Radio Rock Revolution: Movie Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Stay With Me Baby
assistierende(r) Techniker(in):
Sam Okell (engineer, Abbey Road Studios)
Techniker(in):
Pete Cobben
Produzent(in) und Mix:
Bernard Butler
Bass:
Tom Lammiman-Hinley
Gitarre:
Bernard Butler
membranophone:
Makoto Sakamoto (Japanese drummer)
Posaune:
Nichol Thomson (British trombonist, trumpet, brass)
Saxophon:
Jim Hunt
Trompete:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
conductor:
Sally Herbert (violinist, composer, and conductor)
Saiteninstrumente arranger:
Sally Herbert (violinist, composer, and conductor)
Herausgeber:
Warner/Chappell Music Ltd. (1996–2019)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
mixed at:
West Heath Studio in West Heath, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
recording of:
Stay With Me Baby
Texter:
Walter Marks
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Duffy3:53
2All Day and All of the Night
Produzent(in):
Shel Talmy
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (am 1964-09-23)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (am 1964-09-23)
Klavier:
Perry Ford (English pop singer) (am 1964-09-23)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (am 1964-09-23)
Hintergrundgesang:
Johnny B. Great (am 1964-09-23)
Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (am 1964-09-23)
Herausgeber:
Edward Kassner Music Co. Ltd.
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 23)
recording of:
All Day and All of the Night (am 1964-09-23)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy und Kassner Associated Publishers Ltd.
The Kinks4.552:23
3Elenore
recording of:
Elenore
Texter und Komponist(in):
John Barbata, Howard Kaylan, Al Nichol, Jim Pons und Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music und High Concept Music
The Turtles52:31
4Judy in Disguise
phonographisches Urheberrecht (℗) von:
Pye International (in 1968)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
Verfasser(in):
Andrew Bernard und John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und MCS Music Ltd.
John Fred & His Playboy Band3.852:54
5Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves & the Vandellas3.552:36
6Wouldn’t It Be Nice
Techniker(in):
Larry Levine (am 1966-01-22) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-01-22) und Frank Marocco (am 1966-01-22)
baritone saxophone:
Jay Migliori (am 1966-01-22)
Bassgitarre:
Lyle Ritz (am 1966-01-22)
E-Bass:
Carol Kaye (am 1966-01-22) und Ray Pohlman (am 1966-01-22)
Gitarre:
Bill Pitman (am 1966-01-22)
Klavier:
Al De Lory (am 1966-01-22)
Klavier [track piano]:
Larry Knechtel (am 1966-01-22)
Mandoline:
Barney Kessel (am 1966-01-22)
Perkussion:
Frank Capp (am 1966-01-22)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-01-22)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-01-22) und Plas Johnson (am 1966-01-22)
Trompete:
Roy Caton (trumpet player) (am 1966-01-22)
zwölfsaitige Gitarre:
Jerry Cole (am 1966-01-22)
Hintergrundgesang:
Al Jardine (guitarist and singer) (am 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (am 1966-01-22), Carl Wilson (Beach Boys) (am 1966-01-22) und Dennis Wilson (Beach Boys) (am 1966-01-22)
Sologesang:
Mike Love (Beach Boys) (am 1966-01-22) und Brian Wilson (Beach Boys co‐founder) (am 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 297)
recording of:
Wouldn’t It Be Nice (am 1966-01-22)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:23
7Ooo Baby Baby
Produzent(in):
Bill “Smokey” Robinson (am 1965-01-21)
Hintergrundgesang:
The Miracles (aka Smokey Robinson and The Miracles) (am 1965-01-21)
Sologesang:
Smokey Robinson (am 1965-01-21)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 20) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 262)
recording of:
Ooo Baby Baby (am 1965-01-21)
Verfasser(in):
Warren “Pete” Moore und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Smokey Robinson & The Miracles52:45
8This Guy’s in Love With You
Techniker(in):
Larry Levine
Produzent(in):
Herb Alpert und Jerry Moss (record company founder and inductee)
vocals:
Herb Alpert
arranger:
Herb Alpert und Burt Bacharach
phonographisches Urheberrecht (℗) von:
Herb Alpert Presents (Herb Alpert label) (in 2015)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968)
recording of:
This Guy’s in Love With You (in 1968)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
cover recording of:
This Guy’s in Love With You
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Herb Alpert & the Tijuana Brass3.54:01
9Crimson and Clover
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 188)
recording of:
Crimson and Clover
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) und Big Seven Music Corp. (in 1987)
Tommy James & the Shondells45:25
10Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:49
11I Can See for Miles
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Bassgitarre:
John Entwistle
Gitarre:
Pete Townshend (of The Who)
Perkussion und Schlagzeug:
Keith Moon (drummer)
Sologesang:
Roger Daltrey
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1967)
aufgenommen bei:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, Vereinigtes Königreich (von 1967-05-28 bis 1967-05-29), Talent Masters Studios in New York, New York, Vereinigte Staaten (in 1967-07) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 258)
recording of:
I Can See for Miles (von 1967-05-28 bis 1967-05-29)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-07)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-09)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
The Who4.454:07
12With a Girl Like You
recording of:
With a Girl Like You
Verfasser(in):
Reg Presley
The Troggs4.42:07
13The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:54
14I’m Alive
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
Texter und Komponist(in):
Clint Ballard, Jr.
The Hollies2:25
15Yesterday Man
Produzent(in):
Peter Columbus
recording of:
Yesterday Man
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
Chris Andrews2:32
16I’ve Been a Bad Bad Boy
recording of:
I’ve Been a Bad Bad Boy
Komponist(in):
Mike Leander
publisher:
Leeds Music Ltd. und Universal/MCA Music Publishing Pty Ltd
Paul Jones2:21
17Silence Is Golden
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1967) und CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. und Windswept Pacific Music Ltd.
The Tremeloes3.653:09
18The End of the World
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:39
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