Complete Solo Recordings

~ Release by Maria João Pires (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach: Partita no. 1 / English Suite no. 3 / French Suite no. 2
2▶CD: Beethoven: Piano Sonatas nos. 13, 14 & 30
3▶CD: Chopin: Preludes / Fantaisie in F minor / Fantaisie-Impromptu / Berceuse
4▶CD: Chopin: Nocturnes
5▶CD: Chopin: Nocturnes
6▶CD: Chopin: Piano Sonata no. 3 / Nocturnes, op. 62 / Mazurkas, op. 59
7▶CD: Chopin: Polonaise-Fantaisie / Mazurkas / Valses / Cello Sonata in G minor
8▶CD: Mozart: Piano Sonatas K. 310, K. 333, K. 545
9▶CD: Piano Sonatas K 330 & K 457 / Fantasias K 475 & K 397
10▶CD: Mozart: Piano Sonatas K.279, K.280, K.311, K.576
11▶CD: Mozart: Piano Sonatas K. 281, K. 282, K. 533/K. 494
12▶CD: Mozart: Piano Sonata nos. 5, 6 & 10
13▶CD: Mozart: Piano Sonatas nos. 7
14▶CD: Schubert: Impromptus D. 899 / Allegretto in C minor
15▶CD: Schubert: Impromptus, D. 935 / Drei Impromptus aus dem Nachlass
16▶CD: Schubert: Sonata, D 784 / 6 Moments musicaux, D 780 / 2 Scherzi, D 593
17▶CD: Schubert: Piano Sonatas nos. 16 & 21
18▶CD: Schubert: Fantasie in F minor / Rondo in A major / Piano Sonata in A major D 664
19▶CD: Schubert: Piano Sonata in A minor, D 784
20▼CD: Schumann: Faschingsschwank aus Wien / Waldszenen / Romanzen / Arabeske / Brahms: 3 Intermezzi
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1Waldszenen (Op. 82), I. Eintritt. Nicht Zu Schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: I. Eintritt. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:55
2Waldszenen (Op. 82), II. Jäger Auf Der Lauer. Höchst Lebhaft
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:20
3Waldszenen (Op. 82), III. Einsame Blumen. Einfach
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: III. Einsame Blumen. Einfach (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:48
4Waldszenen (Op. 82), IV. Verrufene Stelle. Zimlich Langsam
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:04
5Waldszenen (Op. 82), V. Freundliche Landschaft. Schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: V. Freundliche Landschaft. Schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:02
6Waldszenen (Op. 82), VI. Herberge. Mässig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VI. Herberge. Mäßig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:01
7Waldszenen (Op. 82), VII. Vogel Als Prophet. Langsam, Sehr Zart
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:57
8Waldszenen (Op. 82), VIII. Jagdlied. Rasch, Kräftig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:24
9Waldszenen (Op. 82), IX. Abschied. Nicht Schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IX. Abschied. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:08
10Arabeske (Op. 18), I. Leicht Und Zart
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann0:55
11Arabeske (Op. 18), II. Minore I. Etwas Langsamer
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann3:03
12Arabeske (Op. 18), III. Minore II. Etwas Langsamer
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:40
13Arabeske (Op. 18), IV. Zum Schluss (Coda). Langsam
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:34
143 Romanzen (Op. 18), I. Sehr Markiert
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: I. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:48
153 Romanzen (Op. 18), II. Einfach
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann4:46
163 Romanzen (Op. 18), III. Sehr Markiert. Intermezzo I, Presto, Intermezzo II, Etwas Langsamer
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: III. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann8:03
17Faschingsschwank Aus Wien (Op. 26), I. Allegro. Sehr Lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann9:49
18Faschingsschwank Aus Wien (Op. 26), II. Romanze. Ziemlich Langsam
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:22
19Faschingsschwank Aus Wien (Op. 26), III. Scherzino
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: III. Scherzino (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:07
20Faschingsschwank Aus Wien (Op. 26), IV. Intermezzo. Mit Gröster Energie
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:31
21Faschingsschwank Aus Wien (Op. 26), V. Finale. Höchst Lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann6:05
223 Intermezzi (Op. 117), I. No. 1 In E Flat Major. Andante Moderato
assistant engineer:
Andrew Mellor (engineer) (in 2012-01)
producer:
John Fraser (UK producer)
piano:
Maria João Pires (pianist) (in 2012-01)
balance engineer:
Daniel Kemper (in 2012-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (in 2012-01)
live recording of:
3 intermezzi, op. 117: Nr. 1 in Es‐Dur. Andante moderato (3 Intermezzi, op. 117: No. 1 in E-flat major. Andante moderato) (in 2012-01)
premiered in:
London (Greater London), England, United Kingdom (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms5:07
233 Intermezzi (Op. 117), II. No. 2 In B Flat Major. Andante Non Troppo
assistant engineer:
Andrew Mellor (engineer) (in 2012-01)
producer:
John Fraser (UK producer)
piano:
Maria João Pires (pianist) (in 2012-01)
balance engineer:
Daniel Kemper (in 2012-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (in 2012-01)
live recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 Intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione) (in 2012-01)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 Intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms4:56
243 Intermezzi (Op. 117), III. No. 3 In C Sharp Minor. Andante Con Moto
assistant engineer:
Andrew Mellor (engineer) (in 2012-01)
producer:
John Fraser (UK producer)
piano:
Maria João Pires (pianist) (in 2012-01)
balance engineer:
Daniel Kemper (in 2012-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (in 2012-01)
live recording of:
3 intermezzi, op. 117: Nr. 3 in cis‐Moll. Andante con moto (3 Intermezzi, op. 117: No. 3 in C-sharp minor. Andante con moto) (in 2012-01)
premiered in:
Hamburg, Germany (on 1893-11-27)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
recording of:
3 intermezzi, op. 117: Nr. 3 in cis‐Moll. Andante con moto (3 Intermezzi, op. 117: No. 3 in C-sharp minor. Andante con moto)
premiered in:
Hamburg, Germany (on 1893-11-27)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms5:49