Disco Inferno

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Heaven Must Be Missing an Angel
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
Bearbeitung von:
Heaven Must Be Missing an Angel von Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
2Everybody Dance
Produzent(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
recording of:
Everybody Dance
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic3:34
3All American Girls
Produzent(in):
Narada Michael Walden
recording of:
All American Girls
Texter:
Joni Sledge, Anukampa Lisa Walden und Allee Willis
Komponist(in):
Narada Michael Walden
Sister Sledge3:55
4I Shoulda Loved Ya
recording of:
I Shoulda Loved Ya
Verfasser(in):
T.M. Stevens (US bass player Thomas Michael Stevens), Narada Michael Walden und Allee Willis
Narada Michael Walden4:00
5You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White3.753:24
6Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:34
7The Devil Is Loose
recording of:
The Devil Is Loose
Verfasser(in):
Asha Puthli und Dieter Zimmermann (German composer, arranger and producer)
Asha Puthli3:32
8It Makes You Feel Like Dancin’
Bearbeitung von:
It Makes You Feel Like Dancin’ von Rose Royce
recording of:
It Makes You Feel Like Dancin’
Texter, Verfasser(in) und Komponist(in):
Norman Whitfield
Rose Royce4:23
9Shame
recording of:
Shame
Verfasser(in):
Reuben Cross und John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. und Mills & Mills Music
Evelyn “Champagne” King3:48
10Love Me Baby
phonographisches Urheberrecht (℗) von:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) und Carrere International (Copyrights holder for Carrere) (in 1977)
recording of:
Don’t Love Me Baby
publisher:
Roba Music (publisher) (in 1977)
recording of:
Love Me Baby
Texter:
Copperman und Pamela Forrest
Komponist(in):
Paul Racer und Mike Wickfield
publisher:
Roba Music (publisher) (in 1977)
Sheila & B. Devotion3:38
11I’m Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Bearbeitung von:
I’m Every Woman (remix version by Dancin’ Danny D) von Chaka Khan
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:34
12I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:13
13He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
14Funky Nassau, Part 1
recording of:
Funky Nassau
Texter und Komponist(in):
Tyrone Patrick Fitzgerald und Ray Munnings
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Beginning of the End3:06
15Forget Me Nots
recording of:
Forget Me Nots
Verfasser(in):
Terri McFaddin, Patrice Rushen und Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) und Yamina Music
Patrice Rushen54:05
16The Glow of Love
Produzent(in):
Jacques Fred Petrus
Sologesang:
Luther Vandross
conductor:
David Romani und Paolo Gianolio
arranger:
David Romani und Paolo Gianolio
recording of:
Glow of Love
Verfasser(in):
Wayne Garfield, Mauro Malavasi und Davide Romani
publisher:
Little Macho Music und Spirit Two Music Inc.
Change6:12
17Keep the Fire Burning
recording of:
Keep the Fire Burning
Texter und Komponist(in):
Willie Hutch
Gwen McCrae43:31
18Born to Be Alive
recording of:
Born to Be Alive
Texter und Komponist(in):
Patrick Hernandez
Patrick Hernandez3:10
19Nights on Broadway
cover recording of:
Nights on Broadway
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) und Flam Music Ltd. (in 1975)
Candi Staton3:28
20Theme From Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:34