The Chronogical Classics: Lester Flatt and Earl Scruggs 1965–1966

~ Release by Lester Flatt & Earl Scruggs and The Foggy Mountain Boys (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Memphis
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar and tenor vocals:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
cover recording of:
Memphis, Tennessee (on 1965-09-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:20
2Jackson
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar and tenor vocals:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
recording of:
Jackson (on 1965-09-02)
lyricist and composer:
Jerry Leiber (in 1963) and Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
2:33
3Colours
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
recording of:
Colours (on 1965-09-02)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Songs of Peer, Ltd. (ASCAP)
2:49
4For Lovin’ Me
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
For Lovin’ Me (on 1965-09-03)
lyricist and composer:
Gordon Lightfoot
publisher:
Early Morning Music, M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
2:31
5Houston
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Houston (on 1965-09-03)
lyricist and composer:
Lee Hazlewood
2:19
6Detroit City
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Detroit City (on 1965-09-03)
writer:
Danny Dill and Mel Tillis
publisher:
Southern Music (publisher)
2:11
7Foggy Mountain Breakdown
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 57)
recording of:
Foggy Mountain Breakdown (on 1965-09-03)
composer:
Earl Scruggs
2:18
8Kansas City
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
2:26
9Nashville Blues
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Nashville Blues (on 1965-09-03)
composer:
Earl Scruggs
1:54
10Take Me Back to Tulsa
1:52
11The Last Public Hanging in West Virginia
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
The Last Public Hanging in W. Virginia (on 1964-10-08)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
3:09
12The Boys From Tennessee
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
The Boys From Tennessee (on 1964-10-08)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
2:36
13Ten Miles From Natchez
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
Ten Miles From Natchez (on 1964-10-08)
writer:
Josh Graves and Jake Lambert (US bluegrass/country songwriter)
2:37
14Seattle Town
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
Seattle Town (on 1964-10-08)
writer:
Dixie Deen (Songwriter) and Ray King (1960s country artist & writer)
publisher:
Scruggs Music, Inc.
1:59
15Green Acres
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
fiddle:
Paul Warren (US fiddler) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica and mouth harp:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
tenor vocals:
June Carter Cash (American Country singer and songwriter) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
recording of:
Theme (Green Acres) (on 1965-12-14)
lyricist and composer:
Vic Mizzy (US television & movie composer)
2:08
16I Had a Dream
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-12-14)
tenor vocals:
June Carter Cash (American Country singer and songwriter) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
2:51
17When the Saints Go Marching In
2:07
18God Gave Noah the Rainbow Sign
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-12-14)
bass vocals:
Paul Warren (US fiddler) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
recording of:
God Gave Noah the Rainbow Sign (on 1965-12-14)
lyricist and composer:
A.P. Carter
2:06
19Call Me on Home, Too
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and spoken vocals:
Lester Flatt (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:00
20A Stone That Builders Refused
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
1:49
21Wait for the Sunshine
1:54
22No Mother in This World
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:30
23Thank God I’m on My Way
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:09
24Troublesome Waters
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
guitar:
Lester Flatt (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
lead vocals:
Lester Flatt (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
recording of:
Troublesome Waters (on 1966-03-21)
writer:
Ezra J. Carter, Mother Maybelle Carter and Dixie Deen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:49
25The Last Thing on My Mind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-05-16)
double bass:
Ernie Newton (contrabassist) (on 1966-05-16) and Jake Tullock (country stand-up bass) (on 1966-05-16)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-05-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-05-16)
guitar and lead vocals:
Lester Flatt (on 1966-05-16)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-05-16)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-05-16)
resonator guitar and tenor vocals:
Josh Graves (on 1966-05-16)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1966-05-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-05-16)
recording of:
The Last Thing on My Mind (on 1966-05-16)
lyricist and composer:
Tom Paxton (US folk singer-songwriter)
publisher:
Deep Fork Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Essex Music, Inc., Harmony Music Ltd., United Artists Music Co., Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
2:36
26I’ve Heard the Wind Blow Before
2:09
27Passing Through
2:12
28Mama, You Been on My Mind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-05-16)
double bass:
Ernie Newton (contrabassist) (on 1966-05-16) and Jake Tullock (country stand-up bass) (on 1966-05-16)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-05-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-05-16)
guitar and lead vocals:
Lester Flatt (on 1966-05-16)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-05-16)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-05-16)
resonator guitar and tenor vocals:
Josh Graves (on 1966-05-16)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1966-05-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-05-16)
recording of:
Mama, You Been on My Mind (on 1966-05-16)
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
2:29
29It Was Only the Wind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-08-30)
double bass:
Floyd D. 'Lightnin'' Chance (on 1966-08-30) and Jake Tullock (country stand-up bass) (on 1966-08-30)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-08-30)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-08-30)
guitar and lead vocals:
Lester Flatt (on 1966-08-30)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-08-30)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1966-08-30)
resonator guitar:
Josh Graves (on 1966-08-30)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-08-30)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-08-30)
recording of:
It Was Only the Wind (on 1966-08-30)
writer:
Louise Certain and Tom T. Hall
2:31
30I’ll Never Understand
2:12
31Man of Constant Sorrow
2:02
32Take Me Home to Mama
2:04

Credits

Release

ASIN:US: B07MWQFDF6 [info]

Release group

part of:The Chronogical Classics (not to be confused with The Chronological Classics) (number: 6577) (order: 222)