Original Album Series Vol. 2

~ Release by George Benson (see all versions of this release, 1 available)

Tracklist

1▶CD: In Flight
2▼CD: Livin' Inside Your Love
#TitleRatingLength
1Livin’ Inside Your Love
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
Moog [mini-moog, polymoog], Rhodes piano [Fender Rhodes] and electric piano [Yamaha CP 30]:
Ronnie Foster
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes], Wurlitzer electric piano, clavinet and piano:
Jorge Dalto
solo classical guitar:
Earl Klugh
vocals:
George Benson (jazz guitarist/singer)
conductor:
Mike Mainieri
orchestrator:
Mike Mainieri
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Inside Your Love
lyricist and composer:
Earl Klugh
6:39
2Hey Girl
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
Rhodes piano:
Greg Phillinganes
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
instrumental cover recording of:
Hey Girl (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–Columbia Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1963, in 1991) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
4:33
3Nassau Day
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto
percussion:
Ralph MacDonald
solo piano:
Ronnie Foster
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Nassau Day
composer:
Ronnie Foster
publisher:
Bimmer Music Co.
6:13
4Soulful Strut
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Soulful Strut
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Am I the Same Girl
5:40
5Prelude to Fall
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Robert Popwell, Jr.
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto
percussion:
Ralph MacDonald
solo piano:
Ronnie Foster
vibraphone [vibes]:
Mike Mainieri
conductor:
Mike Mainieri
arranger:
Mike Mainieri
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Prelude to Fall
composer:
Ronnie Foster
publisher:
Bimmer Music Co. and Triangle Music Company (BMI)
6:33
6A Change Is Gonna Come
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
A Change Is Gonna Come
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:45
7Love Ballad
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Robert Popwell, Jr.
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
conductor:
Mike Mainieri
arranger:
Mike Mainieri
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:18
8You’re Never Too Far From Me
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
You’re Never Too Far From Me
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
6:47
9Love Is a Hurtin’ Thing
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
solo piano:
Jorge Dalto
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Love Is a Hurtin’ Thing
writer:
Dave Linden (Motown songwriter) and Ben Raleigh
publisher:
FP Wixen LLC, Rawlou Music, Wise Brothers Music LLC, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:28
10Welcome Into My World
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Robert Popwell, Jr.
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto
percussion:
Ralph MacDonald
solo Rhodes piano:
Ronnie Foster
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Welcome Into My World
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
4:11
11Before You Go
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard and solo Rhodes piano:
Jorge Dalto
percussion:
Ralph MacDonald
solo Minimoog:
Ronnie Foster
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Before You Go
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
6:30
12Unchained Melody
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass guitar:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Columbia 30th Street Studio in Manhattan, New York, New York, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
6:32
3▶CD: In Your Eyes
4▶CD: 20/20
5▶CD: Twice the Love