| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Opening Remarks | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:05 |
| 2 | Medley: Black and Tan Fantasy / Prelude to a Kiss / Do Nothin' Till You Hear From Me / Caravan- Editing:
- Michael Lundy
- Klavier:
- Duke Ellington (am 1972-04-10)
- Kontrabass [bass]:
- Joe Benjamin (am 1972-04-10)
- Schlagzeug:
- Rufus Jones (am 1972-04-10)
- phonographisches Urheberrecht (℗) von:
- GRP Records, Inc.
- aufgenommen bei:
- Whitney Museum of American Art in New York, New York, Vereinigte Staaten (am 1972-04-10)
- edited at:
- The Review Room in New York, New York, Vereinigte Staaten
- live medley including a recording of:
- Black and Tan Fantasy (am 1972-04-10)
- Komponist(in):
- Duke Ellington und Bubber Miley
- live medley including a instrumental recording of:
- Caravan (am 1972-04-10)
- Texter:
- Irving Mills (in 1937)
- Komponist(in):
- Duke Ellington (in 1936) und Juan Tizol (in 1936)
- publisher:
- American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. , Famous Music Corporation , Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
- live medley including a recording of:
- Caravan (am 1972-04-10)
- Texter:
- Irving Mills (in 1937)
- Komponist(in):
- Duke Ellington (in 1936) und Juan Tizol (in 1936)
- publisher:
- American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. , Famous Music Corporation , Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
- live medley including a instrumental recording of:
- Do Nothin’ Till You Hear From Me (am 1972-04-10)
- Texter:
- Bob Russell (in 1943)
- Komponist(in):
- Duke Ellington (in 1943)
- publisher:
- Music Sales Corporation und Sony/ATV Harmony
- Version von:
- Concerto for Cootie
- live medley including a recording of:
- Do Nothin’ Till You Hear From Me (am 1972-04-10)
- Texter:
- Bob Russell (in 1943)
- Komponist(in):
- Duke Ellington (in 1943)
- publisher:
- Music Sales Corporation und Sony/ATV Harmony
- Version von:
- Concerto for Cootie
- live medley including a instrumental recording of:
- Prelude to a Kiss (am 1972-04-10)
- Texter:
- Irving Gordon (in 1938) und Irving Mills (in 1938)
- Komponist(in):
- Duke Ellington (in 1938)
- publisher:
- J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
| Duke Ellington, Joe Benjamin, Rufus Jones | | 6:51 |
| 3 | Meditation | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:40 |
| 4 | A Mural From Two Perspectives | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:56 |
| 5 | Sophisticated Lady / Solitude | Duke Ellington, Joe Benjamin, Rufus Jones | | 4:45 |
| 6 | Soda Fountain Rag | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:19 |
| 7 | New World A-Coming | Duke Ellington, Joe Benjamin, Rufus Jones | | 9:02 |
| 8 | Amour, Amour | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:41 |
| 9 | Soul Soothing Beach | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:51 |
| 10 | Lotus Blossom | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:35 |
| 11 | Flamingo | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:35 |
| 12 | Le Sucrier Velors | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:45 |
| 13 | The Night Shepherd | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:45 |
| 14 | "C" Jam Blues | Duke Ellington, Joe Benjamin, Rufus Jones | | 3:04 |
| 15 | Mood Indigo- Editing:
- Michael Lundy
- Bass:
- Joe Benjamin (am 1972-04-10)
- Klavier:
- Duke Ellington (am 1972-04-10)
- Schlagzeug:
- Rufus Jones (am 1972-04-10)
- phonographisches Urheberrecht (℗) von:
- GRP Records, Inc.
- aufgenommen bei:
- Whitney Museum of American Art in New York, New York, Vereinigte Staaten (am 1972-04-10)
- edited at:
- The Review Room in New York, New York, Vereinigte Staaten
- recording of:
- Mood Indigo
- Texter:
- Irving Mills (in 1930)
- Komponist(in):
- Barney Bigard (in 1930) und Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation , Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 und ヤマハミュージックエンタテインメントホールディングス
- Teil von:
- The Real Book
| Duke Ellington, Joe Benjamin, Rufus Jones | | 2:06 |
| 16 | I'm Beginning to See the Light | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:23 |
| 17 | Dancers in Love | Duke Ellington, Joe Benjamin, Rufus Jones | | 2:13 |
| 18 | Kixx | Duke Ellington, Joe Benjamin, Rufus Jones | | 1:36 |
| 19 | Satin Doll- Editing:
- Michael Lundy
- Bass und Kontrabass [bass]:
- Joe Benjamin (am 1972-04-10)
- Klavier:
- Duke Ellington (am 1972-04-10)
- Schlagzeug:
- Rufus Jones (am 1972-04-10)
- phonographisches Urheberrecht (℗) von:
- GRP Records, Inc.
- aufgenommen bei:
- Whitney Museum of American Art in New York, New York, Vereinigte Staaten (am 1972-04-10)
- edited at:
- The Review Room in New York, New York, Vereinigte Staaten
- live instrumental recording of:
- Satin Doll (am 1972-04-10)
- Texter:
- Johnny Mercer (in 1953)
- Komponist(in):
- Billy Strayhorn (in 1953)
- zusätzliche(r) Komponist(in):
- Duke Ellington (in 1953)
- publisher:
- Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. und WB Music Corp.
- recording of:
- Satin Doll
- Texter:
- Johnny Mercer (in 1953)
- Komponist(in):
- Billy Strayhorn (in 1953)
- zusätzliche(r) Komponist(in):
- Duke Ellington (in 1953)
- publisher:
- Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. und WB Music Corp.
| Duke Ellington, Joe Benjamin, Rufus Jones | | 3:07 |