Serenade for Tenor, Horn & Strings / Les Illuminations / The Young Person’s Guide to the Orchestra

~ Uitgave van Benjamin Britten - Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Aantekening

Op. 34 (track 19—33) without spoken text
(probably edited out since recording conductor Maazel has himself narrated it on same date 1962-01—2), cf https://musicbrainz.org/release-group/ed6d8d1b-f551-3e8d-b61b-a438143361f0

Aantekening het laatst bewerkt op 2024-01-02 19:02 UTC.

Nummerlijst

1▼cd
#TitelArtiestWaarderingDuur
1Serenade for Tenor Solo, Horn and Strings, op. 31: I. Prologue. Andante
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor)
orkest:
Chicago Symphony Orchestra
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (in 1977-04)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:31
2Serenade for Tenor Solo, Horn and Strings, op. 31: II. Pastoral. Lento
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (in 1977-04)
tekstschrijver:
Charles Cotton
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
3Serenade for Tenor Solo, Horn and Strings, op. 31: III. Nocturne. Maestoso
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (in 1977-04)
tekstschrijver:
Lord Alfred Tennyson
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
4Serenade for Tenor Solo, Horn and Strings, op. 31: IV. Elegy. Andante appassionato
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (in 1977-04)
tekstschrijver:
William Blake (English poet, painter, and printmaker)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten5:00
5Serenade for Tenor Solo, Horn and Strings, op. 31: V. Dirge. Alla marcia grave
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (in 1977-04)
tekstschrijver:
[anonymous] ([anoniem], special purpose artist)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:19
6Serenade for Tenor Solo, Horn and Strings, op. 31: VI. Hymn. Presto e leggiero
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (in 1977-04)
tekstschrijver:
Ben Jonson (English playwright & poet)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten2:05
7Serenade for Tenor Solo, Horn and Strings, op. 31: VII. Sonnet. Adagio
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor) (in 1977-04)
orkest:
Chicago Symphony Orchestra (in 1977-04)
was dirigent:
Carlo Maria Giulini (conductor) (in 1977-04)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (in 1977-04)
tekstschrijver:
John Keats (English Romantic poet)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:44
8Serenade for Tenor Solo, Horn and Strings, op. 31: VIII. Epilogue. Andante
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
hoornfamilie:
Dale Clevenger (horn player) (in 1977-04)
tenorvocalen:
Robert Tear (tenor)
orkest:
Chicago Symphony Orchestra
was dirigent:
Carlo Maria Giulini (conductor)
balanstechnicus:
Cord Garben (pianist and conductor)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1977-04)
is een opname van:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (in 1977-04)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
uitgever:
Boosey & Hawkes Music Publishers, Ltd
deel van:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:44
9Les Illuminations: I. Fanfare. Maestoso – Largamente
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: I. Fanfare (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten2:08
10Les Illuminations: II. Villes. Allegro energico
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: II. Villes (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten2:45
11Les Illuminations: III. A. Phrase. Lento ed estatico
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: IIIa. Phrase (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten1:05
12Les Illuminations: III. B. Antique. Allegretto, un poco mosso
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: IIIb. Antique (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten2:07
13Les Illuminations: IV. Royauté. Allegro maestoso
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: IV. Royauté (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten1:38
14Les Illuminations: V. Marine. Allegro con brio
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: V. Marine (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten1:05
15Les Illuminations: VI. Interlude. Moderato ma comodo
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: VI. Interlude (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten3:39
16Les Illuminations: VII. Being Beauteous. Lento ma comodo
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: VII. Being Beauteous (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten3:46
17Les Illuminations: VIII. Parade. Alla marcia – Sempre ritmico, quasi senza espressione – Animato – Poco largamente – A tempo vivace
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: VIII. Parade (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten2:41
18Les Illuminations: IX. Départ. Largo mesto – Largamente
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
producent:
Günther Breest (producer for classical music)
tenorvocalen:
Robert Tear (tenor) (in 1978-09)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978-09)
was dirigent:
Carlo Maria Giulini (conductor) (in 1978-09)
balanstechnicus:
Hans Weber (producer/engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-09)
is een opname van:
Les Illuminations, op. 18: IX. Départ (in 1978-09)
tekstschrijver:
Arthur Rimbaud (French poet of the19th century)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
deel van:
Les Illuminations, op. 18
Benjamin Britten2:13
19The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:40
20The Young Person’s Guide to the Orchestra, op. 34: Variation A. Presto
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:31
21The Young Person’s Guide to the Orchestra, op. 34: Var. B. Lento
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:40
22The Young Person’s Guide to the Orchestra, op. 34: Var. C. Moderato
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:42
23The Young Person’s Guide to the Orchestra, op. 34: Var. D. Allegro alla marcia
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:01
24The Young Person’s Guide to the Orchestra, op. 34: Var. E. Brillante – Alla polacca
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:31
25The Young Person’s Guide to the Orchestra, op. 34: Var. F. Meno mosso
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:53
26The Young Person’s Guide to the Orchestra, op. 34: Var. G. No Tempo Marking
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:11
27The Young Person’s Guide to the Orchestra, op. 34: Var. H. Cominciando lento ma poco a poco accelerando
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:04
28The Young Person’s Guide to the Orchestra, op. 34: Var. I. Maestoso
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:58
29The Young Person’s Guide to the Orchestra, op. 34: Var. J. L’Istesso tempo
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:01
30The Young Person’s Guide to the Orchestra, op. 34: Var. K. Vivace
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:33
31The Young Person’s Guide to the Orchestra, op. 34: Var. L. Allegro pomposo
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:01
32The Young Person’s Guide to the Orchestra, op. 34: Var. M. Moderato
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:48
33The Young Person’s Guide to the Orchestra, op. 34: Fugue. Allegro molto
diverse ondersteuning:
Hans Ritter (taak: recording supervision)
orkest:
Orchestre National, Paris (National Orchestra of France, RTF / ORTF / Radio France) (in 1962-02)
was dirigent:
Lorin Maazel (conductor) (in 1962-02)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1962)
opgenomen bij:
Salle de la Mutualité in Paris, Île-de-France, Frankrijk (in 1962-02)
is een opname van:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1962-02)
componist:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is gebaseerd op:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
deel van:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:44

Relaties

Uitgave

gefabriceerd in:West Germany
gedrukt in:Wittingen, Niedersachsen (Lower Saxony), Duitsland
verzorgde artistieke leiding:Hartmut Pfeiffer
boektekst:Michele Girardi (musicologist) (in 1988)
Stephen Banfield (in 1988)
boektekst (als vertaler):Bernadette Mey (translation)
Jost Stettien (liner notes translator)
verzorgde het ontwerp:Holger Matthies
rechtenorganisatie:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
gedrukt door:Neef (printing company)
deel van:20th Century Classics (Deutsche Grammophon) (volgorde: 3)
Discogs:https://www.discogs.com/release/8706755 [info]