The Best Pub Jukebox... Ever!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Stand by Me
assistant engineer:
Jimmy Iovine
engineer:
Roy Cicala
producer:
John Lennon (The Beatles)
acoustic guitar:
Eddie Mottau
bass guitar:
Klaus Voormann
drums (drum set):
Jim Keltner
electric guitar:
Jesse ‘Ed’ Davis, Peter Jameson and John Lennon (The Beatles)
percussion:
Arthur Jenkins
piano:
Ken Ascher
saxophone:
Joseph Temperley (Scottish saxophonist & clarinetist) and Frank Vicari
tenor saxophone:
Denny Morouse
vocals:
John Lennon (The Beatles)
remixer:
Roy Cicala
arranger:
John Lennon (The Beatles)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1974-10-21 until 1974-10-25)
music videos:
Stand by Me by John Lennon (The Beatles)
cover recording of:
Stand by Me (from 1974-10-21 until 1974-10-25)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
John Lennon4.353:27
2The Joker
producer:
Steve Miller (leader of Steve Miller Band)
acoustic guitar, slide guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set):
John King (drums)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:25
3Changes
recorded at:
Green’s Playhouse in Glasgow, Scotland, United Kingdom (on 1973-01-05)
live recording of:
Changes (David Bowie song) (on 1973-01-05)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Daniel Licht
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing (do not use as a release label!), Tintoretto Music and Universal/MCA Music Publishing Pty Ltd
David Bowie3:36
4Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
5American Pie, Parts 1 & 2
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:35
6Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:59
7Big Sur
producer:
Tony Hoffer
mixer:
Michael H. Brauer (engineer)
banjo, bass guitar and background vocals:
Pádraic McMahon and Daniel Ryan (The Thrills)
drums (drum set) and percussion:
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’)
guitar:
Conor Deasy, Pádraic McMahon and Daniel Ryan (The Thrills)
harmonica and lead vocals:
Conor Deasy
organ, piano and synthesizer:
Kevin Horan (The Thrills)
vocals:
Kevin Horan (The Thrills)
recording of:
Big Sur
lyricist:
Conor Deasy
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
composer:
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’), Conor Deasy, Kevin Horan (The Thrills), Pádraic McMahon and Daniel Ryan (The Thrills)
The Thrills3.53:07
8Wouldn't It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (guitarist and singer) (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:24
9Nineteen Hundred and Eighty Five
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistant engineer:
Monday (engineer) (from 1973-10 until 1973-11) and Pete Swettenham (from 1973-10 until 1973-11)
producer:
Paul McCartney (The Beatles) (in 1973-10)
mixer:
Geoff Emerick (British recording engineer) (from 1973-10 until 1973-11)
bass guitar and electric guitar:
Denny Laine (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
drums (drum set), keyboard, piano, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (in 1973-10)
horn and strings:
Beaux Arts Orchestra (in 1973-10)
organ:
Linda McCartney (in 1973-10)
shakers:
Linda McCartney (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
background vocals:
Denny Laine (in 1973-10) and Linda McCartney (in 1973-10)
orchestrator:
Tony Visconti
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1973-10 until 1973-11)
recording of:
Nineteen Hundred and Eighty Five (in 1973-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
ATV Music Corp., McCartney Music, Inc. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Paul McCartney & Wings2.85:30
10We Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and Columbia Pictures Industries, Inc. (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Francis, Day & Hunter (publisher) (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.83:16
11In a Broken Dream
producer:
Miki Dallon
lead vocals:
Rod Stewart
recording of:
In a Broken Dream
lyricist and composer:
David Bentley (“in a broken dream”)
publisher:
New Songs Administration Ltd. and Young Blood Music Ltd.
Python Lee Jackson feat. Rod Stewart3:40
12Tin Soldier
producer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
instrumental recording of:
Tin Soldier
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
Small Faces43:22
13I Can't Stand Up for Falling Down
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks (soul singer and songwriter) and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions4.52:08
14Do the Strand
engineer:
John Middleton (engineer) and John Punter
producer:
Roxy Music and Chris Thomas (UK record producer / remixer)
vocals:
Bryan Ferry (in 1973-02)
arranger:
Roxy Music
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1973, in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Do the Strand (in 1973-02)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc., E.G. Music Ltd. (publisher) (, in 1973), EG Music Publishers Ltd., Universal Music Careers and Universal Music Publishing Group
Roxy Music44:00
15Senses Working Overtime
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
edit of:
Senses Working Overtime by XTC (English rock band)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:34
16All the Way From Memphis
recording of:
All the Way From Memphis
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.)
Mott the Hoople3:24
17Telegram Sam
recording of:
Telegram Sam
lyricist and composer:
Marc Bolan
publisher:
SPIRIT CATALOGUE HD(T REX) 301 and フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex3:46
18Roadrunner
producer:
John Cale (The Velvet Underground founder)
bass:
Ernie Brooks
drums (drum set):
David Robinson (US rock drummer)
guitar and lead vocals:
Jonathan Richman
organ and piano:
Jerry Harrison (Talking Heads & producer)
background vocals:
Ernie Brooks, Jerry Harrison (Talking Heads & producer) and David Robinson (US rock drummer)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 77) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 269)
recording of:
Roadrunner
lyricist and composer:
Jonathan Richman
The Modern Lovers44:03
19Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.63:44
20My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.24:03