Tea for Two: Café Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Tea for Two
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Oscar Peterson6:08
2A Foggy Day
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1951-03-08)
Kontrabass:
Gene Ramey (am 1951-03-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1951-03-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1951-03-08)
instrumental recording of:
A Foggy Day (in London Town) (am 1951-03-08)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Lester Young2:51
3Jumpin’ With Symphony Sid
George Shearing2:43
4Just You, Just Me
Lester Young, Sid Catlett & Slam Stewart3:13
5Red Roses for a Blue Lady
Coleman Hawkins2:25
6Ballade
recording of:
Ballade
Komponist(in):
Coleman Hawkins und Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker2:56
7Sophisticated Lady
cover recording of:
Sophisticated Lady
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald5:23
8Everything Depends on You
recording of:
Everything Depends on You
Verfasser(in):
Charles Carpenter, Louis Dunlap und Earl Hines (jazz pianist and bandleader)
Chet Baker3:22
9Mood Indigo
The Jungle Band2:59
10All of You
recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Billie Holiday2:34
11Gladys
Lionel Hampton & Stan Getz7:47
12My Bells
Bill Evans Trio3:49
13You’re the Top
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-15)
Trompete:
Louis Armstrong
vocals:
Louis Armstrong (, am 1957-08-15)
Orchester:
Russ Garcia & His Orchestra (am 1957-08-15)
conductor:
Russell Garcia (am 1957-08-15)
arranger:
Russell Garcia
recording of:
You’re the Top (am 1957-08-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Louis Armstrong & Russell Garcia’s Orchestra2:33
14Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Django Reinhardt2:52
15Black and Tan Fantasy
recording of:
Black and Tan Fantasy
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
Earl "Fatha" Hines5:13
16Honeysuckle Rose
Teddy Wilson3:59
17Strictly Confidential
Bud Powell3:12
18Rosalie
Erroll Garner2:37
19You Better Go Now
recording of:
You Better Go Now
Verfasser(in):
Irvin Graham und Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
Jeri Southern3:03
20Tomorrow Is My Turn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
Texter:
Yves Stéphane
Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
L’amour c’est comme un jour
Nina Simone4.652:49
21Cheek to Cheek
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Adele Astaire und Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire5:41
22Time After Time
Sonny Stitt3:51
23Solitude
Herbie Hancock5:43
24Midnight in a Madhouse
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1937-12-17)
Gitarre:
Bobby Johnson (US guitarist) (am 1937-12-17)
Klavier:
Tommy Fulford (am 1937-12-17)
Kontrabass [bass]:
Beverly Peer (am 1937-12-17)
Posaune:
Nat Story (am 1937-12-17) und Sandy Williams (American jazz trombonist) (am 1937-12-17)
Rohrblattinstrumente:
Garvin Bushell (am 1937-12-17)
Schlagzeug:
Chick Webb (am 1937-12-17)
Tenorsaxophon:
Wayman Carver (am 1937-12-17) und Teddy McRae (am 1937-12-17)
Trompete:
Mario Bauzá (am 1937-12-17), Taft Jordan (am 1937-12-17) und Bobby Stark (am 1937-12-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1937-12-17)
Chick Webb and His Orchestra2:31
25Ivy
Anita O’Day2:49
26Body and Soul
Roy Eldridge & His Orchestra3:18
27Stardust
Clifford Brown & Max Roach3:25
28How Deep Is the Ocean?
Tal Farlow4:01
29Ain’t Misbehavin’
cover recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Dinah Washington2:49
30Straighten Up and Fly Right
The Nat “King” Cole Trio2:25

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