80s Music Explosion!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD: Shake It Up
2CD: Shake It Up
Nr.TitelKünstlerBewertungLänge
1Back on the Chain Gang
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre:
Billy Bremner und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
Hintergrundgesang:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Sologesang:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1982) und WEA Records Ltd. (holding company based in the UK) (in 1982)
aufgenommen bei:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 486)
recording of:
Back on the Chain Gang
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
gewidmet:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:52
2La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
3She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:38
4Gloria
recording of:
Gloria (English version) (bis 1982)
Texter und Komponist(in):
Giancarlo Bigazzi, Umberto Tozzi und Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) und Sugar Song Publications, Inc.
übersetzte Version von:
Gloria (original Italian version)
Laura Branigan4.653:53
5All I NeedJack Wagner3:30
6Boys From New York City
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistierende(r) Techniker(in):
Bob Bullock und Deborah Thompson (engineer)
Produzent(in) und Mix:
Jay Graydon
Bassgitarre:
Abraham Laboriel
E-Gitarre:
Jay Graydon
Gitarre [rhythm guitar]:
Dean Parks (American session guitarist)
Klavier:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Mike Baird (drummer)
Tenorsaxophon [tenor sax]:
Don Roberts (woodwind player)
Trompete:
Jerry Hey
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) und Janis Siegel
Blechblasinstrumente [horns] arranger und Perkussion [rhythm] arranger:
Jay Graydon
vocals arranger:
Alan Paul (Member of Manhattan Transfer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
aufgenommen bei:
Dawnbreaker Studios in San Fernando, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Boy From New York City
Verfasser(in):
George Davis (US songwriter - singer, doo-wop era) und John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company und フジパシフィックミュージック (Fujipacific Music, Inc.)
The Manhattan Transfer53:40
7Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Programmierung und Produzent(in):
Fred Zarr
assistierende(r) Techniker(in):
Bill Esses
Mix:
Doc Dougherty und “Little” Louie Vega (US house DJ/producer)
Bass:
Gary Down
Gitarre:
Ira Siegel
Keyboard und Synthesizer:
Fred Zarr
Perkussion:
Bashiri Johnson
Saxophon:
Jeff Smith (US saxophonist)
Tom Tom:
Billy Amendola
Hintergrundgesang:
La‐Rita Gaskin und Norma Jean Wright
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
aufgenommen bei:
Z Studio in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 95) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 479)
recording of:
Only in My Dreams
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (vom 1987 bis ????) und Deborah Ann’s Music (vom 1987 bis ????)
Debbie Gibson43:51
8Please Don’t Go
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
KC and the Sunshine Band43:50
9St. Elmo’s Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:13
10Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:01
11I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:43
12Like the Weather
recording engineer:
George Massenburg
assistierende(r) Techniker(in):
Duane Seykora und Shep Lonsdale
zusätzliche(r) Techniker(in):
Sharon Rice (Los Angeles sound engineer)
assistierende(r) Produzent(in):
Edd Kolakowski
Produzent(in):
Peter Asher
Mix:
Frank Wolf (engineer at Skyline Recording) und George Massenburg
E-Bass:
Steven Gustafson
Gitarre, Mandoline und Pedal-Steel-Gitarre:
Robert Buck
Keyboard:
Dennis Drew
Perkussion und Schlagzeug:
Jerome Augustyniak
vocals:
Natalie Merchant
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
produced at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1987-03 bis 1987-04)
Musikvideos:
Like the Weather von 10,000 Maniacs
recording of:
Like the Weather
Texter und Komponist(in):
Natalie Merchant
publisher:
Indian Love Bride Music und Christian Burial Music (in 1987)
10,000 Maniacs4.63:59
13Whip It
Partner-Produzent(in):
Robert Margouleff
Produzent(in):
DEVO (new wave/rock band)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 63) und Indie 88: Top 500 Indie Rock Songs (Nummer: 463)
recording of:
Whip It (Devo song)
Verfasser(in):
Gerald Casale und Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd und Nymph Music
DEVO4.452:42
14Let the Music Play
recording of:
Let the Music Play
Verfasser(in):
Chris Barbosa (Rhythm Method) und Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
Shannon4:39
15The Theme From Hill Street Blues
Produzent(in):
Mike Post
Gitarre:
Larry Carlton
arranger:
Mike Post
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984)
recording of:
Hill Street Blues: Theme
Komponist(in):
Mike Post
publisher:
MTM Music (in 1984)
Mike Post43:11
3CD: Sunglasses at Night
4CD: Sunglasses at Night
5CD: Together Forever
6CD: Together Forever
7CD: We Got the Beat
8CD: We Got the Beat
9CD: Everybody Have Fun Tonight

Nennungen

Veröffentlichung

ASIN:US: B001F1XA14 [Info]

Veröffentlichungsgruppe

Teil von:Time Life Music (Reihenfolge: 4)