Bridging A Gap

~ Release by Mark Murphy (see all versions of this release, 1 available)

Annotation

Recorded November 20 & 21, 1972

Annotation last modified on 2017-06-18 18:11 UTC.

Tracklist

1▼Medium
#TitleRatingLength
1Come And Get Me
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Come And Get Me
lyricist and composer:
Mark Murphy (US jazz singer)
publisher:
Orpheum Music
3:37
2Sausalito
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Sausalito
lyricist and composer:
Mark Murphy (US jazz singer)
publisher:
Mared Music Co
3:42
3She's Gone
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
She's Gone
lyricist and composer:
Mark Murphy (US jazz singer)
2:50
4Steamroller
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Steamroller (aka Steamroller Blues)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
EMI Blackwood Music Inc.
3:14
5We Could Be Flying
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
We Could Be Flying
writer:
Michel Colombier (French score composer) and Paul Williams (US songwriter/soft rock vocalist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
3:39
6Sunday In New York
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Sunday in New York
lyricist:
Carroll Coates
composer:
P. Nero (US pianist & conductor)
5:08
7Gee Baby Ain't I Good To You
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:01
8No More
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
No More
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Tutti Camarata
3:12
9As Time Goes By
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:01
10I'm Glad There Is You
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
vocals:
Mark Murphy (US jazz singer)
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (in 1972)
recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
5:03

Credits

Release group

Wikidata:Q43303115 [info]