin“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:10
17Pierrot Lunaire, Op. 21, Part 1: Madonna
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 6. „Madonna“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:47
18Pierrot Lunaire, Op. 21, Part 1: Der kranke Mond
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris, Île-de-France, France (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg2:10
19Piano Sonata no. 2, Op. 19 "Concord, Mass., 1840-1860" III.: The Alcotts
recorded in:
New York, New York, United States (on 1945-04-09)
piano:
John Kirkpatrick (pianist) (on 1945-04-09)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately (on 1945-04-09)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives4:49
20Raag Chandrakauns - Alap & Gat
sarod:
Ali Akbar Khan (Indian classical musician, sarod player) (on 1960-10-30)
Ali Akbar Khan29:38