Motown Greatest Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Got to Give It Up
Produzent(in):
Art Stewart
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. und Jobete Music Publishing
Marvin Gaye3.44:13
2Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:37
3Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:39
4Sir Duke
Programmierung:
Charles Brewer, John Fischbach und Stevie Wonder
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
Gitarre:
Ben Bridges und Michael Sembello
Perkussion, Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Raymond Pounds
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio und Raymond Maldonado
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
Stevie Wonder4.43:54
5Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:40
6Let’s Get Serious
Produzent(in):
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Let’s Get Serious
Verfasser(in):
Lee Garrett und Stevie Wonder
Jermaine Jackson3:30
7Being With You
assistierende(r) Techniker(in):
Richie Griffin
Techniker(in):
Howard Lee Wolen und Mark Wolfson
Produzent(in):
George Tobin
Mix:
Mike Piccirillo (songwriter and producer) und George Tobin
arranger:
George Tobin
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei und mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Being With You
Texter und Komponist(in):
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Primary Wave Robinson
Smokey Robinson3.254:03
8One Day in Your Life
Produzent(in):
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
Texter:
Samuel F. Brown III
Komponist(in):
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1974 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Michael Jackson3.64:16
9I’m Coming Out
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross3:57
10Super Freak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:25
11Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.54:28
12All Night Long (All Night)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:16
13Treat Her Like a Lady
leitende(r) Produzent(in):
Suzee Ikeda
Produzent(in):
Ralph Johnson (Earth, Wind & Fire drummer) und Al McKay
Sologesang:
Ali Ollie Woodson
arranger:
Victor Carstarphen (keyboardist, composer and producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
recording of:
Treat Her Like a Lady
Komponist(in):
Otis Williams (US baritone singer, member of The Temptations & The Distants) und Ali Ollie Woodson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Tall Temptations Music
The Temptations3.54:11
14I Just Called to Say I Love You
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
I Just Called to Say I Love You
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc. und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd. und 大洋音楽 (Taiyō Music)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1984 winner)
Stevie Wonder4.254:23
15All Night Long
recording of:
All Night Long
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Lionel Richie4:07
16Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:59
17Nightshift
Partner-Produzent(in):
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) und Jeremy Smith (producer/engineer)
Produzent(in):
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
Bearbeitung von:
Nightshift von Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.354:23
18Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:55
19I Love Your Smile
remixer:
Driza Bone
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1991)
Remix von:
I Love Your Smile (radio version) von Shanice
recording of:
I Love Your Smile
Verfasser(in):
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox und Narada Michael Walden
publisher:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music und WB Music Corp. (1929–2019)
Shanice43:50

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Discogs:https://www.discogs.com/master/1635561 [Info]